Panasonic FZ100 vs G6
The Panasonic Lumix DMC-FZ100 and the Panasonic Lumix DMC-G6 are two digital cameras that were announced, respectively, in July 2010 and April 2013. The FZ100 is a fixed lens compact, while the G6 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ100) and a Four Thirds (G6) sensor. The FZ100 has a resolution of 14 megapixels, whereas the G6 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ100||Panasonic G6|
|Fixed lens compact camera||Mirrorless system camera|
|25-600mm f/2.8-5.2||Micro Four Thirds lenses|
|14 MP, 1/2.3" Sensor||15.9 MP, Four Thirds Sensor|
|1080/60i Video||1080/60p Video|
|ISO 100-1600 (100-6400)||ISO 160-12800 (160-25600)|
|Electronic viewfinder (202k dots)||Electronic viewfinder (1440k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 1036k dots|
|Swivel screen (not touch-sensitive)||Swivel touchscreen|
|11 shutter flaps per second||7 shutter flaps per second|
|410 shots per battery charge||340 shots per battery charge|
|124 x 82 x 92 mm, 540 g||122 x 85 x 71 mm, 390 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ100 and the Panasonic Lumix DMC-G6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ100 and the Panasonic G6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the FZ100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is somewhat larger (2 percent) than the Panasonic FZ100. In this context, it is worth noting that neither the FZ100 nor the G6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ100 has a lens built in, whereas the G6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G6 and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic FZ100»||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499||Panasonic FZ100|
|Panasonic G6«||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||Panasonic G6|
|Canon SX530« »||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jan 2015||429||Canon SX530|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||Canon SX60|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||Canon SX50|
|Canon SX40« »||4.8 in||3.6 in||4.3 in||21.2 oz||380||n||Sep 2011||429||Canon SX40|
|Canon SX30« »||4.8 in||3.6 in||4.3 in||21.2 oz||370||n||Sep 2010||429||Canon SX30|
|Canon SX20« »||4.8 in||3.5 in||3.4 in||21.2 oz||..||n||Aug 2009||399||Canon SX20|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||Leica V-LUX 3|
|Leica V-LUX 2« »||4.9 in||3.1 in||3.7 in||18.3 oz||410||n||Sep 2010||849||Leica V-LUX 2|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||Panasonic G7|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||Panasonic GF6|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||Panasonic GX7|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||Panasonic FZ200|
|Panasonic G5« »||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||Panasonic G5|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||Panasonic G3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ100 was launched at a lower price than the G6, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ100 features a 1/2.3-inch sensor and the Panasonic G6 a Four Thirds sensor. The sensor area in the G6 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.9MP, the G6 offers a higher resolution than the FZ100 (14MP), but the G6 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.41μm for the FZ100) due to its larger sensor. Moreover, the G6 is a much more recent model (by 2 years and 9 months) than the FZ100, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic G6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G6 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Panasonic FZ100 are 21.6 x 16.2 inch or 54.9 x 41.1 cm for good quality, 17.3 x 13 inch or 43.9 x 32.9 cm for very good quality, and 14.4 x 10.8 inch or 36.6 x 27.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ100 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-G6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic FZ100||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Panasonic FZ100|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Canon SX530||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Canon SX530|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon SX50||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon SX40||1/2.3||12.0||4000||3000||1080/24p||..||..||..||..||Canon SX40|
|Canon SX30||1/2.3||14.0||4320||3240||720/30p||..||..||..||..||Canon SX30|
|Canon SX20||1/2.3||12.0||4000||3000||720/30p||..||..||..||..||Canon SX20|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..||Leica V-LUX 3|
|Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Leica V-LUX 2|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..||Panasonic G7|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic FZ200||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..||Panasonic G5|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G6 provides a faster frame rate than the FZ100. It can shoot movie footage at 1080/60p, while the FZ100 is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G6 offers a substantially higher resolution than the one in the FZ100 (1440k vs 202k dots). The table below summarizes some of the other core capabilities of the Panasonic FZ100 and Panasonic G6 in connection with corresponding information for a sample of similar cameras.
