Panasonic FZ1000 vs FZ80
The Panasonic Lumix DMC-FZ1000 and the Panasonic Lumix DC-FZ80 (labelled Panasonic FZ82 in some countries) are two digital cameras that were revealed to the public, respectively, in June 2014 and January 2017. Both the FZ1000 and the FZ80 are fixed lens compact cameras that are based on an one-inch (FZ1000) and a 1/2.3-inch (FZ80) sensor. The FZ1000 has a resolution of 20 megapixels, whereas the FZ80 provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ1000||Panasonic FZ80|
|Fixed lens compact camera||Fixed lens compact camera|
|25-400mm f/2.8-4.0||20-1200mm f/2.8-5.9|
|20 MP, 1" Sensor||18 MP, 1/2.3" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 125-12800 (80-25600)||ISO 80-3200 (80-6400)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (1166k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 1040k dots|
|Swivel screen (not touch-sensitive)||Fixed touchscreen|
|12 shutter flaps per second||10 shutter flaps per second|
|360 shots per battery charge||330 shots per battery charge|
|137 x 99 x 131 mm, 831 g||130 x 94 x 119 mm, 616 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ1000 and the Panasonic Lumix DC-FZ80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ1000 and the Panasonic FZ80 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ80 is notably smaller (10 percent) than the Panasonic FZ1000. Moreover, the FZ80 is markedly lighter (26 percent) than the FZ1000. In this context, it is worth noting that neither the FZ1000 nor the FZ80 are weather-sealed.
The power pack in the FZ80 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic FZ1000»||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic FZ80«||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ80|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||-||Canon G9 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TS7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic TS7|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Sony HX350« »||5.1 in||3.7 in||4.1 in||23.0 oz||300||n||Dec 2016||449||Sony HX350|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-||Sony RX100 III|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ80 was launched at a markedly lower price (by 56 percent) than the FZ1000, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ1000 features an one-inch sensor and the Panasonic FZ80 a 1/2.3-inch sensor. The sensor area in the FZ80 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the FZ1000 has a native 3:2 aspect ratio, while the one in the FZ80 offers a 4:3 aspect.
With 20MP, the FZ1000 offers a higher resolution than the FZ80 (18MP), but the FZ1000 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.25μm for the FZ80) due to its larger sensor. However, the FZ80 is a much more recent model (by 2 years and 6 months) than the FZ1000, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ1000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ1000 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Panasonic FZ80 are 24.5 x 18.4 inch or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inch or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inch or 41.5 x 31.1 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ1000 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DC-FZ80 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic FZ1000»||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic FZ80«||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Panasonic FZ80|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon G9 X« »||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic TS7« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TS7|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic FZ2500« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Sony HX350« »||1/2.3||19.9||5152||3864||1080/60p||-||-||-||-||Sony HX350|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ1000 offers a substantially higher resolution than the one in the FZ80 (2359k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ1000, the Panasonic FZ80, and comparable cameras.
|Panasonic FZ1000»||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Panasonic FZ80«||1166||n||3.0||1040||fixed||Y||1/2000s||10||Y||Y||Panasonic FZ80|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon G9 X« »||-||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic TS7« »||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic TS7|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic FZ2500« »||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Sony HX350« »||202||n||3.0||922||tilting||n||1/4000s||10.0||Y||Y||Sony HX350|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ80 has a touchscreen, while the FZ1000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ1000 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the FZ80 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ1000 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ1000 and the FZ80 have zoom lenses built in. The FZ1000 has a 25-400mm f/2.8-4.0 optic and the FZ80 offers a 20-1200mm f/2.8-5.9 (focal lengths in full frame equivalent terms). Hence, the FZ80 provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the FZ1000. Both cameras offer the same maximum aperture.
Concerning the storage of imaging data, both the FZ1000 and the FZ80 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ1000 and Panasonic Lumix DC-FZ80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ1000»||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic FZ80«||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ80|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon G9 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic TS7« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TS7|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic FZ2500« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Sony HX350« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony HX350|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the FZ1000 has a microphone port, which is missing on the FZ80. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The FZ80 is a recent model that features in the current product line-up of Panasonic. In contrast, the FZ1000 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the FZ1000 was succeeded by the Panasonic FZ2500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Which of the two cameras – the Panasonic FZ1000 or the Panasonic FZ80 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-FZ1000:
- More detail: Offers more megapixels (20 vs 18MP) with a 7% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been available for much longer (launched in June 2014).
Arguments in favor of the Panasonic Lumix DC-FZ80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Has a lower weight (by 215g or 26 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More modern: Reflects 2 years and 6 months of technical progress since the FZ1000 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ1000 is the clear winner of the match-up (16 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ1000 and the Panasonic FZ80 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the FZ1000 and the FZ80 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FZ1000»||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic FZ80«||+ +||-||4.5/5||-||4.5/5||Jan 2017||399||Panasonic FZ80|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon G3 X« »||+||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon G9 X« »||+ +||-||4.5/5||4/5||4.5/5||Oct 2015||529||-||Canon G9 X|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TS7« »||+||-||-||-||3.5/5||May 2018||449||Panasonic TS7|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ2500« »||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic LX100« »||+ +||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Sony HX350« »||-||-||-||-||4/5||Dec 2016||449||Sony HX350|
|Sony RX10 II« »||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 III« »||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 550D vs Panasonic FZ1000 II
- Canon G3 X vs Panasonic FZ80
- Canon SX60 vs Panasonic FZ1000 II
- Canon XS vs Panasonic FZ80
- Nikon D50 vs Panasonic FZ80
- Nikon D5600 vs Panasonic FZ80
- Nikon D810 vs Panasonic FZ80
- Panasonic FZ1000 II vs Panasonic FZ80
- Panasonic FZ1000 II vs Sony H200
- Panasonic FZ80 vs Pentax K-5
- Panasonic FZ80 vs Sony A6600
- Panasonic FZ80 vs Sony A7 II
Specifications: Panasonic FZ1000 vs Panasonic FZ80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ1000||Panasonic FZ80|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-400mm f/2.8-4.0||20-1200mm f/2.8-5.9|
|Launch Date||June 2014||January 2017|
|Launch Price||USD 899||USD 399|
|Sensor Specs||Panasonic FZ1000||Panasonic FZ80|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||18 Megapixels|
|Image Resolution||5472 x 3648 pixels||4896 x 3672 pixels|
|Pixel Pitch||2.41 μm||1.25 μm|
|Pixel Density||17.18 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125-12800 ISO||80-3200 ISO|
|ISO Boost||80-25600 ISO||80-6400 ISO|
|DXO Sensor Quality (score)||64||..|
|DXO Color Depth (bits)||22.1||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||517||..|
|Screen Specs||Panasonic FZ1000||Panasonic FZ80|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||1040k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic FZ1000||Panasonic FZ80|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ1000||Panasonic FZ80|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic FZ1000||Panasonic FZ80|
|Battery Life (CIPA)||360 shots per charge||330 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
137 x 99 x 131 mm
(5.4 x 3.9 x 5.2 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||831 g (29.3 oz)||616 g (21.7 oz)|
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