Olympus E-5 vs Canon 5D Mark III
The Olympus E-5 and the Canon EOS 5D Mark III are two professional cameras that were announced, respectively, in September 2010 and March 2012. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (E-5) and a full frame (5D Mark III) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Canon provides 22.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-5 and the Canon EOS 5D Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Olympus E-5 and the Canon 5D Mark III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark III is notably larger (6 percent) than the Olympus E-5. Moreover, the 5D Mark III is markedly heavier (9 percent) than the E-5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-5) and the Canon EF Lens Catalog (5D Mark III).
Concerning battery life, the E-5 gets 750 shots out of its Olympus BLM-5 battery, while the 5D Mark III can take 950 images on a single charge of its Canon LP-E6 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-5 | 142 mm | 117 mm | 75 mm | 873 g | 750 | Y | Sep 2010 | 1,699 | ebay.com | |
2. | Canon 5D Mark III | 152 mm | 116 mm | 76 mm | 950 g | 950 | Y | Mar 2012 | 3,499 | ebay.com | |
3. | Canon 5D Mark II | 152 mm | 114 mm | 75 mm | 850 g | 850 | Y | Sep 2008 | 3,499 | ebay.com | |
4. | Canon 5D Mark IV | 151 mm | 116 mm | 76 mm | 890 g | 900 | Y | Aug 2016 | 3,499 | amazon.com | |
5. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
6. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
7. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
8. | Olympus E-1 | 141 mm | 104 mm | 81 mm | 738 g | 750 | Y | Jun 2003 | 1,699 | ebay.com | |
9. | Olympus E-3 | 142 mm | 116 mm | 75 mm | 876 g | 750 | Y | Oct 2007 | 1,699 | ebay.com | |
10. | Olympus E-30 | 142 mm | 108 mm | 75 mm | 701 g | 750 | n | Nov 2008 | 1,299 | ebay.com | |
11. | Olympus E-510 | 136 mm | 92 mm | 68 mm | 538 g | 750 | n | Mar 2007 | 799 | ebay.com | |
12. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | 699 | ebay.com | |
13. | Olympus E-600 | 130 mm | 94 mm | 60 mm | 535 g | 500 | n | Aug 2009 | 449 | ebay.com | |
14. | Olympus E-620 | 130 mm | 94 mm | 60 mm | 521 g | 500 | n | Feb 2009 | 699 | ebay.com | |
15. | Olympus E-P1 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Jun 2009 | 799 | ebay.com | |
16. | Olympus E-P2 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Nov 2009 | 799 | ebay.com | |
17. | Olympus E-PL1 | 115 mm | 72 mm | 42 mm | 334 g | 290 | n | Feb 2010 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-5 was launched at a markedly lower price (by 51 percent) than the 5D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-5 features a Four Thirds sensor and the Canon 5D Mark III a full frame sensor. The sensor area in the 5D Mark III is 284 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-5 has a native 4:3 aspect ratio, while the one in the 5D Mark III offers a 3:2 aspect.
With 22.1MP, the 5D Mark III offers a higher resolution than the E-5 (12.2MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 4.29μm for the E-5) due to its larger sensor. Moreover, the 5D Mark III is a somewhat more recent model (by 1 year and 5 months) than the E-5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Olympus E-5 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Canon EOS 5D Mark III are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the 5D Mark III offers substantially better image quality than the E-5 (overall score 25 points higher). The advantage is based on 2.4 bits higher color depth, 1.2 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-5 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.6 | 10.5 | 519 | 56 | |
2. | Canon 5D Mark III | Full Frame | 22.1 | 5760 | 3840 | 1080/30p | 24.0 | 11.7 | 2293 | 81 | |
3. | Canon 5D Mark II | Full Frame | 21.0 | 5616 | 3744 | 1080/30p | 23.7 | 11.9 | 1815 | 79 | |
4. | Canon 5D Mark IV | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.8 | 13.6 | 2995 | 91 | |
5. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
6. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
7. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
8. | Olympus E-1 | Four Thirds | 4.9 | 2560 | 1920 | none | 20.0 | 9.7 | -145 | 44 | |
9. | Olympus E-3 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.6 | 10.5 | 571 | 56 | |
10. | Olympus E-30 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.4 | 530 | 55 | |
11. | Olympus E-510 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.2 | 10.0 | 442 | 52 | |
12. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
13. | Olympus E-600 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.5 | 10.3 | 541 | 55 | |
14. | Olympus E-620 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.3 | 536 | 55 | |
15. | Olympus E-P1 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.4 | 10.4 | 536 | 55 | |