|Panasonic FZ100||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Canon SX530||none||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX530|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon SX50||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon SX40||202||n||2.7||230||swivel||n||1/3200s||10.3||Y||Y||Canon SX40|
|Canon SX30||202||n||2.7||230||swivel||n||1/3200s||0.6||Y||Y||Canon SX30|
|Canon SX20||202||n||2.5||230||swivel||n||1/3200s||0.7||Y||Y||Canon SX20|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Leica V-LUX 2|
|Panasonic G7||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic GF6||none||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic FZ200||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic G5||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic G3||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G6 has a touchscreen, while the FZ100 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FZ100 and the G6 write their files to SDXC cards. The G6 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the FZ100 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ100 and Panasonic Lumix DMC-G6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ100||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Canon SX530||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX530|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon SX50||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon SX40||Y||stereo||mono||-||-||YES||2.0||-||-||-||Canon SX40|
|Canon SX30||Y||stereo||mono||-||-||YES||2.0||-||-||-||Canon SX30|
|Canon SX20||Y||stereo||mono||-||-||YES||2.0||-||-||-||Canon SX20|
|Leica V-LUX 3||Y||stereo||none||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica V-LUX 2|
|Panasonic G7||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic GF6||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic FZ200||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic G5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic G3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
It is notable that the G6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the FZ100 does not offer wifi capability.
Both the FZ100 and the G6 have been discontinued, but can regularly be found used on eBay. The FZ100 was replaced by the Panasonic FZ150, while the G6 was followed by the Panasonic G7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Is the Panasonic FZ100 better than the Panasonic G6 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-FZ100:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the G6 requires a separate lens.
- Longer lasting: Can take more shots (410 versus 340) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in July 2010).
Advantages of the Panasonic Lumix DMC-G6:
- More detail: Has more megapixels (15.9 vs 14MP), which boosts linear resolution by 7%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 202k dots).
- More detailed LCD: Has a higher resolution rear screen (1036k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years and 9 months of technical progress since the FZ100 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the G6 is the clear winner of the contest (19 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ100 and the Panasonic G6 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ100 or the G6. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Panasonic G6
- Canon 750D vs Panasonic G6
- Canon XC10 vs Panasonic FZ100
- Leica X1 vs Panasonic FZ100
- Nikon D5100 vs Panasonic FZ100
- Nikon D610 vs Panasonic FZ100
- Panasonic FZ100 vs Panasonic FZ330
- Panasonic FZ100 vs Sony A6100
- Panasonic FZ100 vs Sony NEX-5R
- Panasonic FZ100 vs Sony RX100 IV
- Panasonic G6 vs Sony A77
- Panasonic G6 vs Sony HX95
Specifications: Panasonic FZ100 vs Panasonic G6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ100||Panasonic G6|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-600mm f/2.8-5.2||Micro Four Thirds lenses|
|Launch Date||July 2010||April 2013|
|Launch Price||USD 499||USD 599|
|Sensor Specs||Panasonic FZ100||Panasonic G6|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||14 Megapixels||15.9 Megapixels|
|Image Resolution||4320 x 3240 pixels||4608 x 3456 pixels|
|Pixel Pitch||1.41 μm||3.76 μm|
|Pixel Density||49.86 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||100-1600 ISO||160-12800 ISO|
|ISO Boost||100-6400 ISO||160-25600 ISO|
|Image Processor||Venus FHD||Venus|
|DXO Sensor Quality (score)||..||61|
|DXO Color Depth (bits)||..||21.3|
|DXO Dynamic Range (EV)||..||11.5|
|DXO Low Light (ISO)||..||639|
|Screen Specs||Panasonic FZ100||Panasonic G6|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||202k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||1036k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic FZ100||Panasonic G6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/4000/s|
|Continuous Shooting||11 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/4000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic FZ100||Panasonic G6|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic FZ100||Panasonic G6|
|Battery Life (CIPA)||410 shots per charge||340 shots per charge|
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
|Camera Weight||540 g (19.0 oz)||390 g (13.8 oz)|
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