Olympus E-5 vs Sony A7 III
The Olympus E-5 and the Sony Alpha A7 III are two digital cameras that were revealed to the public, respectively, in September 2010 and February 2018. The E-5 is a DSLR, while the A7 III is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-5) and a full frame (A7 III) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-5||Sony A7 III|
|Digital single lens reflex||Mirrorless system camera|
|Four Thirds lenses||Sony E mount lenses|
|12.2 MP, Four Thirds Sensor||24 MP, Full Frame Sensor|
|720/30p Video||4K/30p Video|
|ISO 100-6400||ISO 100-51200 (50-204800)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 922k dots|
|Swivel screen (not touch-sensitive)||Tilting touchscreen|
|5 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|750 shots per battery charge||610 shots per battery charge|
|142 x 117 x 75 mm, 873 g||127 x 96 x 74 mm, 650 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-5 and the Sony Alpha A7 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-5 and the Sony A7 III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 III is notably smaller (27 percent) than the Olympus E-5. Moreover, the A7 III is markedly lighter (26 percent) than the E-5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-5) and the Sony FE Lens Catalog (A7 III). Mirrorless cameras, such as the A7 III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the E-5 gets 750 shots out of its BLM-5 battery, while the A7 III can take 610 images on a single charge of its NP-FZ100 power pack. The power pack in the A7 III can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-5»||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699||Olympus E-5|
|Sony A7 III«||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Canon 60D« »||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||Canon 60D|
|Nikon Z6« »||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||Nikon Z6|
|Olympus E-P3« »||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799||Olympus E-P3|
|Olympus E-PL2« »||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599||Olympus E-PL2|
|Olympus E-PL3« »||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||Olympus E-PL3|
|Olympus E-PM1« »||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499||Olympus E-PM1|
|Olympus E-450« »||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499||Olympus E-450|
|Olympus E-600« »||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449||Olympus E-600|
|Olympus E-620« »||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||Olympus E-620|
|Olympus E-3« »||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699||Olympus E-3|
|Sony A9 II« »||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499||Sony A9 II|
|Sony A7R III« »||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7 II« »||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A77« »||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-5 was launched at a somewhat lower price (by 15 percent) than the A7 III, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-5 features a Four Thirds sensor and the Sony A7 III a full frame sensor. The sensor area in the A7 III is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-5 has a native 4:3 aspect ratio, while the one in the A7 III offers a 3:2 aspect.
With 24MP, the A7 III offers a higher resolution than the E-5 (12.2MP), but the A7 III nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.29μm for the E-5) due to its larger sensor. Moreover, the A7 III is a much more recent model (by 7 years and 5 months) than the E-5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 III for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inch or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inch or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inch or 34.1 x 25.6 cm for excellent quality prints.
The A7 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus E-5 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Alpha A7 III are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 III offers substantially better image quality than the E-5 (overall score 40 points higher). The advantage is based on 3.4 bits higher color depth, 4.2 EV in additional dynamic range, and 2.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56||Olympus E-5|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Canon 60D||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51||Olympus E-P3|
|Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55||Olympus E-PL2|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56||Olympus E-450|
|Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55||Olympus E-600|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55||Olympus E-620|
|Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56||Olympus E-3|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93||Sony A9 II|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A77||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7 III provides a better video resolution than the E-5. It can shoot movie footage at 4K/30p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 III has an electronic viewfinder (2359k dots), while the E-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7 III has a higher magnification than the one of the E-5 (0.78x vs 0.575x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-5 and Sony A7 III in connection with corresponding information for a sample of similar cameras.
|Olympus E-5||optical||Y||3.0||920||swivel||n||1/8000s||5.0||Y||Y||Olympus E-5|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Canon 60D||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Nikon Z6||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Olympus E-P3||optional||n||3.0||614||fixed||Y||1/4000s||3.0||Y||Y||Olympus E-P3|
|Olympus E-PL2||optional||n||3.0||460||fixed||n||1/4000s||3.0||Y||Y||Olympus E-PL2|
|Olympus E-PL3||optional||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PM1||optional||n||3.0||460||fixed||n||1/4000s||5.5||n||Y||Olympus E-PM1|
|Olympus E-450||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-450|
|Olympus E-600||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-600|
|Olympus E-620||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Olympus E-3||optical||Y||2.5||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-3|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A9 II|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A77||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One difference between the cameras concerns the presence of an on-board flash. The E-5 has one, while the A7 III does not. While the built-in flash of the E-5 is not very powerful, it can at times be useful as a fill-in light.The E-5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 III does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-5 writes its imaging data to Compact Flash or xD Picture cards, while the A7 III uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-5 and Sony Alpha A7 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-5||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-5|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Canon 60D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Nikon Z6||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Olympus E-P3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-P3|
|Olympus E-PL2||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL2|
|Olympus E-PL3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PM1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Olympus E-450||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-450|
|Olympus E-600||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-600|
|Olympus E-620||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-620|
|Olympus E-3||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-3|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A9 II|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A77||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the A7 III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-5 does not offer wifi capability.
Studio photographers will appreciate that the Olympus E-5 (unlike the A7 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7 III is a recent model that features in the current product line-up of Sony. In contrast, the E-5 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the E-5 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what is the bottom line? Is there a clear favorite between the Olympus E-5 and the Sony A7 III? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus E-5:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (750 versus 610) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced segment (15 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2010).
Reasons to prefer the Sony Alpha A7 III:
- More detail: Has more megapixels (24 vs 12.2MP), which boosts linear resolution by 43%.
- Better image quality: Scores substantially higher (40 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (4.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.575x).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (127x96mm vs 142x117mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 223g or 26 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 7 years and 5 months of technical progress since the E-5 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 III is the clear winner of the contest (23 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-5 and the Sony A7 III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-5 or the A7 III perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon XTi vs Olympus E-5
- Fujifilm X-T100 vs Olympus E-5
- Hasselblad X1D vs Olympus E-5
- Leica D-LUX 7 vs Sony A7 III
- Leica S2 vs Olympus E-5
- Leica X2 vs Sony A7 III
- Nikon 1 V1 vs Sony A7 III
- Nikon D2X vs Sony A7 III
- Olympus E-5 vs Panasonic GX85
- Olympus E-5 vs Samsung NX1
- Olympus E-5 vs Sony HX90V
- Sony A7 III vs Sony RX100 IV
Specifications: Olympus E-5 vs Sony A7 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-5||Sony A7 III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Sony E mount lenses|
|Launch Date||September 2010||February 2018|
|Launch Price||USD 1699||USD 1999|
|Sensor Specs||Olympus E-5||Sony A7 III|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 23.8 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||12.2 Megapixels||24 Megapixels|
|Image Resolution||4032 x 3024 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.29 μm||5.94 μm|
|Pixel Density||5.42 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||4K/30p Video|
|ISO Setting||100-6400 ISO||100-51200 ISO|
|ISO Boost||no Enhancement||50-204800 ISO|
|Image Processor||TruePic V+||BIONZ X|
|DXO Sensor Quality (score)||56||96|
|DXO Color Depth (bits)||21.6||25.0|
|DXO Dynamic Range (EV)||10.5||14.7|
|DXO Low Light (ISO)||519||3730|
|Screen Specs||Olympus E-5||Sony A7 III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||922k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-5||Sony A7 III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Olympus E-5||Sony A7 III|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-5||Sony A7 III|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||610 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||873 g (30.8 oz)||650 g (22.9 oz)|
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