Olympus E-M10 III vs Fujifilm GFX 50S
The Olympus OM-D E-M10 Mark III and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in August 2017 and September 2016. Both the E-M10 III and the GFX 50S are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M10 III) and a medium format (GFX 50S) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M10 Mark III and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Olympus E-M10 III and the Fujifilm GFX 50S. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M10 III can be obtained in two different colors (black, silver), while the GFX 50S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (36 percent) than the Olympus E-M10 III. Moreover, the GFX 50S is substantially heavier (80 percent) than the E-M10 III. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the E-M10 III does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the E-M10 III gets 330 shots out of its Olympus BLS-50 battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-M10 III | 122 mm | 84 mm | 50 mm | 410 g | 330 | n | Aug 2017 | 649 | ebay.com | |
2. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
3. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
4. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
5. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
6. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
7. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
8. | Olympus E-M10 | 119 mm | 82 mm | 46 mm | 396 g | 320 | n | Jan 2014 | 699 | ebay.com | |
9. | Olympus E-M10 II | 120 mm | 83 mm | 47 mm | 390 g | 320 | n | Aug 2015 | 649 | ebay.com | |
10. | Olympus E-M10 IV | 122 mm | 84 mm | 49 mm | 383 g | 360 | n | Aug 2020 | 699 | amazon.com | |
11. | Olympus E-PL6 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | May 2013 | 599 | ebay.com | |
12. | Olympus E-PL7 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Aug 2014 | 599 | ebay.com | |
13. | Olympus E-PL8 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Sep 2016 | 549 | ebay.com | |
14. | Olympus E-PL9 | 117 mm | 68 mm | 39 mm | 380 g | 350 | n | Feb 2018 | 599 | ebay.com | |
15. | Olympus E-PL10 | 117 mm | 68 mm | 39 mm | 380 g | 350 | n | Oct 2019 | 599 | ebay.com | |
16. | Olympus PEN-F | 125 mm | 72 mm | 37 mm | 427 g | 330 | n | Jan 2016 | 1,199 | ebay.com | |
17. | Panasonic GX85 | 122 mm | 71 mm | 44 mm | 426 g | 290 | n | Apr 2016 | 799 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-M10 III was launched at a markedly lower price (by 90 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-M10 III features a Four Thirds sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 545 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX 50S offers a higher resolution than the E-M10 III (15.9MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.76μm for the E-M10 III) due to its larger sensor. However, the E-M10 III is a somewhat more recent model (by 11 months) than the GFX 50S, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Olympus E-M10 III are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Olympus OM-D E-M10 Mark III has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-M10 III | Four Thirds | 15.9 | 4608 | 3456 | 4K/30p | 23.1 | 12.8 | 1120 | 74 | |
2. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
3. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
4. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
5. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
6. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
7. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
8. | Olympus E-M10 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 884 | 72 | |
9. | Olympus E-M10 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.1 | 12.5 | 842 | 73 | |
10. | Olympus E-M10 IV | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.2 | 1402 | 76 | |
11. | Olympus E-PL6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.5 | 12.0 | 717 | 68 | |
12. | Olympus E-PL7 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.4 | 873 | 72 | |
13. | Olympus E-PL8 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.6 | 1030 | 73 | |
14. | Olympus E-PL9 | Four Thirds | 15.9 | 4608 | 3456 | 4K/30p | 23.1 | 12.8 | 1162 | 74 | |
15. | Olympus E-PL10 | Four Thirds | 15.9 | 4608 | 3456 | 4K/30p | 23.3 | 13.1 | 1324 | 76 | |
16. | Olympus PEN-F | Four Thirds | 20.2 | 5184 | 3888 | 1080/60p | 23.1 | 12.4 | 894 | 74 | |
17. | Panasonic GX85 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.9 | 12.6 | 662 | 71 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M10 III provides a higher video resolution than the GFX 50S. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M10 III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Olympus E-M10 III, the Fujifilm GFX 50S, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-M10 III | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.6/s | Y | Y | |
2. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
3. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
4. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
5. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
6. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
7. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
8. | Olympus E-M10 | 1440 | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
9. | Olympus E-M10 II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
10. | Olympus E-M10 IV | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 15.0/s | Y | Y | |
11. | Olympus E-PL6 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
12. | Olympus E-PL7 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
13. | Olympus E-PL8 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
14. | Olympus E-PL9 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.6/s | Y | Y | |
15. | Olympus E-PL10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.6/s | Y | Y | |
16. | Olympus PEN-F | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
17. | Panasonic GX85 | 2765 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The E-M10 III has one, while the GFX 50S does not. While the built-in flash of the E-M10 III is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M10 III and the Fujifilm GFX 50S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-M10 III and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M10 III only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M10 Mark III and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-M10 III | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
3. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
4. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
5. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
6. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
7. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
8. | Olympus E-M10 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
9. | Olympus E-M10 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Olympus E-M10 IV | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
11. | Olympus E-PL6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Olympus E-PL7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
13. | Olympus E-PL8 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Olympus E-PL9 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
15. | Olympus E-PL10 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
16. | Olympus PEN-F | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Panasonic GX85 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - |
It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The E-M10 III lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the E-M10 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-M10 III and the GFX 50S have been discontinued, but can regularly be found used on ebay. The GFX 50S was replaced by the Fujifilm GFX 50S II, while the E-M10 III was followed by the Olympus E-M10 IV. Further information on the features and operation of the E-M10 III and GFX 50S can be found, respectively, in the Olympus E-M10 III Manual (free pdf) or the online Fujifilm GFX 50S Manual.
