Olympus E-PL1 vs Pentax K-5
The Olympus PEN E-PL1 and the Pentax K-5 are two digital cameras that were officially introduced, respectively, in February 2010 and September 2010. The E-PL1 is a mirrorless interchangeable lens camera, while the K-5 is a DSLR. The cameras are based on a Four Thirds (E-PL1) and an APS-C (K-5) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Pentax provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-PL1||Pentax K-5|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Pentax K mount lenses|
|12.2 MP, Four Thirds Sensor||16.1 MP, APS-C Sensor|
|720/30p Video||1080/25p Video|
|ISO 200-3200||ISO 100-12800 (80-51200)|
|Viewfinder optional||Optical viewfinder|
|2.7" LCD, 230k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||7 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|290 shots per battery charge||740 shots per battery charge|
|115 x 72 x 42 mm, 334 g||131 x 97 x 73 mm, 760 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL1 and the Pentax K-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-PL1 and the Pentax K-5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-PL1 can be obtained in four different colors (black, blue, yellow, white), while the K-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-5 is considerably larger (53 percent) than the Olympus E-PL1. Moreover, the K-5 is substantially heavier (128 percent) than the E-PL1. It is noteworthy in this context that the K-5 is splash and dust-proof, while the E-PL1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-PL1»||4.5 in||2.8 in||1.7 in||11.8 oz||290||n||Feb 2010||599||Olympus E-PL1|
|Pentax K-5«||5.2 in||3.8 in||2.9 in||26.8 oz||740||Y||Sep 2010||1,099||Pentax K-5|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Olympus E-PL9« »||4.6 in||2.7 in||1.5 in||13.4 oz||350||n||Feb 2018||599||Olympus E-PL9|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-P3« »||4.8 in||2.7 in||1.3 in||13.0 oz||330||n||Jun 2011||799||Olympus E-P3|
|Olympus E-PL2« »||4.5 in||2.8 in||1.7 in||12.8 oz||280||n||Jan 2011||599||Olympus E-PL2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||Olympus E-PL3|
|Olympus E-PM1« »||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499||Olympus E-PM1|
|Olympus E-620« »||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699||Olympus E-620|
|Olympus E-P1« »||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Jun 2009||799||Olympus E-P1|
|Olympus E-P2« »||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Nov 2009||799||Olympus E-P2|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||Panasonic G10|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||Panasonic GF2|
|Pentax KP« »||5.2 in||4.0 in||3.0 in||24.8 oz||390||Y||Jan 2017||1,099||Pentax KP|
|Pentax K-3 II« »||5.2 in||3.9 in||3.0 in||28.2 oz||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-3« »||5.2 in||3.9 in||3.0 in||28.2 oz||560||Y||Oct 2013||1,299||Pentax K-3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-PL1 was launched at a markedly lower price (by 45 percent) than the K-5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-PL1 features a Four Thirds sensor and the Pentax K-5 an APS-C sensor. The sensor area in the K-5 is 65 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-PL1 has a native 4:3 aspect ratio, while the one in the K-5 offers a 3:2 aspect.
With 16.1MP, the K-5 offers a higher resolution than the E-PL1 (12.2MP), but the K-5 nevertheless has larger individual pixels (pixel pitch of 4.81μm versus 4.29μm for the E-PL1) due to its larger sensor. Moreover, the K-5 is a somewhat more recent model (by 7 months) than the E-PL1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Pentax K-5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-5 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inch or 62.6 x 41.5 cm, for very good quality (250 dpi) 19.7 x 13.1 inch or 50.1 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inch or 41.7 x 27.6 cm. The corresponding values for the Olympus E-PL1 are 20.2 x 15.1 inch or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inch or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inch or 34.1 x 25.6 cm for excellent quality prints.
The Olympus PEN E-PL1 has a native sensitivity range from ISO 200 to ISO 3200. The corresponding ISO settings for the Pentax K-5 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the K-5 offers substantially better image quality than the E-PL1 (overall score 28 points higher). The advantage is based on 2.2 bits higher color depth, 4 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54||Olympus E-PL1|
|Pentax K-5||APS-C||16.1||4928||3264||1080/25p||23.7||14.1||1162||82||Pentax K-5|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..||Olympus E-PL9|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51||Olympus E-P3|
|Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55||Olympus E-PL2|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55||Olympus E-620|
|Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55||Olympus E-P1|
|Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56||Olympus E-P2|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Pentax KP||APS-C||24.1||6016||4000||1080/60i||..||..||..||..||Pentax KP|
|Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Pentax K-3||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the K-5 provides a better video resolution than the E-PL1. It can shoot movie footage at 1080/25p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the K-5 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-PL1 relies on live view and the rear LCD for framing. That said, the E-PL1 can be equipped with an optional viewfinder – the VF-2. The table below summarizes some of the other core capabilities of the Olympus E-PL1 and Pentax K-5 in connection with corresponding information for a sample of similar cameras.
