Nikon Z6 II vs Olympus E-M5 II

The Nikon Z6 II and the Olympus OM-D E-M5 Mark II are two enthusiast cameras that were revealed to the public, respectively, in October 2020 and February 2015. Both the Z6 II and the E-M5 II are mirrorless interchangeable lens cameras that are based on a full frame (Z6 II) and a Four Thirds (E-M5 II) sensor. The Nikon has a resolution of 24.3 megapixels, whereas the Olympus provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon Z6 II		Olympus E-M5 II
Mirrorless system camera		Mirrorless system camera
Nikon Z mount lenses		Micro Four Thirds lenses
24.3 MP – Full Frame sensor		15.9 MP – Four Thirds sensor
4K/60p Video		1080/60p Video
ISO 100-51,200 (50 - 204,800)		ISO 200-25,600
Electronic viewfinder (3690k dots)		Electronic viewfinder (2360k dots)
3.2" LCD – 2100k dots		3.0" LCD – 1037k dots
Tilting touchscreen		Swivel touchscreen
14 shutter flaps per second		10 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
410 shots per battery charge		310 shots per battery charge
134 x 101 x 70 mm, 705 g		124 x 85 x 45 mm, 469 g

Check Z6 II price at
amazon.com
Check E-M5 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z6 II and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon Z6 II and the Olympus E-M5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the Z6 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably smaller (22 percent) than the Nikon Z6 II. Moreover, the E-M5 II is markedly lighter (33 percent) than the Z6 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the Z6 II gets 410 shots out of its Nikon EN-EL15c battery, while the E-M5 II can take 310 images on a single charge of its Olympus BLN-1 power pack. The power pack in the Z6 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Nikon Z6 II	134 mm	101 mm	70 mm	705 g	410	Y	Oct 2020	EUR 2 199	amazon.com
2.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	EUR 1 099	ebay.com
3.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	EUR 2 699	amazon.com
4.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	EUR 1 799	ebay.com
5.		Nikon D780	144 mm	116 mm	76 mm	840 g	2260	Y	Jan 2020	EUR 2 499	amazon.com
6.		Nikon Z5	134 mm	101 mm	67 mm	675 g	470	Y	Jul 2020	EUR 1 549	amazon.com
7.		Nikon Z6	134 mm	101 mm	67 mm	675 g	310	Y	Aug 2018	EUR 2 449	ebay.com
8.		Nikon Z7 II	134 mm	101 mm	70 mm	705 g	420	Y	Oct 2020	EUR 3 399	amazon.com
9.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	EUR 2 499	amazon.com
10.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	EUR 1 499	ebay.com
11.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	EUR 1 799	ebay.com
12.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	EUR 1 099	ebay.com
13.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	EUR 1 199	ebay.com
14.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	EUR 599	ebay.com
15.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	EUR 599	ebay.com
16.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	EUR 1 699	amazon.com
17.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	EUR 1 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M5 II was launched at a markedly lower price (by 45 percent) than the Z6 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Nikon Z6 II features a full frame sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the Z6 II has a native 3:2 aspect ratio, while the one in the E-M5 II offers a 4:3 aspect.

With 24.3MP, the Z6 II offers a higher resolution than the E-M5 II (15.9MP), but the Z6 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.76μm for the E-M5 II) due to its larger sensor. Moreover, the Z6 II is a much more recent model (by 5 years and 8 months) than the E-M5 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Nikon Z6 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z6 II for good quality output (200 dots per inch) amounts to 30.2 x 20.1 inches or 76.8 x 51.1 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 40.9 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The Z6 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the Z6 II, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Nikon Z6 II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

