Olympus E-5 vs Fujifilm XF10

The Olympus E-5 and the Fujifilm XF10 are two digital cameras that were announced, respectively, in September 2010 and July 2018. The E-5 is a DSLR, while the XF10 is a fixed lens compact. The cameras are based on a Four Thirds (E-5) and an APS-C (XF10) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Fujifilm provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-5		Fujifilm XF10
Digital single lens reflex		Fixed lens compact camera
Four Thirds lenses		28mm f/2.8-16
12.2 MP – Four Thirds sensor		24 MP – APS-C sensor
720/30p Video		4K/15p Video
ISO 100-6,400		ISO 200-12,800 (100 - 51,200)
Optical viewfinder		No viewfinder, LCD framing
3.0" LCD – 920k dots		3.0" LCD – 1040k dots
Swivel screen (not touch-sensitive)		Fixed touchscreen
5 shutter flaps per second		6 shutter flaps per second
In-body stabilization		no shake reduction
Weathersealed body		not weather sealed
750 shots per battery charge		330 shots per battery charge
142 x 117 x 75 mm, 873 g		113 x 64 x 41 mm, 279 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-5 and the Fujifilm XF10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-5 and the Fujifilm XF10 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The XF10 can be obtained in two different colors (black, gold), while the E-5 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm XF10 is considerably smaller (56 percent) than the Olympus E-5. It is worth mentioning in this context that the E-5 is splash and dust resistant, while the XF10 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XF10 has a lens built in, whereas the E-5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-5 and their specifications in the Four Thirds Lens Catalog.

Concerning battery life, the E-5 gets 750 shots out of its Olympus BLM-5 battery, while the XF10 can take 330 images on a single charge of its Fujifilm NP-95 power pack. The power pack in the XF10 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	US$ 1 699	ebay.com
2.		Fujifilm XF10	113 mm	64 mm	41 mm	279 g	330	n	Jul 2018	US$ 499	ebay.com
3.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	US$ 899	ebay.com
4.		Fujifilm X-T100	121 mm	83 mm	47 mm	448 g	430	n	May 2018	US$ 599	ebay.com
5.		Fujifilm X70	113 mm	64 mm	44 mm	340 g	330	n	Jan 2016	US$ 799	ebay.com
6.		Olympus E-1	141 mm	104 mm	81 mm	738 g	750	Y	Jun 2003	US$ 1 699	ebay.com
7.		Olympus E-3	142 mm	116 mm	75 mm	876 g	750	Y	Oct 2007	US$ 1 699	ebay.com
8.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	US$ 1 299	ebay.com
9.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	US$ 799	ebay.com
10.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	US$ 699	ebay.com
11.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	US$ 449	ebay.com
12.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	US$ 699	ebay.com
13.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	US$ 799	ebay.com
14.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	US$ 799	ebay.com
15.		Olympus E-PL1	115 mm	72 mm	42 mm	334 g	290	n	Feb 2010	US$ 599	ebay.com
16.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
17.		Panasonic ZS80	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	US$ 449	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The XF10 was launched at a lower price than the E-5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Olympus E-5 features a Four Thirds sensor and the Fujifilm XF10 an APS-C sensor. The sensor area in the XF10 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-5 has a native 4:3 aspect ratio, while the one in the XF10 offers a 3:2 aspect.

With 24MP, the XF10 offers a higher resolution than the E-5 (12.2MP), but the XF10 has smaller individual pixels (pixel pitch of 3.92μm versus 4.29μm for the E-5). Yet, the XF10 is a much more recent model (by 7 years and 10 months) than the E-5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Fujifilm XF10 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the XF10 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

