Olympus E-500 vs Panasonic TZ95
The Olympus Evolt E-500 and the Panasonic Lumix DC-TZ95 (labelled Panasonic ZS80 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2005 and February 2019. The E-500 is a DSLR, while the TZ95 is a fixed lens compact. The cameras are based on a Four Thirds (E-500) and a 1/2.3-inch (TZ95) sensor. The Olympus has a resolution of 8 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Evolt E-500 and the Panasonic Lumix DC-TZ95? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-500 and the Panasonic TZ95 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The TZ95 can be obtained in two different colors (black, silver), while the E-500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TZ95 is considerably smaller (37 percent) than the Olympus E-500. In this context, it is worth noting that neither the E-500 nor the TZ95 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ95 has a lens built in, whereas the E-500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-500 and their specifications in the Four Thirds Lens Catalog.
Concerning battery life, the E-500 gets 750 shots out of its BLM-1 battery, while the TZ95 can take 380 images on a single charge of its DMW-BLG10 power pack. The power pack in the TZ95 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599|
|2.||Panasonic TZ95||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|5.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|6.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|7.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|8.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|9.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|10.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|11.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|12.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699|
|13.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|14.||Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|15.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|16.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|17.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TZ95 was launched at a lower price than the E-500, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-500 features a Four Thirds sensor and the Panasonic TZ95 a 1/2.3-inch sensor. The sensor area in the TZ95 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the TZ95 offers a higher resolution of 20.2 megapixels, compared with 8 MP of the E-500. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 5.30μm for the E-500). However, it should be noted that the TZ95 is much more recent (by 13 years and 4 months) than the E-500, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the TZ95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic TZ95 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ95 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inches or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inches or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inches or 27.6 x 20.7 cm for excellent quality prints.
The Olympus Evolt E-500 has a native sensitivity range from ISO 100 to ISO 400, which can be extended to ISO 100-1600. The corresponding ISO settings for the Panasonic Lumix DC-TZ95 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Olympus E-500||Four Thirds||8.0||3264||2448||none||20.7||10.3||45||51|
|5.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|6.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|7.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|8.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|9.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|10.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|11.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|12.||Olympus E-400||Four Thirds||10.0||3648||2736||none||21.0||10.6||127||53|
|13.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|15.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|17.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The TZ95 indeed provides for movie recording, while the E-500 does not. The highest resolution format that the TZ95 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the TZ95 has an electronic viewfinder (2330k dots), while the E-500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the TZ95 offers a wider field of view (100%) than the one in the E-500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the TZ95 has a higher magnification (0.53x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-500 and Panasonic TZ95 along with similar information for a selection of comparators.
|1.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5||Y||n|
|2.||Panasonic TZ95||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|4.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0||Y||n|
|5.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|6.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|7.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|8.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|9.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|10.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|11.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0||Y||n|
|12.||Olympus E-400||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|13.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5||Y||n|
|14.||Panasonic FT7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0||Y||Y|
|15.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|16.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|17.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ95 has a touchscreen, while the E-500 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The TZ95 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TZ95 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The E-500 writes its imaging data to Compact Flash or xD Picture cards, while the TZ95 uses SDXC cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the TZ95 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Evolt E-500 and Panasonic Lumix DC-TZ95 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Panasonic TZ95||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-400||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic FT7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the E-500 has a hotshoe, while the TZ95 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The TZ95 is a recent model that features in the current product line-up of Panasonic. In contrast, the E-500 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-500 was succeeded by the Olympus E-510. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what is the bottom line? Is the Olympus E-500 better than the Panasonic TZ95 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus Evolt E-500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 380) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in September 2005).
Advantages of the Panasonic Lumix DC-TZ95:
- More detail: Has more megapixels (20.2 vs 8MP), which boosts linear resolution by 59%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.53x vs 0.45x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the E-500 requires a separate lens.
- More compact: Is smaller (112x69mm vs 130x95mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the E-500).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 13 years and 4 months of technical progress since the E-500 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the TZ95 is the clear winner of the contest (22 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-500 and the Panasonic TZ95 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-500 or the TZ95 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599|
|2.||Panasonic TZ95||..||+ +||..||..||4.5/5||..||Feb 2019||449|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|4.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|5.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499|
|6.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|7.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|8.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|9.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|10.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|11.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|12.||Olympus E-400||..||85/100||..||..||4/5||4/5||Sep 2006||699|
|13.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|14.||Panasonic FT7||..||+||..||..||3.5/5||3.5/5||May 2018||449|
|15.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|16.||Panasonic TZ90||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|17.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds vs Olympus E-500
- Canon 90D vs Olympus E-500
- Canon SX720 vs Olympus E-500
- Fujifilm XQ2 vs Panasonic TZ95
- Leica M Typ 262 vs Olympus E-500
- Leica S2 vs Olympus E-500
- Nikon Z7 II vs Panasonic TZ95
- Olympus E-500 vs Olympus PEN-F
- Panasonic FZ82 vs Panasonic TZ95
- Panasonic GX8 vs Panasonic TZ95
- Panasonic TZ95 vs Sony RX100 VII
- Panasonic TZ95 vs Sony WX800
Specifications: Olympus E-500 vs Panasonic TZ95
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-500||Panasonic TZ95|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Four Thirds lenses||24-720mm f/3.3-6.4|
|Launch Date||September 2005||February 2019|
|Launch Price||USD 599||USD 449|
|Sensor Specs||Olympus E-500||Panasonic TZ95|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||8 Megapixels||20.2 Megapixels|
|Image Resolution||3264 x 2448 pixels||5184 x 3888 pixels|
|Pixel Pitch||5.30 μm||1.18 μm|
|Pixel Density||3.55 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 400 ISO||80 - 3,200 ISO|
|ISO Boost||100 - 1,600 ISO||80 - 6,400 ISO|
|Screen Specs||Olympus E-500||Panasonic TZ95|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||215k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-500||Panasonic TZ95|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||2.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-500||Panasonic TZ95|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-500||Panasonic TZ95|
|Battery Life (CIPA)||750 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
|Camera Weight||479 g (16.9 oz)||327 g (11.5 oz)|
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