Nikon Z7 II vs Panasonic GH4

The Nikon Z7 II and the Panasonic Lumix DMC-GH4 are two enthusiast cameras that were revealed to the public, respectively, in October 2020 and February 2014. Both the Z7 II and the GH4 are mirrorless interchangeable lens cameras that are based on a full frame (Z7 II) and a Four Thirds (GH4) sensor. The Nikon has a resolution of 45.4 megapixels, whereas the Panasonic provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon Z7 II		Panasonic GH4
Mirrorless system camera		Mirrorless system camera
Nikon Z mount lenses		Micro Four Thirds lenses
45.4 MP – Full Frame sensor		15.9 MP – Four Thirds sensor
4K/60p Video		4K/30p Video
ISO 64-25,600 (32 - 102,400)		ISO 200-25,600
Electronic viewfinder (3690k dots)		Electronic viewfinder (2359k dots)
3.2" LCD – 2100k dots		3.0" LCD – 1036k dots
Tilting touchscreen		Swivel touchscreen
10 shutter flaps per second		12 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
420 shots per battery charge		500 shots per battery charge
134 x 101 x 70 mm, 705 g		133 x 93 x 84 mm, 560 g

Check Z7 II price at
amazon.com
Check GH4 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z7 II and the Panasonic Lumix DMC-GH4? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon Z7 II and the Panasonic GH4 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH4 is notably smaller (9 percent) than the Nikon Z7 II. Moreover, the GH4 is markedly lighter (21 percent) than the Z7 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the Z7 II gets 420 shots out of its Nikon EN-EL15c battery, while the GH4 can take 500 images on a single charge of its Panasonic DMW-BLF19 power pack. The power pack in the Z7 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Nikon Z7 II	134 mm	101 mm	70 mm	705 g	420	Y	Oct 2020	US$ 2 999	amazon.com
2.		Panasonic GH4	133 mm	93 mm	84 mm	560 g	500	Y	Feb 2014	US$ 1 499	ebay.com
3.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	US$ 3 899	amazon.com
4.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	US$ 2 499	amazon.com
5.		Nikon Z6	134 mm	101 mm	67 mm	675 g	310	Y	Aug 2018	US$ 1 999	ebay.com
6.		Nikon Z6 II	134 mm	101 mm	70 mm	705 g	410	Y	Oct 2020	US$ 1 999	amazon.com
7.		Nikon Z7	134 mm	101 mm	67 mm	675 g	330	Y	Aug 2018	US$ 3 399	ebay.com
8.		Nikon Z9	149 mm	150 mm	91 mm	1340 g	740	Y	Oct 2021	US$ 5 499	amazon.com
9.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	US$ 1 399	ebay.com
10.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	US$ 1 099	ebay.com
11.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
12.		Panasonic GH3	133 mm	93 mm	82 mm	550 g	540	Y	Sep 2012	US$ 1 299	ebay.com
13.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	US$ 1 999	ebay.com
14.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	US$ 3 199	ebay.com
15.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	US$ 3 199	ebay.com
16.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	US$ 3 199	amazon.com
17.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	US$ 3 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GH4 was launched at a markedly lower price (by 50 percent) than the Z7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Nikon Z7 II features a full frame sensor and the Panasonic GH4 a Four Thirds sensor. The sensor area in the GH4 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the Z7 II has a native 3:2 aspect ratio, while the one in the GH4 offers a 4:3 aspect.

With 45.4MP, the Z7 II offers a higher resolution than the GH4 (15.9MP), but the Z7 II nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 3.76μm for the GH4) due to its larger sensor. Moreover, the Z7 II is a much more recent model (by 6 years and 8 months) than the GH4, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the Z7 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Nikon Z7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 II for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Panasonic GH4 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The Z7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Nikon Z7 II has a native sensitivity range from ISO 64 to ISO 25600, which can be extended to ISO 32-102400. The corresponding ISO settings for the Panasonic Lumix DMC-GH4 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

