Nikon D7200 versus Sony A7R III
The Nikon D7200 and the Sony Alpha A7R III are two enthusiast cameras that were announced, respectively, in March 2015 and October 2017. The D7200 is a DSLR, while the A7R III is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D7200) and a full frame (A7R III) sensor. The Nikon has a resolution of 24 megapixel, whereas the Sony provides 42.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Nikon D7200 vs Sony A7R III
An illustration of the physical size and weight of the Nikon D7200 and the Sony A7R III is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the D7200 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is notably smaller (16 percent) than the Nikon D7200. Moreover, the A7R III is markedly lighter (15 percent) than the D7200. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Nikon Lens Catalog (D7200) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the A7R III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Nikon D7200»||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-|
|Sony A7R III«||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499|
|Nikon D5« »||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||-|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D7200 was launched at a markedly lower price (by 63 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Nikon D7200 vs Sony A7R III
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D7200 features an APS-C sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R III offers a higher resolution than the D7200 (24MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.91μm for the D7200) due to its larger sensor. Moreover, the A7R III is a much more recent model (by 2 years and 7 months) than the D7200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the D7200, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7R III offers substantially better image quality than the D7200 (overall score 13 points higher). The advantage is based on 1.5 bits higher color depth, 0.1 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A7R III«||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Nikon D5« »||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7R III provides a better video resolution than the D7200. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Feature comparison: Nikon D7200 vs Sony A7R III
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the D7200 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Nikon D7200 and Sony A7R III in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Sony A7R III«||3686||n||3.0||1440||tilting||Y||8000||10.0||n||Y|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||8000||8.0||Y||n|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n|
|Nikon D5« »||optical||Y||3.2||2359||fixed||Y||8000||14.0||n||n|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||4000||6.0||Y||n|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||8000||6.0||Y||n|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||8000||12.0||n||Y|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||8000||4.0||n||n|
The A7R III is a current model that online retailers, such as amazon, will have in stock. In contrast, the D7200 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D7200 was succeeded by the Nikon D7500.
Review summary: Nikon D7200 vs Sony A7R III
So what conclusions can be drawn? Is the Nikon D7200 better than the Sony A7R III or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon D7200:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Can take more shots (1110 versus 650) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2015).
Reasons to prefer the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 24MP), which boosts linear resolution by 33%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (13 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.5 bits more color depth).
- Better low-light sensitivity: Can shoot in dim conditions (1.4 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1229k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (127x96mm vs 136x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 115g or 15 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Reflects 2 years and 7 months of technical progress since the D7200 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the contest (16 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the D7200 or the A7R III. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Nikon D7200»||HiRec||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-|
|Sony A7R III«||HiRec||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Nikon D7500« »||HiRec||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299|
|Nikon D3400« »||Rec||76/100||4/5||4.5/5||4.5/5||Aug 2016||499|
|Nikon D5« »||-||89/100||4.5/5||5/5||5/5||Jan 2016||6,499|
|Nikon D500« »||HiRec||91/100||4.5/5||5/5||5/5||Jan 2016||1,999|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699|
|Nikon D5500« »||Rec||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-|
|Nikon D3300« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-|
|Nikon D750« »||HiRec||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299|
|Nikon D7100« »||HiRec||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-|
|Sony A7 III« »||HiRec||89/100||5/5||-||5/5||Feb 2018||1,999|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-|
|Sony A7R« »||HiRec||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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