16. | Olympus E-P2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.4 | 505 | 56 | |
17. | Olympus E-PL1 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.1 | 487 | 54 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 5D Mark III provides a better video resolution than the E-5. It can shoot movie footage at 1080/30p, while the Olympus is limited to 720/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The E-5 and the 5D Mark III are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark III has a higher magnification than the one of the E-5 (0.71x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-5 and Canon 5D Mark III along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-5 | optical | Y | 3.0 / 920 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
2. | Canon 5D Mark III | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 6.0/s | n | n | |
3. | Canon 5D Mark II | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 3.9/s | n | n | |
4. | Canon 5D Mark IV | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 7.0/s | n | n | |
5. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
6. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
7. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
8. | Olympus E-1 | optical | Y | 1.8 / 134 | fixed | n | 1/4000s | 3.0/s | n | n | |
9. | Olympus E-3 | optical | Y | 2.5 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
10. | Olympus E-30 | optical | Y | 2.7 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
11. | Olympus E-510 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
12. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
13. | Olympus E-600 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
14. | Olympus E-620 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
15. | Olympus E-P1 | none | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
16. | Olympus E-P2 | optional | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
17. | Olympus E-PL1 | optional | n | 2.7 / 230 | fixed | n | 1/2000s | 3.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The E-5 has one, while the 5D Mark III does not. While the built-in flash of the E-5 is not very powerful, it can at times be useful as a fill-in light.
The E-5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the 5D Mark III does not have a selfie-screen.The E-5 writes its imaging data to Compact Flash or xD Picture cards, while the 5D Mark III uses Compact Flash or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-5 and Canon EOS 5D Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-5 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
2. | Canon 5D Mark III | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
3. | Canon 5D Mark II | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
4. | Canon 5D Mark IV | Y | mono / mono | Y | Y | mini | 3.0 | Y | Y | - | |
5. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
6. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
7. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
8. | Olympus E-1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Olympus E-3 | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Olympus E-30 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Olympus E-510 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Olympus E-600 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Olympus E-620 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Olympus E-P1 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
16. | Olympus E-P2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
17. | Olympus E-PL1 | Y | stereo / - | - | - | mini | 2.0 | - | - | - |
It is notable that the 5D Mark III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The E-5 lacks such a headphone port.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the E-5 and the 5D Mark III have been discontinued, but can regularly be found used on ebay. The 5D Mark III was replaced by the Canon 5D Mark IV, while the E-5 does not have a direct successor. Further information on the features and operation of the E-5 and 5D Mark III can be found, respectively, in the Olympus E-5 Manual (free pdf) or the online Canon 5D Mark III Manual.
Review summary
So what is the bottom line? Is the Olympus E-5 better than the Canon 5D Mark III or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus E-5:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (51 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2010).
Arguments in favor of the Canon EOS 5D Mark III:
- More detail: Has more megapixels (22.1 vs 12.2MP), which boosts linear resolution by 37%.
- Better image quality: Scores substantially higher (25 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.58x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (950 versus 750) out of a single battery charge.
