Olympus E-1 vs Panasonic FZ1000
The Olympus E-1 and the Panasonic Lumix DMC-FZ1000 are two digital cameras that were revealed to the public, respectively, in June 2003 and June 2014. The E-1 is a DSLR, while the FZ1000 is a fixed lens compact. The cameras are based on a Four Thirds (E-1) and an one-inch (FZ1000) sensor. The Olympus has a resolution of 4.9 megapixels, whereas the Panasonic provides 20 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Olympus E-1||Panasonic FZ1000|
|Digital single lens reflex||Fixed lens compact camera|
|Four Thirds lenses||25-400mm f/2.8-4.0|
|4.9 MP, Four Thirds Sensor||20 MP, 1" Sensor|
|no Video||4K/30p Video|
|ISO 100-800 (100-3200)||ISO 125-12800 (80-25600)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|1.8" LCD, 134k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|3 shutter flaps per second||12 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|750 shots per battery charge||360 shots per battery charge|
|141 x 104 x 81 mm, 738 g||137 x 99 x 131 mm, 831 g|
Body comparison: Olympus E-1 vs Panasonic FZ1000
An illustration of the physical size and weight of the Olympus E-1 and the Panasonic FZ1000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the E-1 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ1000 is notably smaller (8 percent) than the Olympus E-1. It is worth mentioning in this context that the E-1 is splash and dust resistant, while the FZ1000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 has a lens built in, whereas the E-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-1 and their specifications in the Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-1»||5.6 in||4.1 in||3.2 in||26.0 oz||750||Y||Jun 2003||1,699||-||Olympus E-1|
|Panasonic FZ1000«||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||-||Canon G9 X|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Leica Digilux 3« »||5.7 in||3.4 in||3.0 in||21.4 oz||750||n||Sep 2006||1,499||-||Leica Digilux 3|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||-||Nikon D7000|
|Olympus E-5« »||5.6 in||4.6 in||3.0 in||30.8 oz||750||Y||Sep 2010||1,699||-||Olympus E-5|
|Olympus E-3« »||5.6 in||4.6 in||3.0 in||30.9 oz||750||Y||Oct 2007||1,699||-||Olympus E-3|
|Olympus E-330« »||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999||-||Olympus E-330|
|Olympus E-300« »||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799||-||Olympus E-300|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ1000 was launched at a lower price than the E-1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Olympus E-1 vs Panasonic FZ1000
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-1 features a Four Thirds sensor and the Panasonic FZ1000 an one-inch sensor. The sensor area in the FZ1000 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the E-1 has a native 4:3 aspect ratio, while the one in the FZ1000 offers a 3:2 aspect.
Despite having a smaller sensor, the FZ1000 offers a higher resolution of 20 megapixels, compared with 4.9 MP of the E-1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 6.78μm for the E-1). However, it should be noted that the FZ1000 is much more recent (by 10 years and 11 months) than the E-1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-FZ1000 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600..
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-1»||Four Thirds||4.9||2560||1920||-||-||-||-||-||Olympus E-1|
|Panasonic FZ1000«||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Canon G9 X« »||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Leica Digilux 3« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Leica Digilux 3|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Olympus E-5« »||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56||Olympus E-5|
|Olympus E-3« »||Four Thirds||10.0||3648||2736||-||21.6||10.5||571||56||Olympus E-3|
|Olympus E-330« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Olympus E-330|
|Olympus E-300« »||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-300|
|Panasonic FZ2500« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras cannot only take still pictures, but also record videos. The FZ1000 indeed provides for movie recording, while the E-1 does not. The highest resolution format that the FZ1000 can use is 4K/30p.
Feature comparison: Olympus E-1 vs Panasonic FZ1000
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ1000 has an electronic viewfinder (2359k dots), while the E-1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Olympus E-1, the Panasonic FZ1000, and comparable cameras.
|Olympus E-1»||optical||Y||1.8||134||fixed||n||4000||3.0||n||n||Olympus E-1|
|Panasonic FZ1000«||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y||Panasonic FZ1000|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||2000||5.9||Y||Y||Canon G3 X|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||2000||5.9||Y||Y||Canon G5 X|
|Canon G9 X« »||-||n||3.0||1040||fixed||Y||2000||6.0||Y||Y||Canon G9 X|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||8000||8.0||Y||n||Canon 7D|
|Leica Digilux 3« »||optical||n||2.5||207||fixed||n||4000||3.0||Y||n||Leica Digilux 3|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n||Nikon D500|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||4000||6.0||Y||n||Nikon D610|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||8000||6.0||Y||n||Nikon D7000|
|Olympus E-5« »||optical||Y||3.0||920||swivel||n||8000||5.0||Y||Y||Olympus E-5|
|Olympus E-3« »||optical||Y||2.5||230||swivel||n||8000||5.0||Y||Y||Olympus E-3|
|Olympus E-330« »||optical||n||2.5||215||tilting||n||4000||3.0||Y||n||Olympus E-330|
|Olympus E-300« »||optical||n||1.8||134||fixed||n||4000||2.5||Y||n||Olympus E-300|
|Panasonic FZ2500« »||2360||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ2500|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y||Sony RX100 IV|
One feature that is present on the E-1, but is missing on the FZ1000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ1000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-1 does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the FZ1000 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The E-1 writes its imaging data to Compact Flash or xD Picture cards, while the FZ1000 uses SDXC cards. The E-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ1000 only has one slot.