In terms of underlying technology, the Z6 II is build around a BSI-CMOS sensor, while the E-M5 II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the Z6 II provides substantially higher image quality than the E-M5 II, with an overall score that is 21 points higher. This advantage is based on 2 bits higher color depth, 1.9 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon Z6 II	Full Frame	24.3	6048	4024	4K/60p	25.0	14.4	3303	94
2.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
3.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
4.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
5.		Nikon D780	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	2877	95
6.		Nikon Z5	Full Frame	24.2	6016	4016	4K/30p	25.3	14.3	2929	95
7.		Nikon Z6	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	3299	95
8.		Nikon Z7 II	Full Frame	45.4	8256	5504	4K/60p	26.3	14.7	2841	100
9.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
10.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
11.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
12.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
13.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
14.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
15.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
16.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
17.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the Z6 II provides a higher video resolution than the E-M5 II. It can shoot video footage at 4K/60p, while the Olympus is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Z6 II offers a substantially higher resolution than the one in the E-M5 II (3690k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Nikon Z6 II, the Olympus E-M5 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon Z6 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	14.0/s	n	Y
2.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
4.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
5.		Nikon D780	optical	Y	3.2 / 2359	tilting	Y	1/8000s	12.0/s	n	n
6.		Nikon Z5	3690	n	3.2 / 1040	tilting	Y	1/8000s	4.5/s	n	Y
7.		Nikon Z6	3690	Y	3.2 / 2100	tilting	Y	1/8000s	12.0/s	n	Y
8.		Nikon Z7 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	10.0/s	n	Y
9.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
10.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
11.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
12.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
13.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
14.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
15.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
16.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
17.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the Z6 II, but is missing on the E-M5 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon Z6 II and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The Z6 II writes its imaging data to CFexpress (type B) or SDXC cards, while the E-M5 II uses SDXC cards. The Z6 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 II only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z6 II and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon Z6 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
5.		Nikon D780	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
6.		Nikon Z5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
7.		Nikon Z6	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
8.		Nikon Z7 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
9.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
10.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
12.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
14.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

It is notable that the Z6 II has a headphone jack, which is not present on the E-M5 II This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Olympus E-M5 II (unlike the Z6 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The Z6 II is a recent model that features in the current product line-up of Nikon. In contrast, the E-M5 II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-M5 II was succeeded by the Olympus E-M5 III. Further information on the features and operation of the Z6 II and E-M5 II can be found, respectively, in the Nikon Z6 II Manual (free pdf) or the online Olympus E-M5 II Manual.

Review summary

So how do things add up? Which of the two cameras – the Nikon Z6 II or the Olympus E-M5 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Nikon Z6 II:

• More detail: Offers more megapixels (24.3 vs 15.9MP) with a 26% higher linear resolution.
• Better image quality: Scores substantially higher (21 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (2 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.74x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1037k dots).
• Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
• Longer lasting: Can take more shots (410 versus 310) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 5 years and 8 months of technical progress since the E-M5 II launch.

Reasons to prefer the Olympus OM-D E-M5 Mark II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (124x85mm vs 134x101mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 236g or 33 percent) and is thus easier to take along.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More affordable: Was introduced into a lower priced category (45 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in February 2015).

If the count of individual advantages (bullet points above) is taken as a guide, the Z6 II is the clear winner of the match-up (20 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon Z6 II and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Z6 II or the E-M5 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Nikon Z6 II	4.5/5	..	4/5	89/100	4.5/5	4.5/5	Oct 2020	EUR 2 199	amazon.com
2.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	EUR 1 099	ebay.com
3.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	EUR 2 699	amazon.com
4.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	EUR 1 799	ebay.com
5.		Nikon D780	5/5	..	5/5	87/100	4.5/5	4.5/5	Jan 2020	EUR 2 499	amazon.com
6.		Nikon Z5	4/5	..	4/5	89/100	4.5/5	4/5	Jul 2020	EUR 1 549	amazon.com
7.		Nikon Z6	5/5	..	5/5	89/100	4.5/5	5/5	Aug 2018	EUR 2 449	ebay.com
8.		Nikon Z7 II	4.5/5	..	4.5/5	..	4.5/5	4.5/5	Oct 2020	EUR 3 399	amazon.com
9.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	EUR 2 499	amazon.com
10.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	EUR 1 499	ebay.com
11.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	EUR 1 799	ebay.com
12.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	EUR 1 099	ebay.com
13.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	EUR 1 199	ebay.com
14.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	EUR 599	ebay.com
15.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	EUR 599	ebay.com
16.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	EUR 1 699	amazon.com
17.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	EUR 1 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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