- More modern: Was introduced somewhat (1 year and 5 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the 5D Mark III is the clear winner of the contest (14 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-5 and the Canon 5D Mark III place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the E-5 and the 5D Mark III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-5 | 4/5 | .. | .. | 75/100 | 4/5 | 4.5/5 | Sep 2010 | 1,699 | ebay.com | |
2. | Canon 5D Mark III | .. | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Mar 2012 | 3,499 | ebay.com | |
3. | Canon 5D Mark II | 4/5 | 91/100 | .. | 79/100 | 4/5 | .. | Sep 2008 | 3,499 | ebay.com | |
4. | Canon 5D Mark IV | 4.5/5 | + + | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2016 | 3,499 | amazon.com | |
5. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
6. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
7. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
8. | Olympus E-1 | .. | .. | .. | + | o | .. | Jun 2003 | 1,699 | ebay.com | |
9. | Olympus E-3 | .. | 88/100 | .. | + + | o | 4/5 | Oct 2007 | 1,699 | ebay.com | |
10. | Olympus E-30 | .. | .. | .. | 71/100 | 4.5/5 | 4/5 | Nov 2008 | 1,299 | ebay.com | |
11. | Olympus E-510 | .. | 89/100 | .. | + + | 3.5/5 | 4.5/5 | Mar 2007 | 799 | ebay.com | |
12. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | 699 | ebay.com | |
13. | Olympus E-600 | .. | .. | .. | .. | .. | 4.5/5 | Aug 2009 | 449 | ebay.com | |
14. | Olympus E-620 | 3/5 | 88/100 | .. | 72/100 | 4.5/5 | 5/5 | Feb 2009 | 699 | ebay.com | |
15. | Olympus E-P1 | .. | + | .. | 66/100 | 4/5 | 4.5/5 | Jun 2009 | 799 | ebay.com | |
16. | Olympus E-P2 | 3/5 | + | .. | 69/100 | 4/5 | 4.5/5 | Nov 2009 | 799 | ebay.com | |
17. | Olympus E-PL1 | .. | 86/100 | .. | 69/100 | 4/5 | 4.5/5 | Feb 2010 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark III vs Canon M6
- Canon 5D Mark III vs Nikon D850
- Canon 5D Mark III vs Olympus E-M1
- Canon 5D Mark III vs Panasonic FZ200
- Canon 5D Mark III vs Pentax K-5
- Canon 5D Mark III vs Sony WX800
- Canon 5D Mark IV vs Olympus E-5
- Canon M50 vs Olympus E-5
- Nikon Coolpix A vs Olympus E-5
- Nikon D3S vs Olympus E-5
- Olympus E-5 vs Sony A6400
- Olympus E-5 vs Sony A99
Specifications: Olympus E-5 vs Canon 5D Mark III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-5 | Canon 5D Mark III |
---|---|---|
Camera Type | Digital single lens reflex | Digital single lens reflex |
Camera Lens | Four Thirds lenses | Canon EF mount lenses |
Launch Date | September 2010 | March 2012 |
Launch Price | USD 1,699 | USD 3,499 |
Sensor Specs | Olympus E-5 | Canon 5D Mark III |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 17.3 x 13.0 mm | 36.0 x 24.0 mm |
Sensor Area | 224.9 mm2 | 864 mm2 |
Sensor Diagonal | 21.6 mm | 43.3 mm |
Crop Factor | 2.0x | 1.0x |
Sensor Resolution | 12.2 Megapixels | 22.1 Megapixels |
Image Resolution | 4032 x 3024 pixels | 5760 x 3840 pixels |
Pixel Pitch | 4.29 μm | 6.25 μm |
Pixel Density | 5.42 MP/cm2 | 2.56 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 720/30p Video | 1080/30p Video |
ISO Setting | 100 - 6,400 ISO | 100 - 25,600 ISO |
ISO Boost | no Enhancement | 50 - 102,400 ISO |
Image Processor | TruePic V+ | DIGIC 5+ |
DXO Sensor Quality (score) | 56 | 81 |
DXO Color Depth (bits) | 21.6 | 24.0 |
DXO Dynamic Range (EV) | 10.5 | 11.7 |
DXO Low Light (ISO) | 519 | 2293 |
Screen Specs | Olympus E-5 | Canon 5D Mark III |
Viewfinder Type | Optical viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.58x | 0.71x |
Top-Level Screen | Control Panel | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 920k dots | 1040k dots |
LCD Attachment | Swivel screen | Fixed screen |
Shooting Specs | Olympus E-5 | Canon 5D Mark III |
Focus System | Phase-detect AF | Phase-detect AF |
Continuous Shooting | 5 shutter flaps/s | 6 shutter flaps/s |
Shutter Life Expectancy | 150 000 actuations | 150 000 actuations |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | CF or XD cards | CF or SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
Connectivity Specs | Olympus E-5 | Canon 5D Mark III |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | no Wifi |
Body Specs | Olympus E-5 | Canon 5D Mark III |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Olympus BLM-5 | Canon LP-E6 |
Battery Life (CIPA) | 750 shots per charge | 950 shots per charge |
Body Dimensions |
142 x 117 x 75 mm (5.6 x 4.6 x 3.0 in) |
152 x 116 x 76 mm (6.0 x 4.6 x 3.0 in) |
Camera Weight | 873 g (30.8 oz) | 950 g (33.5 oz) |
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