Connectivity comparison: Olympus E-1 vs Panasonic FZ1000
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Panasonic Lumix DMC-FZ1000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-1»||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-1|
|Panasonic FZ1000«||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon G9 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Leica Digilux 3« »||Y||stereo||mono||-||-||-||2.0||-||-||-||Leica Digilux 3|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D7000« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Olympus E-5« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-5|
|Olympus E-3« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-3|
|Olympus E-330« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-330|
|Olympus E-300« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-300|
|Panasonic FZ2500« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the FZ1000 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-1 does not offer wifi capability.
Both the E-1 and the FZ1000 have been discontinued, but can regularly be found used on eBay. The E-1 was replaced by the Olympus E-3, while the FZ1000 was followed by the Panasonic FZ2500.
Review summary: Olympus E-1 vs Panasonic FZ1000
So what is the bottom line? Is the Olympus E-1 better than the Panasonic FZ1000 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Olympus E-1:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 360) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in June 2003).
Arguments in favor of the Panasonic Lumix DMC-FZ1000:
- More detail: Has more megapixels (20 vs 4.9MP), which boosts linear resolution by 106%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 134k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the E-1 requires a separate lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 10 years and 11 months of technical progress since the E-1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the FZ1000 is the clear winner of the contest (16 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the E-1 and the FZ1000 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Olympus E-1 vs Panasonic FZ1000
This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Olympus E-1»||-||Rec||rev||rev||-||Jun 2003||1,699||-||Olympus E-1|
|Panasonic FZ1000«||HiRec||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon G3 X« »||Rec||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon G5 X« »||HiRec||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||Canon G5 X|
|Canon G9 X« »||HiRec||-||4.5/5||4/5||4.5/5||Oct 2015||529||-||Canon G9 X|
|Canon 7D« »||HiRec||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Leica Digilux 3« »||-||-||-||-||-||Sep 2006||1,499||-||Leica Digilux 3|
|Nikon D500« »||HiRec||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D610« »||HiRec||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-||Nikon D7000|
|Olympus E-5« »||-||75/100||4/5||-||4.5/5||Sep 2010||1,699||-||Olympus E-5|
|Olympus E-3« »||88/100||HiRec||rev||rev||4/5||Oct 2007||1,699||-||Olympus E-3|
|Olympus E-330« »||-||Rec||rev||3.5/5||-||Jan 2006||999||-||Olympus E-330|
|Olympus E-300« »||-||Rec||rev||rev||4.5/5||Sep 2004||799||-||Olympus E-300|
|Panasonic FZ2500« »||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1100D vs Canon 600D
- Canon 5D Mark III vs Canon 1D C
- Canon 6D vs Fujifilm X-T3
- Canon G1 X Mark III vs Panasonic TZ100
- Canon G1 X vs Canon T6s
- Canon SL1 vs Panasonic FZ1000
- Fujifilm GFX 50S vs Leica M Typ 262
- Nikon D90 vs Panasonic GH5s
- Nikon D90 vs Panasonic ZS200
- Nikon P1000 vs Canon T6i
- Olympus E-M1X vs Canon 77D
- Sony RX100 III vs Sony A6500
Specifications: Olympus E-1 vs Panasonic FZ1000
|Camera Model||Olympus E-1||Panasonic FZ1000|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Four Thirds lenses||25-400mm f/2.8-4.0|
|Launch Date||June 2003||June 2014|
|Launch Price||USD 1699||USD 899|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 13.0 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||4.9 Megapixels||20 Megapixels|
|Image Resolution||2560 x 1920 pixels||5472 x 3648 pixels|
|Pixel Pitch||6.78 μm||2.41 μm|
|Pixel Density||2.19 MP/cm2||17.18 MP/cm2|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-800 ISO||125-12800 ISO|
|ISO Boost||100-3200 ISO||80-25600 ISO|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Resolution||n/a||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|Rear LCD Size||1.8 inch||3.0 inch|
|LCD Resolution||134k dots||921k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||12 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||BLM-1 power pack||DMW-BLC12 power pack|
|Battery Life (CIPA)||750 shots per charge||360 shots per charge|
141 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
137 x 99 x 131 mm
(5.4 x 3.9 x 5.2 in)
|Camera Weight||738 g (26.0 oz)||831 g (29.3 oz)|
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