OM System OM-1 II vs Sony ZV-E1
The OM System OM-1 II and the Sony ZV-E1 are two digital cameras that were revealed to the public, respectively, in January 2024 and March 2023. Both the OM-1 II and the ZV-E1 are mirrorless interchangeable lens cameras that are based on a Four Thirds (OM-1 II) and a full frame (ZV-E1) sensor. The OM System has a resolution of 20.2 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the OM System OM-1 II and the Sony ZV-E1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the OM System OM-1 II and the Sony ZV-E1. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The ZV-E1 can be obtained in two different colors (black, white), while the OM-1 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-E1 is considerably smaller (30 percent) than the OM System OM-1 II. Moreover, the ZV-E1 is markedly lighter (19 percent) than the OM-1 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (OM-1 II) and the Sony FE Lens Catalog (ZV-E1). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the OM-1 II gets 500 shots out of its OM System BLX-1 battery, while the ZV-E1 can take 570 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-1 II | 135 mm | 92 mm | 73 mm | 599 g | 500 | Y | Jan 2024 | US$ 2 399 | amazon.com | |
2. | Sony ZV-E1 | 121 mm | 72 mm | 54 mm | 483 g | 570 | Y | Mar 2023 | US$ 2 199 | amazon.com | |
3. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
4. | Olympus E-M1 II | 134 mm | 91 mm | 67 mm | 574 g | 440 | Y | Sep 2016 | US$ 1 999 | ebay.com | |
5. | Olympus E-M1 III | 134 mm | 91 mm | 69 mm | 580 g | 420 | Y | Feb 2020 | US$ 1 799 | ebay.com | |
6. | OM System OM-1 | 135 mm | 92 mm | 73 mm | 599 g | 520 | Y | Feb 2022 | US$ 2 199 | ebay.com | |
7. | OM System OM-5 | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2022 | US$ 1 199 | amazon.com | |
8. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | US$ 1 699 | ebay.com | |
9. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
10. | Panasonic G95 | 130 mm | 94 mm | 77 mm | 536 g | 290 | Y | Apr 2019 | US$ 999 | ebay.com | |
11. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | US$ 1 999 | ebay.com | |
12. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | US$ 1 699 | amazon.com | |
13. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | US$ 1 999 | ebay.com | |
14. | Sony A7C II | 124 mm | 71 mm | 63 mm | 514 g | 540 | Y | Aug 2023 | US$ 2 199 | amazon.com | |
15. | Sony A7C R | 124 mm | 71 mm | 63 mm | 520 g | 520 | Y | Aug 2023 | US$ 2 999 | amazon.com | |
16. | Sony A7R | 127 mm | 94 mm | 48 mm | 465 g | 340 | Y | Oct 2013 | US$ 2 299 | ebay.com | |
17. | Sony A7S | 127 mm | 94 mm | 48 mm | 489 g | 380 | Y | Apr 2014 | US$ 2 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The ZV-E1 was somewhat cheaper (by 8 percent) than the OM-1 II at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the OM System OM-1 II features a Four Thirds sensor and the Sony ZV-E1 a full frame sensor. The sensor area in the ZV-E1 is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the OM-1 II has a native 4:3 aspect ratio, while the one in the ZV-E1 offers a 3:2 aspect.
Despite having a smaller sensor, the OM System OM-1 II offers a higher resolution of 20.2 megapixels, compared with 12 MP of the Sony ZV-E1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 8.40μm for the ZV-E1). However, it should be noted that the OM-1 II is a somewhat more recent model (by 10 months) than the ZV-E1, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the OM-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the OM System OM-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the OM-1 II for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Sony ZV-E1 are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.
Unlike the ZV-E1, the OM-1 II has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The OM System OM-1 II has a native sensitivity range from ISO 80 to ISO 25600, which can be extended to ISO 80-102400. The corresponding ISO settings for the Sony ZV-E1 are ISO 80 to ISO 102400, with the possibility to increase the ISO range to 40-409600.
