Contax N Digital vs Panasonic FZ1000
The Contax N Digital and the Panasonic Lumix DMC-FZ1000 are two digital cameras that were officially introduced, respectively, in February 2002 and June 2014. The N Digital is a DSLR, while the FZ1000 is a fixed lens compact. The cameras are based on a full frame (N Digital) and an one-inch (FZ1000) sensor. The Contax has a resolution of 6.1 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Contax N Digital and the Panasonic Lumix DMC-FZ1000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Contax N Digital and the Panasonic FZ1000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ1000 is considerably smaller (35 percent) than the Contax N Digital. In this context, it is worth noting that neither the N Digital nor the FZ1000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 has a lens built in, whereas the N Digital is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
As can be seen in the images above, the N Digital has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Contax N Digital||152 mm||138 mm||80 mm||990 g||100||n||Feb 2002||7,399|
|2.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|3.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|4.||Canon 10D||150 mm||107 mm||75 mm||850 g||500||n||Feb 2003||1,999|
|5.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|6.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999|
|7.||Canon D60||150 mm||107 mm||75 mm||855 g||620||n||Feb 2002||2,999|
|8.||Leica M10-P||139 mm||80 mm||39 mm||660 g||210||Y||Aug 2018||7,995|
|9.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|10.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|11.||Leica M9||139 mm||80 mm||37 mm||585 g||..||n||Sep 2009||7,999|
|12.||Nikon D100||144 mm||116 mm||81 mm||780 g||370||n||Feb 2002||1,999|
|13.||Nikon D1X||157 mm||153 mm||85 mm||1100 g||1200||Y||Feb 2001||5,999|
|14.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ1000 was launched at a lower price than the N Digital, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Contax N Digital features a full frame sensor and the Panasonic FZ1000 an one-inch sensor. The sensor area in the FZ1000 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the FZ1000 offers a higher resolution of 20 megapixels, compared with 6.1 MP of the N Digital. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 11.90μm for the N Digital). However, it should be noted that the FZ1000 is much more recent (by 12 years and 3 months) than the N Digital, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FZ1000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ1000 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Contax N Digital are 15.2 x 10 inches or 38.6 x 25.5 cm for good quality, 12.2 x 8 inches or 30.9 x 20.4 cm for very good quality, and 10.1 x 6.7 inches or 25.7 x 17 cm for excellent quality prints.
The Contax N Digital has a native sensitivity range from ISO 50 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ1000 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Contax N Digital||Full Frame||6.1||3040||2008||none||21.5||10.5||1283||59|
|3.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|6.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|8.||Leica M10-P||Full Frame||23.8||5952||3992||none||25.1||14.1||2739||93|
|9.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|10.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|11.||Leica M9||Full Frame||18.1||5212||3472||none||22.5||11.7||884||69|
|14.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||22.1||12.4||546||65|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The FZ1000 indeed provides for movie recording, while the N Digital does not. The highest resolution format that the FZ1000 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ1000 has an electronic viewfinder (2359k dots), while the N Digital has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ1000 offers a wider field of view (100%) than the one in the N Digital (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the N Digital has a higher magnification (0.73x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Contax N Digital and Panasonic FZ1000 along with similar information for a selection of comparators.
|1.||Contax N Digital||optical||Y||2.0 / 200||fixed||n||1/8000s||4.0||n||n|
|2.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|3.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|4.||Canon 10D||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5||Y||n|
|6.||Canon 1Ds||optical||Y||2.0 / 120||fixed||n||1/8000s||3.0||n||n|
|7.||Canon D60||optical||Y||1.8 / 114||fixed||n||1/4000s||3.0||Y||n|
|8.||Leica M10-P||optical||n||3.0 / 1037||fixed||Y||1/4000s||5.0||n||n|
|9.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|10.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0||n||n|
|11.||Leica M9||optical||n||2.5 / 230||fixed||n||1/4000s||2.0||n||n|
|12.||Nikon D100||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0||Y||n|
|13.||Nikon D1X||optical||Y||2.0 / 120||fixed||n||1/16000s||3.0||n||n|
|14.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
One feature that is present on the N Digital, but is missing on the FZ1000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ1000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the N Digital does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ1000 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ1000 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The N Digital writes its imaging data to Compact Flash cards, while the FZ1000 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Contax N Digital and Panasonic Lumix DMC-FZ1000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Contax N Digital||Y||- / -||-||-||-||FW||-||-||-|
|2.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon 10D||Y||- / -||-||-||-||1.1||-||-||-|
|5.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|6.||Canon 1Ds||Y||- / -||-||-||-||FW||-||-||-|
|7.||Canon D60||Y||- / -||-||-||-||1.1||-||-||-|
|8.||Leica M10-P||Y||- / -||-||-||-||-||Y||-||-|
|9.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|10.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|11.||Leica M9||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D100||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Nikon D1X||Y||- / -||-||-||-||FW||-||-||-|
|14.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ1000 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the N Digital does not provide wifi capability.