Review summary
So what is the bottom line? Is the Olympus E-M10 III better than the Fujifilm GFX 50S or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Olympus OM-D E-M10 Mark III:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (8.6 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x84mm vs 148x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 330g or 45 percent) and hence easier to carry around.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 11 months after the GFX 50S).
Reasons to prefer the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 15.9MP), which boosts linear resolution by 79%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Longer lasting: Gets more shots (400 versus 330) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (17 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M10 III and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the E-M10 III or the GFX 50S perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-M10 III | .. | + | 5/5 | 80/100 | 4.5/5 | 4.5/5 | Aug 2017 | 649 | ebay.com | |
2. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
3. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
4. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
5. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
6. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
7. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
8. | Olympus E-M10 | 4/5 | .. | .. | 80/100 | 5/5 | 5/5 | Jan 2014 | 699 | ebay.com | |
9. | Olympus E-M10 II | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | Aug 2015 | 649 | ebay.com | |
10. | Olympus E-M10 IV | 4.5/5 | .. | 5/5 | 81/100 | 4.5/5 | 4.5/5 | Aug 2020 | 699 | amazon.com | |
11. | Olympus E-PL6 | .. | .. | .. | .. | .. | .. | May 2013 | 599 | ebay.com | |
12. | Olympus E-PL7 | 4/5 | + | .. | .. | 5/5 | 4/5 | Aug 2014 | 599 | ebay.com | |
13. | Olympus E-PL8 | .. | .. | .. | .. | 4.5/5 | 4/5 | Sep 2016 | 549 | ebay.com | |
14. | Olympus E-PL9 | .. | + | .. | .. | 4.5/5 | 4/5 | Feb 2018 | 599 | ebay.com | |
15. | Olympus E-PL10 | .. | .. | 4/5 | 77/100 | .. | 4/5 | Oct 2019 | 599 | ebay.com | |
16. | Olympus PEN-F | .. | .. | 4/5 | 82/100 | 4.5/5 | 5/5 | Jan 2016 | 1,199 | ebay.com | |
17. | Panasonic GX85 | 4.5/5 | + + | .. | 82/100 | 5/5 | 5/5 | Apr 2016 | 799 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 650D vs Olympus E-M10 III
- Canon G9 X vs Fujifilm GFX 50S
- Canon T2i vs Fujifilm GFX 50S
- Fujifilm GFX 50S vs Nikon D700
- Fujifilm GFX 50S vs Panasonic TZ95
- Fujifilm GFX 50S vs Sony HX400V
- Fujifilm GFX 50S vs Sony RX100 IV
- Fujifilm X-T30 II vs Olympus E-M10 III
- Olympus E-M10 III vs Olympus E-P3
- Olympus E-M10 III vs Panasonic GH2
- Olympus E-M10 III vs Pentax K-3 II
- Olympus E-M10 III vs Sony HX80
Specifications: Olympus E-M10 III vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-M10 III | Fujifilm GFX 50S |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Fujifilm G mount lenses |
Launch Date | August 2017 | September 2016 |
Launch Price | USD 649 | USD 6,499 |
Sensor Specs | Olympus E-M10 III | Fujifilm GFX 50S |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Medium Format Sensor |
Sensor Size | 17.3 x 13.0 mm | 44.0 x 33.0 mm |
Sensor Area | 224.9 mm2 | 1452 mm2 |
Sensor Diagonal | 21.6 mm | 55 mm |
Crop Factor | 2.0x | 0.79x |
Sensor Resolution | 15.9 Megapixels | 51.1 Megapixels |
Image Resolution | 4608 x 3456 pixels | 8256 x 6192 pixels |
Pixel Pitch | 3.76 μm | 5.33 μm |
Pixel Density | 7.08 MP/cm2 | 3.52 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 4K/30p Video | 1080/30p Video |
ISO Setting | 200 - 25,600 ISO | 100 - 12,800 ISO |
ISO Boost | 100 - 25,600 ISO | 50 - 102,400 ISO |
Image Processor | TruePic VIII | X Processor Pro |
Screen Specs | Olympus E-M10 III | Fujifilm GFX 50S |
Viewfinder Type | Electronic viewfinder | Viewfinder optional |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.62x | |
Viewfinder Resolution | 2360k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1040k dots | 2360k dots |
LCD Attachment | Tilting screen | Fully flexible screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Olympus E-M10 III | Fujifilm GFX 50S |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 8.6 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-II | Dual UHS-II |
Connectivity Specs | Olympus E-M10 III | Fujifilm GFX 50S |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Body Specs | Olympus E-M10 III | Fujifilm GFX 50S |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Olympus BLS-50 | Fujifilm NP-T125 |
Battery Life (CIPA) | 330 shots per charge | 400 shots per charge |
Body Dimensions |
122 x 84 x 50 mm (4.8 x 3.3 x 2.0 in) |
148 x 94 x 91 mm (5.8 x 3.7 x 3.6 in) |
Camera Weight | 410 g (14.5 oz) | 740 g (26.1 oz) |
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