|Olympus E-PL1||optional||n||2.7||230||fixed||n||1/2000s||3.0||Y||Y||Olympus E-PL1|
|Pentax K-5||optical||Y||3.0||921||fixed||n||1/8000s||7.0||Y||Y||Pentax K-5|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Olympus E-PL9||none||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-PL9|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-P3||optional||n||3.0||614||fixed||Y||1/4000s||3.0||Y||Y||Olympus E-P3|
|Olympus E-PL2||optional||n||3.0||460||fixed||n||1/4000s||3.0||Y||Y||Olympus E-PL2|
|Olympus E-PL3||optional||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PM1||optional||n||3.0||460||fixed||n||1/4000s||5.5||n||Y||Olympus E-PM1|
|Olympus E-620||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Olympus E-P1||none||n||3.0||230||fixed||n||1/4000s||3.0||n||Y||Olympus E-P1|
|Olympus E-P2||optional||n||3.0||230||fixed||n||1/4000s||3.0||n||Y||Olympus E-P2|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic GF2||optional||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Pentax KP||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Pentax K-3 II||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y||Pentax K-3 II|
|Pentax K-3||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
One feature that is present on the K-5, but is missing on the E-PL1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Pentax K-5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-PL1 writes its imaging data to SDHC cards, while the K-5 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL1 and Pentax K-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-PL1||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL1|
|Pentax K-5||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Pentax K-5|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Olympus E-PL9||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Olympus E-PL9|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-P3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-P3|
|Olympus E-PL2||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL2|
|Olympus E-PL3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PM1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Olympus E-620||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-620|
|Olympus E-P1||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-P1|
|Olympus E-P2||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-P2|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic GF2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Pentax KP||Y||stereo||mono||Y||-||none||2.0||Y||-||-||Pentax KP|
|Pentax K-3 II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Pentax K-3||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
It is notable that the K-5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The E-PL1 does not feature such a mic input.
Studio photographers will appreciate that the Pentax K-5 (unlike the E-PL1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-PL1 and the K-5 have been discontinued, but can regularly be found used on eBay. The E-PL1 was replaced by the Olympus E-PL2, while the K-5 was followed by the Pentax K-5 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Pentax websites.
So what conclusions can be drawn? Is the Olympus E-PL1 better than the Pentax K-5 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus PEN E-PL1:
- More compact: Is smaller (115x72mm vs 131x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 426g or 56 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (45 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2010).
Reasons to prefer the Pentax K-5:
- More detail: Has more megapixels (16.1 vs 12.2MP), which boosts linear resolution by 17%.
- Better image quality: Scores substantially higher (28 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/25p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (740 versus 290) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Was introduced somewhat (7 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the K-5 is the clear winner of the contest (18 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL1 and the Pentax K-5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the E-PL1 or the K-5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 50D vs Olympus E-PL1
- Canon G16 vs Olympus E-PL1
- Canon M200 vs Pentax K-5
- Canon T5 vs Olympus E-PL1
- Fujifilm X-T1 vs Pentax K-5
- Leica D-LUX Typ 109 vs Olympus E-PL1
- Leica V-LUX Typ 114 vs Pentax K-5
- Leica X1 vs Pentax K-5
- Olympus E-PL1 vs Sony A900
- Panasonic G2 vs Pentax K-5
- Panasonic G3 vs Pentax K-5
- Panasonic GF7 vs Pentax K-5
Specifications: Olympus E-PL1 vs Pentax K-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-PL1||Pentax K-5|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Pentax K mount lenses|
|Launch Date||February 2010||September 2010|
|Launch Price||USD 599||USD 1099|
|Sensor Specs||Olympus E-PL1||Pentax K-5|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.7 x 15.7 mm|
|Sensor Area||224.9 mm2||372.09 mm2|
|Sensor Diagonal||21.6 mm||28.4 mm|
|Sensor Resolution||12.2 Megapixels||16.1 Megapixels|
|Image Resolution||4032 x 3024 pixels||4928 x 3264 pixels|
|Pixel Pitch||4.29 μm||4.81 μm|
|Pixel Density||5.42 MP/cm2||4.32 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||1080/25p Video|
|ISO Setting||200-3200 ISO||100-12800 ISO|
|ISO Boost||no Enhancement||80-51200 ISO|
|Image Processor||Truepic V||PRIME II|
|DXO Sensor Quality (score)||54||82|
|DXO Color Depth (bits)||21.5||23.7|
|DXO Dynamic Range (EV)||10.1||14.1|
|DXO Low Light (ISO)||487||1162|
|Screen Specs||Olympus E-PL1||Pentax K-5|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7 inch||3.0 inch|
|LCD Resolution||230k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Olympus E-PL1||Pentax K-5|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||7 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Olympus E-PL1||Pentax K-5|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-PL1||Pentax K-5|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||290 shots per charge||740 shots per charge|
115 x 72 x 42 mm
(4.5 x 2.8 x 1.7 in)
131 x 97 x 73 mm
(5.2 x 3.8 x 2.9 in)
|Camera Weight||334 g (11.8 oz)||760 g (26.8 oz)|
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