Olympus E-1 vs E-300
The Olympus E-1 and the Olympus Evolt E-300 are two digital cameras that were officially introduced, respectively, in June 2003 and September 2004. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a Four Thirds sensor. The E-1 has a resolution of 4.9 megapixels, whereas the E-300 provides 8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-1 and the Olympus Evolt E-300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-1 and the Olympus E-300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-300 is notably smaller (15 percent) than the Olympus E-1. Moreover, the E-300 is markedly lighter (15 percent) than the E-1. It is worth mentioning in this context that the E-1 is splash and dust resistant, while the E-300 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Olympus E-1||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699|
|2.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|5.||Canon 350D||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|6.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499|
|7.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|8.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|9.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|10.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699|
|11.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699|
|12.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|13.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599|
|14.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-300 was launched at a markedly lower price (by 53 percent) than the E-1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the E-300 offers a higher resolution of 8 megapixels, compared with 4.9 MP of the E-1. This megapixels advantage translates into a 28 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-300 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.30μm versus 6.78μm for the E-1). However, it should be noted that the E-300 is a somewhat more recent model (by 1 year and 3 months) than the E-1, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The resolution advantage of the Olympus E-300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-300 for good quality output (200 dots per inch) amounts to 16.3 x 12.2 inches or 41.5 x 31.1 cm, for very good quality (250 dpi) 13.1 x 9.8 inches or 33.2 x 24.9 cm, and for excellent quality (300 dpi) 10.9 x 8.2 inches or 27.6 x 20.7 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inches or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inches or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inches or 21.7 x 16.3 cm for excellent quality prints.
The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Olympus Evolt E-300 are ISO 100 to ISO 400, with the possibility to increase the ISO range to 100-1600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..|
|2.||Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|6.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|8.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|10.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|11.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|12.||Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|13.||Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|14.||Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..|
Beyond body and sensor, cameras can and do differ across a range of features. The E-1 and the E-300 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the E-1 offers a wider field of view (100%) than the one in the E-300 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the E-300 has a higher magnification (0.5x vs 0.48x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-1 and Olympus E-300 in connection with corresponding information for a sample of similar cameras.
|1.||Olympus E-1||optical||Y||1.8 / 134||fixed||n||1/4000s||3.0||n||n|
|2.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5||Y||n|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|5.||Canon 350D||optical||n||1.8 / 115||fixed||n||1/4000s||3.0||Y||n|
|6.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0||Y||n|
|7.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|8.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0||Y||n|
|9.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|10.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0||Y||Y|
|11.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0||Y||Y|
|12.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0||Y||n|
|13.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5||Y||n|
|14.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0||Y||n|
One feature that is present on the E-1, but is missing on the E-300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
Concerning the storage of imaging data, both the E-1 and the E-300 write their files to Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Olympus Evolt E-300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-1||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|5.||Canon 350D||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|7.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|8.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|11.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
Studio photographers will appreciate that the Olympus E-1 (unlike the E-300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-1 and the E-300 have been discontinued, but can regularly be found used on eBay. The E-1 was replaced by the Olympus E-3, while the E-300 was followed by the Olympus E-330. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So what is the bottom line? Is there a clear favorite between the Olympus E-1 and the Olympus E-300? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus E-1:
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster burst: Shoots at higher frequency (3 vs 2.5 flaps/sec) to capture the decisive moment.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in June 2003).
Reasons to prefer the Olympus Evolt E-300:
- More detail: Has more megapixels (8 vs 4.9MP), which boosts linear resolution by 28%.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.5x vs 0.48x).
- More compact: Is smaller (147x85mm vs 141x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 114g or 15 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 3 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the E-300 comes out slightly ahead of the E-1 (7 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-1 and the Olympus E-300 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-1 or the E-300. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-1||..||..||..||+||o||..||Jun 2003||1,699|
|2.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|5.||Canon 350D||..||80/100||..||+ +||o||..||Feb 2005||899|
|6.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499|
|7.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|8.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|9.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|10.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699|
|11.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699|
|12.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|13.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599|
|14.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Olympus E-1
- Canon 2000D vs Olympus E-1
- Hasselblad X1D vs Olympus E-300
- Leica D-LUX 6 vs Olympus E-300
- Leica T vs Olympus E-1
- Leica V-LUX Typ 114 vs Olympus E-1
- Nikon B600 vs Olympus E-1
- Olympus E-1 vs Pentax 645Z
- Olympus E-300 vs Panasonic GX9
- Olympus E-300 vs Sony A7 III
- Olympus E-300 vs Sony A7S II
- Olympus E-300 vs Sony H400
Specifications: Olympus E-1 vs Olympus E-300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-1||Olympus E-300|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Four Thirds lenses||Four Thirds lenses|
|Launch Date||June 2003||September 2004|
|Launch Price||USD 1,699||USD 799|
|Sensor Specs||Olympus E-1||Olympus E-300|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||4.9 Megapixels||8 Megapixels|
|Image Resolution||2560 x 1920 pixels||3264 x 2448 pixels|
|Pixel Pitch||6.78 μm||5.30 μm|
|Pixel Density||2.19 MP/cm2||3.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100 - 800 ISO||100 - 400 ISO|
|ISO Boost||100 - 3,200 ISO||100 - 1,600 ISO|
|Screen Specs||Olympus E-1||Olympus E-300|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|Rear LCD Size||1.8inch||1.8inch|
|LCD Resolution||134k dots||134k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Olympus E-1||Olympus E-300|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or XD cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Olympus E-1||Olympus E-300|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-1||Olympus E-300|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||750 shots per charge||750 shots per charge|
141 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
147 x 85 x 64 mm
(5.8 x 3.3 x 2.5 in)
|Camera Weight||738 g (26.0 oz)||624 g (22.0 oz)|
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