Panasonic G9 vs Pentax KP
The Panasonic Lumix DC-G9 and the Pentax KP are two enthusiast cameras that were revealed to the public, respectively, in November 2017 and January 2017. The G9 is a mirrorless interchangeable lens camera, while the KP is a DSLR. The cameras are based on a Four Thirds (G9) and an APS-C (KP) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G9 and the Pentax KP? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic G9 and the Pentax KP is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The KP can be obtained in two different colors (black, silver), while the G9 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 and the Pentax KP are of equal size. However, the KP is markedly heavier (7 percent) than the G9. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the G9 gets 400 shots out of its DMW-BLF19 battery, while the KP can take 390 images on a single charge of its D-LI109 power pack. The power pack in the G9 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||amazon.com|
|2.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099||ebay.com|
|3.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||ebay.com|
|4.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799||amazon.com|
|5.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||ebay.com|
|6.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699||amazon.com|
|7.||Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499||amazon.com|
|8.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849||amazon.com|
|9.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|10.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899||ebay.com|
|11.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||ebay.com|
|12.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499||ebay.com|
|13.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649||amazon.com|
|14.||Pentax K-S2||123 mm||91 mm||73 mm||678 g||410||Y||Feb 2015||749||ebay.com|
|15.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||ebay.com|
|16.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299||ebay.com|
|17.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099||ebay.com|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The KP was launched at a markedly lower price (by 35 percent) than the G9, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G9 features a Four Thirds sensor and the Pentax KP an APS-C sensor. The sensor area in the KP is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G9 has a native 4:3 aspect ratio, while the one in the KP offers a 3:2 aspect.
With 24.1MP, the KP offers a higher resolution than the G9 (20.2MP), but the KP nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.34μm for the G9) due to its larger sensor. However, the G9 is a somewhat more recent model (by 9 months) than the KP, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Pentax KP implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the KP for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Panasonic G9 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
Both cameras have the capacity to capture high quality composite images by combining multiple shots after shifting the sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-G9 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax KP are ISO 100 to ISO 819200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|4.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1356||76|
|5.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|6.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|7.||Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||23.1||12.8||1154||74|
|8.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||23.1||12.8||1163||74|
|9.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|10.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|11.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|12.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|15.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|17.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G9 provides a higher video resolution than the KP. It can shoot video footage at 4K/60p, while the Pentax is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), while the KP has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the G9 has a higher magnification than the one of the KP (0.83x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic G9 and Pentax KP along with similar information for a selection of comparators.
|1.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0/s||n||Y|
|2.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0/s||Y||Y|
|3.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|4.||Olympus E-M1 III||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|5.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|6.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0/s||n||Y|
|7.||Panasonic GH5s||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||n|
|8.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0/s||Y||Y|
|9.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|10.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0/s||Y||Y|
|11.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|12.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|13.||Pentax K-70||optical||n||3.0 / 921||swivel||n||1/6000s||6.0/s||Y||Y|
|14.||Pentax K-S2||optical||n||3.0 / 921||swivel||n||1/6000s||5.4/s||Y||Y|
|15.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||n||Y|
|16.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||Y||Y|
|17.||Pentax K-5 II||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0/s||Y||Y|
One feature that is present on the G9, but is missing on the KP is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G9 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the KP does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G9 and the Pentax KP both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G9 and the KP write their files to SDXC cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the KP only has one slot. The G9 supports UHS-II cards (on both slots), while the KP can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G9 and Pentax KP and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|2.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|3.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|4.||Olympus E-M1 III||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|5.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|6.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|7.||Panasonic GH5s||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|8.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|10.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|12.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|13.||Pentax K-70||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|14.||Pentax K-S2||Y||mono / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|16.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|17.||Pentax K-5 II||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the G9 has a headphone jack, which is not present on the KP This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Panasonic G9 (unlike the KP) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the KP has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the KP from Pentax. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So what is the bottom line? Which of the two cameras – the Panasonic G9 or the Pentax KP – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DC-G9:
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60i).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.63x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/6000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 7 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 9 months after the KP).
Arguments in favor of the Pentax KP:
- More detail: Has more megapixels (24.1 vs 20.2MP), which boosts linear resolution by 11%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2017).
If the count of individual advantages (bullet points above) is taken as a guide, the G9 is the clear winner of the match-up (20 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G9 and the Pentax KP place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G9 or the KP. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699||amazon.com|
|2.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099||ebay.com|
|3.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899||ebay.com|
|4.||Olympus E-M1 III||5/5||..||5/5||83/100||4.5/5||4/5||Feb 2020||1,799||amazon.com|
|5.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999||ebay.com|
|6.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699||amazon.com|
|7.||Panasonic GH5s||..||..||4.5/5||84/100||4.5/5||4.5/5||Jan 2018||2,499||amazon.com|
|8.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849||amazon.com|
|9.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|10.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899||ebay.com|
|11.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199||ebay.com|
|12.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499||ebay.com|
|13.||Pentax K-70||4.5/5||..||..||79/100||4.5/5||4.5/5||Jun 2016||649||amazon.com|
|14.||Pentax K-S2||4.5/5||..||..||..||5/5||4.5/5||Feb 2015||749||ebay.com|
|15.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099||ebay.com|
|16.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299||ebay.com|
|17.||Pentax K-5 II||5/5||..||..||80/100||5/5||4.5/5||Sep 2012||1,099||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 10D vs Panasonic G9
- Canon G15 vs Panasonic G9
- Canon M vs Panasonic G9
- Fujifilm X-T2 vs Pentax KP
- Leica M Typ 240 vs Pentax KP
- Leica SL2 vs Pentax KP
- Nikon 1 V3 vs Pentax KP
- Nikon D3000 vs Pentax KP
- Nikon D3200 vs Panasonic G9
- Nikon D3X vs Pentax KP
- Olympus E-PM2 vs Panasonic G9
- Panasonic FZ330 vs Panasonic G9
Specifications: Panasonic G9 vs Pentax KP
|Camera Model||Panasonic G9||Pentax KP|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Pentax K mount lenses|
|Launch Date||November 2017||January 2017|
|Launch Price||USD 1,699||USD 1,099|
|Sensor Specs||Panasonic G9||Pentax KP|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||20.2 Megapixels||24.1 Megapixels|
|Image Resolution||5184 x 3888 pixels||6016 x 4000 pixels|
|Pixel Pitch||3.34 μm||3.90 μm|
|Pixel Density||8.96 MP/cm2||6.56 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||1080/60i Video|
|ISO Setting||200 - 25,600 ISO||100 - 819,200 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||Venus 10||PRIME IV|
|Screen Specs||Panasonic G9||Pentax KP|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G9||Pentax KP|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/6000s|
|Continuous Shooting||20 shutter flaps/s||7 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||100 000 actuations|
|Electronic Shutter||up to 1/32000s||up to 1/24000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Panasonic G9||Pentax KP|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||full HDMI||no HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic G9||Pentax KP|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||390 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
132 x 101 x 76 mm
(5.2 x 4.0 x 3.0 in)
|Camera Weight||658 g (23.2 oz)||703 g (24.8 oz)|