Studio photographers will appreciate that the Contax N Digital (unlike the FZ1000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the N Digital and the FZ1000 have been discontinued, but can regularly be found used on eBay. The FZ1000 was replaced by the Panasonic FZ2500, while the N Digital does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Contax and Panasonic websites.
So what is the bottom line? Is the Contax N Digital better than the Panasonic FZ1000 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Contax N Digital:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2002).
Advantages of the Panasonic Lumix DMC-FZ1000:
- More detail: Has more megapixels (20 vs 6.1MP), which boosts linear resolution by 81%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 200k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the N Digital requires a separate lens.
- More compact: Is smaller (137x99mm vs 152x138mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the N Digital).
- Longer lasting: Gets more shots (360 versus 100) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 12 years and 3 months of technical progress since the N Digital launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ1000 is the clear winner of the contest (21 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Contax N Digital and the Panasonic FZ1000 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the N Digital or the FZ1000. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Contax N Digital||..||..||..||..||..||..||Feb 2002||7,399|
|2.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|3.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|4.||Canon 10D||..||..||..||+ +||..||..||Feb 2003||1,999|
|5.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|6.||Canon 1Ds||..||..||..||+ +||..||..||Sep 2002||8,999|
|7.||Canon D60||..||..||..||+ +||o||..||Feb 2002||2,999|
|8.||Leica M10-P||..||..||3/5||..||..||4/5||Aug 2018||7,995|
|9.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|10.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|11.||Leica M9||..||..||..||..||4.5/5||..||Sep 2009||7,999|
|12.||Nikon D100||..||..||..||+ +||o||..||Feb 2002||1,999|
|13.||Nikon D1X||..||..||..||+ +||..||..||Feb 2001||5,999|
|14.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G9 X Mark II vs Contax N Digital
- Canon SX720 vs Panasonic FZ1000
- Contax N Digital vs Fujifilm X100V
- Contax N Digital vs Leica M Typ 240
- Contax N Digital vs Nikon D500
- Contax N Digital vs Olympus E-P1
- Contax N Digital vs Sony A77 II
- Leica M8 vs Panasonic FZ1000
- Nikon D3S vs Panasonic FZ1000
- Nikon D600 vs Panasonic FZ1000
- Nikon Z50 vs Panasonic FZ1000
- Olympus E-M10 III vs Panasonic FZ1000
Specifications: Contax N Digital vs Panasonic FZ1000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Contax N Digital||Panasonic FZ1000|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Contax N mount lenses||25-400mm f/2.8-4.0|
|Launch Date||February 2002||June 2014|
|Launch Price||USD 7,399||USD 899|
|Sensor Specs||Contax N Digital||Panasonic FZ1000|
|Sensor Format||Full Frame Sensor||1" Sensor|
|Sensor Size||36.0 x 24.0 mm||13.2 x 8.8 mm|
|Sensor Area||864 mm2||116.16 mm2|
|Sensor Diagonal||43.3 mm||15.9 mm|
|Sensor Resolution||6.1 Megapixels||20 Megapixels|
|Image Resolution||3040 x 2008 pixels||5472 x 3648 pixels|
|Pixel Pitch||11.90 μm||2.41 μm|
|Pixel Density||0.71 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||50 - 1,600 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|DXO Sensor Quality (score)||..||64|
|DXO Color Depth (bits)||..||22.1|
|DXO Dynamic Range (EV)||..||11.7|
|DXO Low Light (ISO)||..||517|
|Screen Specs||Contax N Digital||Panasonic FZ1000|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||200k dots||921k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Contax N Digital||Panasonic FZ1000|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||4 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Contax N Digital||Panasonic FZ1000|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Contax N Digital||Panasonic FZ1000|
|Battery Life (CIPA)||100 shots per charge||360 shots per charge|
152 x 138 x 80 mm
(6.0 x 5.4 x 3.1 in)
137 x 99 x 131 mm
(5.4 x 3.9 x 5.2 in)
|Camera Weight||990 g (34.9 oz)||831 g (29.3 oz)|
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