In terms of underlying technology, the OM-1 II is build around a Stacked BSI-CMOS sensor, while the ZV-E1 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.6 | 1749 | 78 | |
2. | Sony ZV-E1 | Full Frame | 12.0 | 4240 | 2832 | 4K/60p | 25.4 | 14.6 | 3181 | 96 | |
3. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
4. | Olympus E-M1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.7 | 12.8 | 1312 | 80 | |
5. | Olympus E-M1 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1356 | 76 | |
6. | OM System OM-1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.4 | 1553 | 77 | |
7. | OM System OM-5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.4 | 13.4 | 1622 | 78 | |
8. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.1 | 12.8 | 1138 | 74 | |
9. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
10. | Panasonic G95 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.2 | 13.0 | 1273 | 75 | |
11. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
12. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
13. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
14. | Sony A7C II | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3237 | 96 | |
15. | Sony A7C R | Full Frame | 60.2 | 9504 | 6336 | 4K/60p | 25.4 | 14.7 | 3227 | 96 | |
16. | Sony A7R | Full Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.6 | 14.1 | 2746 | 95 | |
17. | Sony A7S | Full Frame | 12.0 | 4240 | 2832 | 1080/60p | 23.9 | 13.2 | 3702 | 87 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/60p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the OM-1 II has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-E1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the OM System OM-1 II, the Sony ZV-E1, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-1 II | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
2. | Sony ZV-E1 | none | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
3. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
4. | Olympus E-M1 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
5. | Olympus E-M1 III | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
6. | OM System OM-1 | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
7. | OM System OM-5 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
8. | Panasonic G9 | 3680 | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 20.0/s | n | Y | |
9. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
10. | Panasonic G95 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
11. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
12. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
13. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
14. | Sony A7C II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
15. | Sony A7C R | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 8.0/s | n | Y | |
16. | Sony A7R | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 4.0/s | n | n | |
17. | Sony A7S | 2400 | n | 3.0 / 921 | tilting | n | 1/8000s | 5.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The OM System OM-1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the OM-1 II and the ZV-E1 write their files to SDXC cards. The OM-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZV-E1 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the OM System OM-1 II and Sony ZV-E1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
2. | Sony ZV-E1 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Olympus E-M1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
5. | Olympus E-M1 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
6. | OM System OM-1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
7. | OM System OM-5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Panasonic G9 | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
9. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
10. | Panasonic G95 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | Y | |
11. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
12. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
13. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
14. | Sony A7C II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
15. | Sony A7C R | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
16. | Sony A7R | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony A7S | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
Studio photographers will appreciate that the OM System OM-1 II (unlike the ZV-E1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the OM-1 II and the ZV-E1 are recent models that are part of the current product line-up. The OM-1 II replaced the earlier OM System OM-1, while the ZV-E1 does not have a direct predecessor. Further information on the features and operation of the OM-1 II and ZV-E1 can be found, respectively, in the OM System OM-1 II Manual (free pdf) or the online Sony ZV-E1 Manual.
Review summary
So what is the bottom line? Is the OM System OM-1 II better than the Sony ZV-E1 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the OM System OM-1 II:
- More detail: Offers more megapixels (20.2 vs 12MP) with a 27% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1640k vs 1037k dots).
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Is somewhat more recent (announced 10 months after the ZV-E1).
Arguments in favor of the Sony ZV-E1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More compact: Is smaller (121x72mm vs 135x92mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 116g or 19 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (570 versus 500) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in March 2023).
