Nikon Z50 vs Olympus E-P1

The Nikon Z50 and the Olympus PEN E-P1 are two digital cameras that were announced, respectively, in October 2019 and June 2009. Both the Z50 and the E-P1 are mirrorless interchangeable lens cameras that are based on an APS-C (Z50) and a Four Thirds (E-P1) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Olympus provides 12.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon Z50		Olympus E-P1
Mirrorless system camera		Mirrorless system camera
Nikon Z mount lenses		Micro Four Thirds lenses
20.7 MP – APS-C sensor		12.2 MP – Four Thirds sensor
4K/30p Video		720/30p Video
ISO 100-51,200 (100 - 204,800)		ISO 100-6,400
Electronic viewfinder (2360k dots)		No viewfinder, LCD framing
3.2" LCD – 1040k dots		3.0" LCD – 230k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
11 shutter flaps per second		3 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		not weather sealed
320 shots per battery charge		300 shots per battery charge
127 x 94 x 60 mm, 450 g		121 x 70 x 36 mm, 355 g

Check Z50 price at
amazon.com
Check E-P1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z50 and the Olympus PEN E-P1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon Z50 and the Olympus E-P1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The E-P1 can be obtained in three different colors (black, silver, white), while the Z50 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P1 is notably smaller (29 percent) than the Nikon Z50. Moreover, the E-P1 is markedly lighter (21 percent) than the Z50. It is worth mentioning in this context that the Z50 is splash and dust resistant, while the E-P1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the Z50 gets 320 shots out of its Nikon EN-EL25 battery, while the E-P1 can take 300 images on a single charge of its Olympus BLS-1 power pack. The power pack in the Z50 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon Z50	127 mm	94 mm	60 mm	450 g	320	Y	Oct 2019	859	amazon.com
2.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	799	ebay.com
3.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	779	ebay.com
4.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	1,499	ebay.com
5.		Nikon D3500	124 mm	97 mm	70 mm	415 g	1550	n	Aug 2018	429	ebay.com
6.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	799	ebay.com
7.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
8.		Nikon Z30	128 mm	74 mm	60 mm	405 g	330	Y	Jun 2022	709	amazon.com
9.		Nikon Z fc	135 mm	94 mm	44 mm	445 g	300	n	Jun 2021	959	amazon.com
10.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	799	ebay.com
11.		Olympus E-P3	122 mm	69 mm	34 mm	369 g	330	n	Jun 2011	799	ebay.com
12.		Olympus E-PL2	114 mm	72 mm	42 mm	362 g	280	n	Jan 2011	599	ebay.com
13.		Olympus E-PL3	110 mm	64 mm	37 mm	313 g	300	n	Jun 2011	599	ebay.com
14.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	899	ebay.com
15.		Sony A6100	120 mm	67 mm	59 mm	396 g	420	n	Aug 2019	749	ebay.com
16.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999	ebay.com
17.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-P1 was somewhat cheaper (by 7 percent) than the Z50 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon Z50 features an APS-C sensor and the Olympus E-P1 a Four Thirds sensor. The sensor area in the E-P1 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the Z50 has a native 3:2 aspect ratio, while the one in the E-P1 offers a 4:3 aspect.

With 20.7MP, the Z50 offers a higher resolution than the E-P1 (12.2MP), but the Z50 has marginally smaller individual pixels (pixel pitch of 4.22μm versus 4.29μm for the E-P1). However, the Z50 is a much more recent model (by 10 years and 3 months) than the E-P1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the Z50 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Nikon Z50 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z50 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Olympus E-P1 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

