Panasonic FZ200 vs Sony A7 II

The Panasonic Lumix DMC-FZ200 and the Sony Alpha A7 II are two digital cameras that were revealed to the public, respectively, in July 2012 and November 2014. The FZ200 is a fixed lens compact, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ200) and a full frame (A7 II) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FZ200		Sony A7 II
Fixed lens compact camera		Mirrorless system camera
25-600mm f/2.8		Sony E mount lenses
12 MP – 1/2.3" sensor		24 MP – Full Frame sensor
1080/60p Video		1080/60p Video
ISO 100-3,200 (100 - 6,400)		ISO 100-25,600 (50 - 51,200)
Electronic viewfinder (1312k dots)		Electronic viewfinder (2400k dots)
3.0" LCD – 460k dots		3.0" LCD – 1230k dots
Swivel screen (not touch-sensitive)		Tilting screen (no touchscreen)
12 shutter flaps per second		5 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
540 shots per battery charge		350 shots per battery charge
125 x 87 x 110 mm, 588 g		127 x 96 x 60 mm, 599 g

Check FZ200 offers at
ebay.com
Check A7 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ200 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic FZ200 and the Sony A7 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is notably larger (12 percent) than the Panasonic FZ200. It is noteworthy in this context that the A7 II is splash and dust-proof, while the FZ200 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ200 has a lens built in, whereas the A7 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 II and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the FZ200 gets 540 shots out of its Panasonic DMW-BLC12 battery, while the A7 II can take 350 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	US$ 599	ebay.com
2.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	US$ 1 999	ebay.com
3.		Canon SX50	123 mm	87 mm	106 mm	595 g	315	n	Sep 2012	US$ 429	ebay.com
4.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	US$ 549	ebay.com
5.		Leica V-LUX 3	124 mm	81 mm	95 mm	540 g	410	n	Dec 2011	US$ 949	ebay.com
6.		Leica V-LUX 4	125 mm	87 mm	110 mm	588 g	540	n	Sep 2012	US$ 949	ebay.com
7.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	US$ 499	ebay.com
8.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	US$ 499	ebay.com
9.		Panasonic FZ300	132 mm	92 mm	117 mm	691 g	380	Y	Jul 2015	US$ 599	amazon.com
10.		Panasonic LF1	103 mm	62 mm	28 mm	192 g	250	n	Apr 2013	US$ 499	ebay.com
11.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	US$ 499	ebay.com
12.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	US$ 499	ebay.com
13.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	US$ 1 699	ebay.com
14.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
15.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	US$ 1 799	amazon.com
16.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	US$ 2 299	ebay.com
17.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	US$ 4 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ200 was launched at a lower price than the A7 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic FZ200 features a 1/2.3-inch sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 2957 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the FZ200 has a native 4:3 aspect ratio, while the one in the A7 II offers a 3:2 aspect.

With 24MP, the A7 II offers a higher resolution than the FZ200 (12MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 1.53μm for the FZ200) due to its larger sensor. Moreover, the A7 II is a much more recent model (by 2 years and 4 months) than the FZ200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ200 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-FZ200 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

In terms of underlying technology, the FZ200 is build around a BSI-CMOS sensor, while the A7 II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 II offers substantially better image quality than the FZ200 (overall score 53 points higher). The advantage is based on 5.8 bits higher color depth, 2.8 EV in additional dynamic range, and 4.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
2.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
3.		Canon SX50	1/2.3	12.0	4000	3000	1080/24p	20.3	11.2	179	47
4.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
5.		Leica V-LUX 3	1/2.3	12.0	4000	3000	1080/60p	19.7	11.0	430	42
6.		Leica V-LUX 4	1/2.3	12.0	4000	3000	1080/60p	19.8	11.1	501	43
7.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
8.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
9.		Panasonic FZ300	1/2.3	12.0	4000	3000	4K/30p	19.3	11.0	97	38
10.		Panasonic LF1	1/1.7	12.0	4000	3000	1080/60i	20.8	11.6	211	52
11.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
12.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
13.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
14.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
15.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
16.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
17.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 II offers a substantially higher resolution than the one in the FZ200 (2400k vs 1312k dots). The table below summarizes some of the other core capabilities of the Panasonic FZ200 and Sony A7 II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
2.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
3.		Canon SX50	202	n	3.0 / 461	swivel	n	1/2000s	2.2/s	Y	Y
4.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
5.		Leica V-LUX 3	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
6.		Leica V-LUX 4	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
7.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
8.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
9.		Panasonic FZ300	1440	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
10.		Panasonic LF1	200	n	3.0 / 920	fixed	n	1/4000s	10.0/s	Y	Y
11.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
12.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
13.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
14.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
16.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
17.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The FZ200 has one, while the A7 II does not. While the built-in flash of the FZ200 is not very powerful, it can at times be useful as a fill-in light.

The FZ200 writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ200 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
2.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon SX50	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
5.		Leica V-LUX 3	Y	stereo / -	-	-	mini	2.0	-	-	-
6.		Leica V-LUX 4	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
9.		Panasonic FZ300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
10.		Panasonic LF1	-	stereo / mono	-	-	mini	2.0	Y	Y	-
11.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
12.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

It is notable that the A7 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the FZ200 does not provide wifi capability.

Both the FZ200 and the A7 II have been discontinued, but can regularly be found used on ebay. The FZ200 was replaced by the Panasonic FZ300, while the A7 II was followed by the Sony A7 III. Further information on the features and operation of the FZ200 and A7 II can be found, respectively, in the Panasonic FZ200 Manual (free pdf) or the online Sony A7 II Manual.

Review summary

So what conclusions can be drawn? Is the Panasonic FZ200 better than the Sony A7 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Panasonic Lumix DMC-FZ200:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has a lens built-in, whereas the A7 II requires a separate lens.
• More compact: Is smaller (125x87mm vs 127x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7 II).
• Longer lasting: Can take more shots (540 versus 350) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in July 2012).

Advantages of the Sony Alpha A7 II:

• More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Scores substantially higher (53 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (5.8 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (4.4 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 1312k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.46x).
• More detailed LCD: Has a higher resolution rear screen (1230k vs 460k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Reflects 2 years and 4 months of technical progress since the FZ200 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A7 II is the clear winner of the contest (18 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FZ200 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the FZ200 and the A7 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
2.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
3.		Canon SX50	3/5	+ +	..	72/100	4.5/5	4.5/5	Sep 2012	US$ 429	ebay.com
4.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	US$ 549	ebay.com
5.		Leica V-LUX 3	..	..	..	..	..	..	Dec 2011	US$ 949	ebay.com
6.		Leica V-LUX 4	..	..	..	..	..	..	Sep 2012	US$ 949	ebay.com
7.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
8.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	US$ 499	ebay.com
9.		Panasonic FZ300	..	+ +	..	..	4.5/5	4.5/5	Jul 2015	US$ 599	amazon.com
10.		Panasonic LF1	3/5	+	..	..	4/5	4.5/5	Apr 2013	US$ 499	ebay.com
11.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
12.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
13.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	US$ 1 699	ebay.com
14.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
15.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	US$ 1 799	amazon.com
16.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	US$ 2 299	ebay.com
17.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	US$ 4 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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