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (9 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the OM System OM-1 II and the Sony ZV-E1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the OM-1 II and the ZV-E1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-1 II | .. | .. | .. | .. | .. | .. | Jan 2024 | US$ 2 399 | amazon.com | |
2. | Sony ZV-E1 | .. | + | 4/5 | .. | .. | 4.5/5 | Mar 2023 | US$ 2 199 | amazon.com | |
3. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
4. | Olympus E-M1 II | 5/5 | + + | 5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | US$ 1 999 | ebay.com | |
5. | Olympus E-M1 III | 5/5 | .. | 5/5 | 83/100 | 4.5/5 | 4/5 | Feb 2020 | US$ 1 799 | ebay.com | |
6. | OM System OM-1 | 5/5 | .. | .. | 87/100 | 5/5 | 4.5/5 | Feb 2022 | US$ 2 199 | ebay.com | |
7. | OM System OM-5 | 5/5 | .. | 4.5/5 | 83/100 | 5/5 | 4.5/5 | Oct 2022 | US$ 1 199 | amazon.com | |
8. | Panasonic G9 | .. | + + | 5/5 | 85/100 | 5/5 | 5/5 | Nov 2017 | US$ 1 699 | ebay.com | |
9. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
10. | Panasonic G95 | 4.5/5 | + | 4.5/5 | 83/100 | 4.5/5 | 4.5/5 | Apr 2019 | US$ 999 | ebay.com | |
11. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | US$ 1 999 | ebay.com | |
12. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | US$ 1 699 | amazon.com | |
13. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | US$ 1 999 | ebay.com | |
14. | Sony A7C II | 4/5 | .. | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2023 | US$ 2 199 | amazon.com | |
15. | Sony A7C R | 4/5 | .. | 4/5 | 88/100 | .. | 4/5 | Aug 2023 | US$ 2 999 | amazon.com | |
16. | Sony A7R | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | Oct 2013 | US$ 2 299 | ebay.com | |
17. | Sony A7S | 4/5 | .. | .. | 86/100 | 4.5/5 | 5/5 | Apr 2014 | US$ 2 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G1 X vs Sony ZV-E1
- Canon R100 vs OM System OM-1 II
- Canon R6 vs OM System OM-1 II
- Canon S120 vs Sony ZV-E1
- Canon SX1 vs Sony ZV-E1
- Fujifilm GFX 100 vs OM System OM-1 II
- Fujifilm X-H2 vs OM System OM-1 II
- Fujifilm X-T30 II vs OM System OM-1 II
- Fujifilm XF10 vs Sony ZV-E1
- Nikon D5600 vs Sony ZV-E1
- Nikon Z6 vs Sony ZV-E1
- OM System OM-1 II vs Panasonic FZ1000 II
Specifications: OM System OM-1 II vs Sony ZV-E1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | OM System OM-1 II | Sony ZV-E1 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Sony E mount lenses |
Launch Date | January 2024 | March 2023 |
Launch Price | USD 2,399 | USD 2,199 |
Sensor Specs | OM System OM-1 II | Sony ZV-E1 |
Sensor Technology | Stacked BSI-CMOS | BSI-CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 17.3 x 13.0 mm | 35.6 x 23.8 mm |
Sensor Area | 224.9 mm2 | 847.28 mm2 |
Sensor Diagonal | 21.6 mm | 42.8 mm |
Crop Factor | 2.0x | 1.0x |
Sensor Resolution | 20.2 Megapixels | 12 Megapixels |
Image Resolution | 5184 x 3888 pixels | 4240 x 2832 pixels |
Pixel Pitch | 3.34 μm | 8.40 μm |
Pixel Density | 8.96 MP/cm2 | 1.42 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/60p Video | 4K/60p Video |
ISO Setting | 80 - 25,600 ISO | 80 - 102,400 ISO |
ISO Boost | 80 - 102,400 ISO | 40 - 409,600 ISO |
Image Processor | TruePic X | BIONZ XR |
Screen Specs | OM System OM-1 II | Sony ZV-E1 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.82x | |
Viewfinder Resolution | 5760k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1640k dots | 1037k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | OM System OM-1 II | Sony ZV-E1 |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
Continuous Shooting | 10 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | up to 1/32000s | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | UHS-II |
Connectivity Specs | OM System OM-1 II | Sony ZV-E1 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.0 | USB 3.2 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | OM System OM-1 II | Sony ZV-E1 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | OM System BLX-1 | Sony NP-FZ100 |
Battery Life (CIPA) | 500 shots per charge | 570 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
135 x 92 x 73 mm (5.3 x 3.6 x 2.9 in) |
121 x 72 x 54 mm (4.8 x 2.8 x 2.1 in) |
Camera Weight | 599 g (21.1 oz) | 483 g (17.0 oz) |
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