In terms of underlying technology, the Z7 II is build around a BSI-CMOS sensor, while the GH4 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the Z7 II provides substantially higher image quality than the GH4, with an overall score that is 26 points higher. This advantage is based on 3.1 bits higher color depth, 1.9 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon Z7 II	Full Frame	45.4	8256	5504	4K/60p	26.3	14.7	2841	100
2.		Panasonic GH4	Four Thirds	15.9	4608	3456	4K/30p	23.2	12.8	791	74
3.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
4.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
5.		Nikon Z6	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	3299	95
6.		Nikon Z6 II	Full Frame	24.3	6048	4024	4K/60p	25.0	14.4	3303	94
7.		Nikon Z7	Full Frame	45.4	8256	5504	4K/30p	26.3	14.6	2668	99
8.		Nikon Z9	Full Frame	45.4	8256	5504	8K/30p	26.3	14.4	2451	98
9.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
10.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
11.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
12.		Panasonic GH3	Four Thirds	15.9	4608	3456	1080/60p	22.7	12.4	812	71
13.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
14.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
15.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
17.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z7 II provides a higher frame rate than the GH4. It can shoot video footage at 4K/60p, while the Panasonic is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Z7 II offers a substantially higher resolution than the one in the GH4 (3690k vs 2359k dots). The table below summarizes some of the other core capabilities of the Nikon Z7 II and Panasonic GH4 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon Z7 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	10.0/s	n	Y
2.		Panasonic GH4	2359	n	3.0 / 1036	swivel	Y	1/8000s	12.0/s	Y	n
3.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
5.		Nikon Z6	3690	Y	3.2 / 2100	tilting	Y	1/8000s	12.0/s	n	Y
6.		Nikon Z6 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	14.0/s	n	Y
7.		Nikon Z7	3690	Y	3.2 / 2100	tilting	Y	1/8000s	9.0/s	n	Y
8.		Nikon Z9	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
9.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
10.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
11.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
12.		Panasonic GH3	1746	n	3.0 / 614	swivel	Y	1/4000s	6.0/s	Y	n
13.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
14.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
17.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the Z7 II, but is missing on the GH4 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon Z7 II and the Panasonic GH4 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The Z7 II writes its imaging data to CFexpress (type B) or SDXC cards, while the GH4 uses SDXC cards. The Z7 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the GH4 only has one slot. The Z7 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the GH4 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z7 II and Panasonic Lumix DMC-GH4 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon Z7 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Panasonic GH4	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
5.		Nikon Z6	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
6.		Nikon Z6 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
7.		Nikon Z7	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
8.		Nikon Z9	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
10.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
12.		Panasonic GH3	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
13.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
14.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
17.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

Studio photographers will appreciate that the Panasonic GH4 (unlike the Z7 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The Z7 II is a recent model that features in the current product line-up of Nikon. In contrast, the GH4 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GH4 was succeeded by the Panasonic GH5. Further information on the features and operation of the Z7 II and GH4 can be found, respectively, in the Nikon Z7 II Manual (free pdf) or the online Panasonic GH4 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Nikon Z7 II and the Panasonic GH4? Which camera is better? The listing below highlights the relative strengths of the two models.

Advantages of the Nikon Z7 II:

• More detail: Offers more megapixels (45.4 vs 15.9MP) with a 72% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (26 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (3.1 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.8 stops ISO advantage).
• Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2359k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.67x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1036k dots).
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 6 years and 8 months of technical progress since the GH4 launch.

Arguments in favor of the Panasonic Lumix DMC-GH4:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
• Less heavy: Has a lower weight (by 145g or 21 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (500 versus 420) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in February 2014).

If the number of relative strengths (bullet points above) is taken as a guide, the Z7 II is the clear winner of the match-up (20 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon Z7 II and the Panasonic GH4 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Z7 II or the GH4. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Nikon Z7 II	4.5/5	..	4.5/5	..	4.5/5	4.5/5	Oct 2020	US$ 2 999	amazon.com
2.		Panasonic GH4	5/5	+ +	..	85/100	5/5	5/5	Feb 2014	US$ 1 499	ebay.com
3.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	US$ 3 899	amazon.com
4.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	US$ 2 499	amazon.com
5.		Nikon Z6	5/5	..	5/5	89/100	4.5/5	5/5	Aug 2018	US$ 1 999	ebay.com
6.		Nikon Z6 II	4.5/5	..	4/5	89/100	4.5/5	4.5/5	Oct 2020	US$ 1 999	amazon.com
7.		Nikon Z7	5/5	+	4.8/5	89/100	4.5/5	5/5	Aug 2018	US$ 3 399	ebay.com
8.		Nikon Z9	5/5	..	4.5/5	94/100	5/5	5/5	Oct 2021	US$ 5 499	amazon.com
9.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	US$ 1 399	ebay.com
10.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	US$ 1 099	ebay.com
11.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
12.		Panasonic GH3	5/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	US$ 1 299	ebay.com
13.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	US$ 1 999	ebay.com
14.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	US$ 3 199	ebay.com
15.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	US$ 3 199	ebay.com
16.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	US$ 3 199	amazon.com
17.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	US$ 3 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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