OM System OM-1 vs Sony ZV-E10
The OM System OM-1 and the Sony ZV-E10 are two digital cameras that were revealed to the public, respectively, in February 2022 and July 2021. Both the OM-1 and the ZV-E10 are mirrorless interchangeable lens cameras that are based on a Four Thirds (OM-1) and an APS-C (ZV-E10) sensor. The OM System has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the OM System OM-1 and the Sony ZV-E10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the OM System OM-1 and the Sony ZV-E10 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The ZV-E10 can be obtained in two different colors (black, white), while the OM-1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-E10 is considerably smaller (41 percent) than the OM System OM-1. Moreover, the ZV-E10 is substantially lighter (43 percent) than the OM-1. It is worth mentioning in this context that the OM-1 is splash and dust resistant, while the ZV-E10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (OM-1) and the Sony E-Mount Lens Catalog (ZV-E10). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the OM-1 gets 520 shots out of its OM System BLX-1 battery, while the ZV-E10 can take 440 images on a single charge of its Sony NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-1 | 135 mm | 92 mm | 73 mm | 599 g | 520 | Y | Feb 2022 | EUR 2 199 | ebay.com | |
2. | Sony ZV-E10 | 115 mm | 64 mm | 45 mm | 343 g | 440 | n | Jul 2021 | EUR 749 | amazon.com | |
3. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | EUR 2 899 | amazon.com | |
4. | Fujifilm X-H1 | 140 mm | 97 mm | 86 mm | 673 g | 310 | Y | Feb 2018 | EUR 1 899 | ebay.com | |
5. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | EUR 2 499 | amazon.com | |
6. | Olympus E-M1 II | 134 mm | 91 mm | 67 mm | 574 g | 440 | Y | Sep 2016 | EUR 1 999 | ebay.com | |
7. | Olympus E-M1 III | 134 mm | 91 mm | 69 mm | 580 g | 420 | Y | Feb 2020 | EUR 1 799 | ebay.com | |
8. | OM System OM-1 II | 135 mm | 92 mm | 73 mm | 599 g | 500 | Y | Jan 2024 | EUR 2 399 | amazon.com | |
9. | OM System OM-5 | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2022 | EUR 1 299 | amazon.com | |
10. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | EUR 1 899 | amazon.com | |
11. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | EUR 1 999 | ebay.com | |
12. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | EUR 1 699 | amazon.com | |
13. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | EUR 499 | ebay.com | |
14. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | EUR 549 | ebay.com | |
15. | Sony A6100 | 120 mm | 67 mm | 59 mm | 396 g | 420 | n | Aug 2019 | EUR 899 | ebay.com | |
16. | Sony RX100 III | 102 mm | 58 mm | 41 mm | 290 g | 320 | n | May 2014 | EUR 849 | ebay.com | |
17. | Sony ZV-1 | 105 mm | 60 mm | 44 mm | 294 g | 260 | n | May 2020 | EUR 799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The ZV-E10 was launched at a markedly lower price (by 68 percent) than the OM-1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the OM System OM-1 features a Four Thirds sensor and the Sony ZV-E10 an APS-C sensor. The sensor area in the ZV-E10 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the OM-1 has a native 4:3 aspect ratio, while the one in the ZV-E10 offers a 3:2 aspect.
With 24MP, the ZV-E10 offers a higher resolution than the OM-1 (20.2MP), but the ZV-E10 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the OM-1) due to its larger sensor. However, the OM-1 is a somewhat more recent model (by 6 months) than the ZV-E10, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the OM-1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony ZV-E10 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZV-E10 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the OM System OM-1 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
Unlike the ZV-E10, the OM-1 has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The OM System OM-1 has a native sensitivity range from ISO 80 to ISO 25600, which can be extended to ISO 80-102400. The corresponding ISO settings for the Sony ZV-E10 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-51200.