The XF10 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Olympus E-5 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Fujifilm XF10 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
2.		Fujifilm XF10	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1844	83
3.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
4.		Fujifilm X-T100	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1829	83
5.		Fujifilm X70	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
6.		Olympus E-1	Four Thirds	4.9	2560	1920	none	20.0	9.7	-145	44
7.		Olympus E-3	Four Thirds	10.0	3648	2736	none	21.6	10.5	571	56
8.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
9.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
10.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
11.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
12.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
13.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
14.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
15.		Olympus E-PL1	Four Thirds	12.2	4032	3024	720/30p	21.5	10.1	487	54
16.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
17.		Panasonic ZS80	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the XF10 provides a better video resolution than the E-5. It can shoot movie footage at 4K/15p, while the Olympus is limited to 720/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-5 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the XF10 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Olympus E-5, the Fujifilm XF10, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
2.		Fujifilm XF10	none	n	3.0 / 1040	fixed	Y	1/4000s	6.0/s	Y	n
3.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
4.		Fujifilm X-T100	2360	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
5.		Fujifilm X70	optional	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
6.		Olympus E-1	optical	Y	1.8 / 134	fixed	n	1/4000s	3.0/s	n	n
7.		Olympus E-3	optical	Y	2.5 / 230	swivel	n	1/8000s	5.0/s	Y	Y
8.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
9.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
10.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
11.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
12.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
13.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
14.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
15.		Olympus E-PL1	optional	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	Y
16.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Panasonic ZS80	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the E-5, but is missing on the XF10 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the XF10 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm XF10 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-5 writes its imaging data to Compact Flash or xD Picture cards, while the XF10 uses SDXC cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the XF10 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-5 and Fujifilm XF10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
2.		Fujifilm XF10	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
3.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Fujifilm X-T100	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
5.		Fujifilm X70	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-1	Y	- / -	-	-	-	2.0	-	-	-
7.		Olympus E-3	Y	- / -	-	-	-	2.0	-	-	-
8.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
14.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
15.		Olympus E-PL1	Y	stereo / -	-	-	mini	2.0	-	-	-
16.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Panasonic ZS80	-	stereo / mono	-	-	micro	2.0	Y	-	Y

It is notable that the E-5 has a hotshoe, while the XF10 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Olympus E-5 (unlike the XF10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-5 and the XF10 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Olympus and Fujifilm. Further information on the features and operation of the E-5 and XF10 can be found, respectively, in the Olympus E-5 Manual (free pdf) or the online Fujifilm XF10 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Olympus E-5 or the Fujifilm XF10 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Olympus E-5:

• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• Longer lasting: Can take more shots (750 versus 330) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been available for much longer (launched in September 2010).

Reasons to prefer the Fujifilm XF10:

• More detail: Has more megapixels (24 vs 12.2MP), which boosts linear resolution by 43%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/15p vs 720/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Comes with an integrated lens, while the E-5 requires a separate lens.
• More compact: Is smaller (113x64mm vs 142x117mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the E-5).
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 7 years and 10 months of technical progress since the E-5 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the XF10 is the clear winner of the contest (21 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-5 and the Fujifilm XF10 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-5 and the XF10 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	US$ 1 699	ebay.com
2.		Fujifilm XF10	..	..	4/5	75/100	4/5	4.5/5	Jul 2018	US$ 499	ebay.com
3.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	US$ 899	ebay.com
4.		Fujifilm X-T100	4/5	+	4.5/5	79/100	4/5	4.5/5	May 2018	US$ 599	ebay.com
5.		Fujifilm X70	4.5/5	..	..	76/100	4.5/5	4.5/5	Jan 2016	US$ 799	ebay.com
6.		Olympus E-1	..	..	..	+	o	..	Jun 2003	US$ 1 699	ebay.com
7.		Olympus E-3	..	88/100	..	+ +	o	4/5	Oct 2007	US$ 1 699	ebay.com
8.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	US$ 1 299	ebay.com
9.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	US$ 799	ebay.com
10.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	US$ 699	ebay.com
11.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	US$ 449	ebay.com
12.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	US$ 699	ebay.com
13.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	US$ 799	ebay.com
14.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	US$ 799	ebay.com
15.		Olympus E-PL1	..	86/100	..	69/100	4/5	4.5/5	Feb 2010	US$ 599	ebay.com
16.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
17.		Panasonic ZS80	..	+ +	..	..	4.5/5	..	Feb 2019	US$ 449	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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