The Z50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Nikon Z50 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 100-204800. The corresponding ISO settings for the Olympus PEN E-P1 are ISO 100 to ISO 6400 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon Z50	APS-C	20.7	5568	3712	4K/30p	24.1	13.6	1963	84
2.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
3.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
4.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
5.		Nikon D3500	APS-C	24.0	6000	4000	1080/60p	24.0	13.4	1851	83
6.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
7.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
8.		Nikon Z30	APS-C	20.7	5568	3712	4K/30p	24.3	13.9	2230	86
9.		Nikon Z fc	APS-C	20.7	5568	3712	4K/30p	24.2	13.8	2131	85
10.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
11.		Olympus E-P3	Four Thirds	12.2	4032	3024	1080/60i	20.8	10.1	536	51
12.		Olympus E-PL2	Four Thirds	12.2	4032	3024	720/30p	21.4	10.2	573	55
13.		Olympus E-PL3	Four Thirds	12.2	4032	3024	1080/60i	20.9	10.3	499	52
14.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
15.		Sony A6100	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1947	84
16.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
17.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Z50 provides a higher video resolution than the E-P1. It can shoot video footage at 4K/30p, while the Olympus is limited to 720/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the Z50 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Nikon Z50 and Olympus E-P1 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon Z50	2360	n	3.2 / 1040	tilting	Y	1/4000s	11.0/s	Y	n
2.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
3.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
4.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
5.		Nikon D3500	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
6.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
7.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
8.		Nikon Z30	none	n	3.0 / 1040	swivel	Y	1/4000s	11.0/s	Y	n
9.		Nikon Z fc	2360	Y	3.0 / 1040	swivel	Y	1/4000s	11.0/s	n	n
10.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
11.		Olympus E-P3	optional	n	3.0 / 614	fixed	Y	1/4000s	3.0/s	Y	Y
12.		Olympus E-PL2	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	Y
13.		Olympus E-PL3	optional	n	3.0 / 460	tilting	n	1/4000s	5.5/s	n	Y
14.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
15.		Sony A6100	1440	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
16.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
17.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The Z50 has one, while the E-P1 does not. While the built-in flash of the Z50 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z50 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon Z50 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The Z50 writes its imaging data to SDXC cards, while the E-P1 uses SDHC cards. The Z50 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the E-P1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z50 and Olympus PEN E-P1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon Z50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
3.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
5.		Nikon D3500	Y	mono / mono	-	-	mini	2.0	-	-	Y
6.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
7.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
8.		Nikon Z30	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
9.		Nikon Z fc	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
10.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Olympus E-P3	Y	stereo / -	-	-	mini	2.0	-	-	-
12.		Olympus E-PL2	Y	stereo / -	-	-	mini	2.0	-	-	-
13.		Olympus E-PL3	Y	stereo / -	-	-	mini	2.0	-	-	-
14.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
15.		Sony A6100	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
16.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y

It is notable that the Z50 has a microphone port, which is missing on the E-P1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

The Z50 is a recent model that features in the current product line-up of Nikon. In contrast, the E-P1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-P1 was succeeded by the Olympus E-P2. Further information on the features and operation of the Z50 and E-P1 can be found, respectively, in the Nikon Z50 Manual (free pdf) or the online Olympus E-P1 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Nikon Z50 and the Olympus E-P1? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Nikon Z50:

• More detail: Offers more megapixels (20.7 vs 12.2MP) with a 33% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
• More modern: Reflects 10 years and 3 months of technical progress since the E-P1 launch.

Reasons to prefer the Olympus PEN E-P1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (121x70mm vs 127x94mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 95g or 21 percent) and is thus easier to take along.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More heavily discounted: Has been around for much longer (launched in June 2009).

If the number of relative strengths (bullet points above) is taken as a guide, the Z50 is the clear winner of the match-up (25 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon Z50 and the Olympus E-P1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the Z50 or the E-P1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon Z50	5/5	..	5/5	85/100	4.5/5	4.5/5	Oct 2019	859	amazon.com
2.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	799	ebay.com
3.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	779	ebay.com
4.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	1,499	ebay.com
5.		Nikon D3500	4/5	..	4/5	75/100	4/5	4.5/5	Aug 2018	429	ebay.com
6.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	799	ebay.com
7.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
8.		Nikon Z30	4/5	..	4/5	86/100	4.5/5	4/5	Jun 2022	709	amazon.com
9.		Nikon Z fc	4/5	..	4.5/5	86/100	5/5	4.5/5	Jun 2021	959	amazon.com
10.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	799	ebay.com
11.		Olympus E-P3	..	83/100	..	74/100	4.5/5	4.5/5	Jun 2011	799	ebay.com
12.		Olympus E-PL2	3/5	83/100	..	71/100	4.5/5	4.5/5	Jan 2011	599	ebay.com
13.		Olympus E-PL3	3/5	+ +	..	72/100	4.5/5	4/5	Jun 2011	599	ebay.com
14.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	899	ebay.com
15.		Sony A6100	..	..	4/5	82/100	4/5	5/5	Aug 2019	749	ebay.com
16.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999	ebay.com
17.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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