In terms of underlying technology, the OM-1 is build around a Stacked BSI-CMOS sensor, while the ZV-E10 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.4 | 1553 | 77 | |
2. | Sony ZV-E10 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.2 | 13.8 | 2134 | 85 | |
3. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
4. | Fujifilm X-H1 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.3 | 1806 | 82 | |
5. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
6. | Olympus E-M1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.7 | 12.8 | 1312 | 80 | |
7. | Olympus E-M1 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1356 | 76 | |
8. | OM System OM-1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.6 | 1749 | 78 | |
9. | OM System OM-5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.4 | 13.4 | 1622 | 78 | |
10. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
11. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
12. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
13. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
14. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
15. | Sony A6100 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1947 | 84 | |
16. | Sony RX100 III | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 12.3 | 495 | 67 | |
17. | Sony ZV-1 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.6 | 669 | 66 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the OM-1 provides a higher frame rate than the ZV-E10. It can shoot video footage at 4K/60p, while the Sony is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the OM-1 has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-E10 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the OM System OM-1 and Sony ZV-E10 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-1 | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
2. | Sony ZV-E10 | none | n | 3.0 / 922 | swivel | Y | 1/4000s | 11.0/s | n | n | |
3. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
4. | Fujifilm X-H1 | 3690 | Y | 3.0 / 1040 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
5. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
6. | Olympus E-M1 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
7. | Olympus E-M1 III | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
8. | OM System OM-1 II | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
9. | OM System OM-5 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
10. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
11. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
12. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
13. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
14. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
15. | Sony A6100 | 1440 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | n | |
16. | Sony RX100 III | 1440 | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
17. | Sony ZV-1 | none | n | 3.0 / 922 | swivel | Y | 1/2000s | 24.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the OM-1 and the ZV-E10 is in-body image stabilization (IBIS). The OM-1 reduces the risk of handshake-induced blur with all attached lenses, while the ZV-E10 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The OM System OM-1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The OM-1 writes its imaging data to SDXC cards, while the ZV-E10 uses SDXC or Memory Stick PRO Duo cards. The OM-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZV-E10 only has one slot. The OM-1 supports UHS-II cards (on both slots), while the ZV-E10 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the OM System OM-1 and Sony ZV-E10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
2. | Sony ZV-E10 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
3. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Fujifilm X-H1 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
5. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
6. | Olympus E-M1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
7. | Olympus E-M1 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
8. | OM System OM-1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
9. | OM System OM-5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
10. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
11. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
12. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
13. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
14. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony A6100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
16. | Sony RX100 III | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony ZV-1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y |
Studio photographers will appreciate that the OM System OM-1 (unlike the ZV-E10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The ZV-E10 is a recent model that features in the current product line-up of Sony. In contrast, the OM-1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the OM-1 was succeeded by the OM System OM-1 II. Further information on the features and operation of the OM-1 and ZV-E10 can be found, respectively, in the OM System OM-1 Manual (free pdf) or the online Sony ZV-E10 Manual.
Review summary
So how do things add up? Is there a clear favorite between the OM System OM-1 and the Sony ZV-E10? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the OM System OM-1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1640k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (520 versus 440) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 6 months after the ZV-E10).
Reasons to prefer the Sony ZV-E10:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More compact: Is smaller (115x64mm vs 135x92mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 256g or 43 percent) and is thus easier to take along.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2021).
If the number of relative strengths (bullet points above) is taken as a guide, the OM-1 emerges as the winner of the contest (14 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the OM System OM-1 and the Sony ZV-E10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the OM-1 or the ZV-E10. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-1 | 5/5 | .. | .. | 87/100 | 5/5 | 4.5/5 | Feb 2022 | EUR 2 199 | ebay.com | |
2. | Sony ZV-E10 | 4/5 | .. | 4/5 | 82/100 | 4.5/5 | 4.5/5 | Jul 2021 | EUR 749 | amazon.com | |
3. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | EUR 2 899 | amazon.com | |
4. | Fujifilm X-H1 | .. | + | 5/5 | 86/100 | 4.5/5 | 4.5/5 | Feb 2018 | EUR 1 899 | ebay.com | |
5. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | EUR 2 499 | amazon.com | |
6. | Olympus E-M1 II | 5/5 | + + | 5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | EUR 1 999 | ebay.com | |
7. | Olympus E-M1 III | 5/5 | .. | 5/5 | 83/100 | 4.5/5 | 4/5 | Feb 2020 | EUR 1 799 | ebay.com | |
8. | OM System OM-1 II | .. | .. | .. | .. | .. | .. | Jan 2024 | EUR 2 399 | amazon.com | |
9. | OM System OM-5 | 5/5 | .. | 4.5/5 | 83/100 | 5/5 | 4.5/5 | Oct 2022 | EUR 1 299 | amazon.com | |
10. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | EUR 1 899 | amazon.com | |
11. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | EUR 1 999 | ebay.com | |
12. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | EUR 1 699 | amazon.com | |
13. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | EUR 499 | ebay.com | |
14. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | EUR 549 | ebay.com | |
15. | Sony A6100 | .. | .. | 4/5 | 82/100 | 4/5 | 5/5 | Aug 2019 | EUR 899 | ebay.com | |
16. | Sony RX100 III | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | May 2014 | EUR 849 | ebay.com | |
17. | Sony ZV-1 | 4/5 | + | 4/5 | 85/100 | 4/5 | 4.5/5 | May 2020 | EUR 799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Sony ZV-E10
- Canon 5D Mark II vs Sony ZV-E10
- Canon 5D Mark IV vs OM System OM-1
- Canon 600D vs OM System OM-1
- Canon R5 vs OM System OM-1
- Canon S120 vs OM System OM-1
- Nikon D5100 vs Sony ZV-E10
- Nikon D850 vs Sony ZV-E10
- OM System OM-1 vs Panasonic S1H
- OM System OM-1 vs Sony NEX-7
- Panasonic ZS200 vs Sony ZV-E10
- Sony NEX-5 vs Sony ZV-E10
Specifications: OM System OM-1 vs Sony ZV-E10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | OM System OM-1 | Sony ZV-E10 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Sony E mount lenses |
Launch Date | February 2022 | July 2021 |
Launch Price | USD 2,199 | USD 699 |
Sensor Specs | OM System OM-1 | Sony ZV-E10 |
Sensor Technology | Stacked BSI-CMOS | CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 17.3 x 13.0 mm | 23.5 x 15.6 mm |
Sensor Area | 224.9 mm2 | 366.6 mm2 |
Sensor Diagonal | 21.6 mm | 28.2 mm |
Crop Factor | 2.0x | 1.5x |
Sensor Resolution | 20.2 Megapixels | 24 Megapixels |
Image Resolution | 5184 x 3888 pixels | 6000 x 4000 pixels |
Pixel Pitch | 3.34 μm | 3.91 μm |
Pixel Density | 8.96 MP/cm2 | 6.55 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/60p Video | 4K/30p Video |
ISO Setting | 80 - 25,600 ISO | 100 - 32,000 ISO |
ISO Boost | 80 - 102,400 ISO | 100 - 51,200 ISO |
Image Processor | TruePic X | BIONZ X |
Screen Specs | OM System OM-1 | Sony ZV-E10 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.82x | |
Viewfinder Resolution | 5760k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1640k dots | 922k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | OM System OM-1 | Sony ZV-E10 |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 11 shutter flaps/s |
Shutter Life Expectancy | 400 000 actuations | 100 000 actuations |
Electronic Shutter | up to 1/32000s | YES |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | UHS-I |
Connectivity Specs | OM System OM-1 | Sony ZV-E10 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.0 | USB 3.2 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | OM System OM-1 | Sony ZV-E10 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | OM System BLX-1 | Sony NP-FW50 |
Battery Life (CIPA) | 520 shots per charge | 440 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
135 x 92 x 73 mm (5.3 x 3.6 x 2.9 in) |
115 x 64 x 45 mm (4.5 x 2.5 x 1.8 in) |
Camera Weight | 599 g (21.1 oz) | 343 g (12.1 oz) |
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