Nikon D7000 versus Panasonic G9
The Nikon D7000 and the Panasonic Lumix DC-G9 are two enthusiast cameras that were officially introduced, respectively, in September 2010 and November 2017. The D7000 is a DSLR, while the G9 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D7000) and a Four Thirds sensor. The Nikon has a resolution of 16.1 megapixel, whereas the Panasonic provides 20.2 MP.
The side-by-side display below illustrates the physical size and weight of the Nikon D7000 and the Panasonic G9. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the D7000 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is somewhat smaller (4 percent) than the Nikon D7000. Moreover, the G9 is markedly lighter (16 percent) than the D7000. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Nikon Lens Catalog (D7000) and the Micro Four Thirds Lens Catalog (G9). Mirrorless cameras, such as the G9, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Nikon D7000 (⇒ rgt)||132 mm||105 mm||77 mm||780 g||1050||YES||2010||1,499||discont.||check|
|Panasonic G9 (⇒ lft)||137 mm||97 mm||92 mm||658 g||400||YES||2017||1,699||latest||check|
|Canon 60D (⇒ lft | rgt)||145 mm||106 mm||79 mm||755 g||1100||YES||2010||1,399||discont.||check|
|Canon 7D (⇒ lft | rgt)||148 mm||111 mm||74 mm||860 g||800||YES||2009||1,699||discont.||check|
|Fujifilm X-H1 (⇒ lft | rgt)||140 mm||97 mm||86 mm||673 g||310||YES||2018||1,899||latest||check|
|Nikon D7500 (⇒ lft | rgt)||136 mm||104 mm||73 mm||720 g||950||YES||2017||1,299||latest||check|
|Nikon D7100 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||950||YES||2013||1,199||discont.||check|
|Nikon Df (⇒ lft | rgt)||144 mm||110 mm||67 mm||760 g||1400||YES||2013||2,749||latest||check|
|Nikon D5100 (⇒ lft | rgt)||128 mm||97 mm||79 mm||560 g||660||no||2011||749||discont.||check|
|Nikon D300S (⇒ lft | rgt)||147 mm||115 mm||81 mm||938 g||950||YES||2009||1,799||discont.||check|
|Nikon D90 (⇒ lft | rgt)||132 mm||103 mm||77 mm||703 g||850||no||2008||1,299||discont.||check|
|Nikon D300 (⇒ lft | rgt)||147 mm||114 mm||74 mm||925 g||1000||YES||2007||1,799||discont.||check|
|Nikon D200 (⇒ lft | rgt)||147 mm||113 mm||74 mm||920 g||400||YES||2005||1,699||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Panasonic GH5s (⇒ lft | rgt)||139 mm||98 mm||87 mm||660 g||440||YES||2018||2,499||latest||check|
|Panasonic GH5 (⇒ lft | rgt)||139 mm||98 mm||87 mm||725 g||410||YES||2017||1,999||latest||check|
|Panasonic G85 (⇒ lft | rgt)||128 mm||89 mm||74 mm||505 g||330||YES||2016||899||latest||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D7000 was launched at a somewhat lower price (by 12 percent) than the G9, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D7000 features an APS-C sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D7000 has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.
Despite having a smaller sensor, the G9 offers a higher resolution of 20.2 megapixel, compared with 16.1 MP of the D7000. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.80μm for the D7000). However, it should be noted that the G9 is much more recent (by 7 years and 1 month) than the D7000, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the D7000, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D7000 (⇒ rgt)||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80|
|Panasonic G9 (⇒ lft)||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-|
|Canon 60D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Canon 7D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66|
|Fujifilm X-H1 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Nikon D7500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86|
|Nikon D7100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83|
|Nikon Df (⇒ lft | rgt)||Full Frame||16.2||4928||3280||no||24.6||13.1||3279||89|
|Nikon D5100 (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||23.5||13.6||1183||80|
|Nikon D300S (⇒ lft | rgt)||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70|
|Nikon D90 (⇒ lft | rgt)||APS-C||12.2||4288||2848||720/24p||22.7||12.5||977||73|
|Nikon D300 (⇒ lft | rgt)||APS-C||12.2||4288||2848||no||22.1||12.0||679||67|
|Nikon D200 (⇒ lft | rgt)||APS-C||10.0||3872||2592||no||22.3||11.5||583||64|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Panasonic GH5s (⇒ lft | rgt)||Four Thirds||9.9||3680||2700||4K/60p||..||..||..||..|
|Panasonic GH5 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic G85 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G9 provides a better video resolution than the D7000. It can shoot movie footage at 4K/60p, while the Nikon is limited to 10800/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), while the D7000 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Nikon D7000, the Panasonic G9, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Nikon D7000 (⇒ rgt)||optical||YES||3.0||921||fixed||no||8000||6.0||12||no|
|Panasonic G9 (⇒ lft)||3680||YES||3.0||1040||swivel||YES||8000||20.0||no||YES|
|Canon 60D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Canon 7D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||8.0||12||no|
|Fujifilm X-H1 (⇒ lft | rgt)||3690||YES||3.0||1040||full-flex||YES||8000||14.0||no||YES|
|Nikon D7500 (⇒ lft | rgt)||optical||YES||3.2||922||tilting||YES||8000||8.0||12||no|
|Nikon D7100 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon Df (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||5.5||no||no|
|Nikon D5100 (⇒ lft | rgt)||optical||no||3.0||921||swivel||no||4000||4.0||12||no|
|Nikon D300S (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||7.0||12||no|
|Nikon D90 (⇒ lft | rgt)||optical||YES||3||920||fixed||no||4000||4.5||17||no|
|Nikon D300 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||6.0||12||no|
|Nikon D200 (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||5.0||12||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Panasonic GH5s (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||no|
|Panasonic GH5 (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||YES|
|Panasonic G85 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||9.0||6.2||YES|
The G9 is a current model that online retailers, such as amazon, will have in stock. In contrast, the D7000 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the D7000 was succeeded by the Nikon D7100.
So what conclusions can be drawn? Which of the two cameras – the Nikon D7000 or the Panasonic G9 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Nikon D7000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (1050 versus 400) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced segment (12 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2010).
Arguments in favor of the Panasonic Lumix DC-G9:
- More detail: Has more megapixels (20.2 vs 16.1MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/60p vs 10800/24p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (20 vs 6 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 122g or 16 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Reflects 7 years and 1 month of technical progress since the D7000 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the G9 is the clear winner of the contest (13 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the D7000 or the G9. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Nikon D7000 (⇒ rgt)||-||80/100 Silver||4.5/5||5/5||4.5/5||2010||1,499||discont.||check|
|Panasonic G9 (⇒ lft)||HiRec||85/100 Silver||5/5||..||5/5||2017||1,699||latest||check|
|Canon 60D (⇒ lft | rgt)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Canon 7D (⇒ lft | rgt)||93/100 HiRec||84/100||4.5/5||5/5||4.5/5||2009||1,699||discont.||check|
|Fujifilm X-H1 (⇒ lft | rgt)||..||86/100 Silver||4.5/5||..||4.5/5||2018||1,899||latest||check|
|Nikon D7500 (⇒ lft | rgt)||HiRec||86/100 Silver||5/5||4.5/5||4.5/5||2017||1,299||latest||check|
|Nikon D7100 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2013||1,199||discont.||check|
|Nikon Df (⇒ lft | rgt)||-||81/100||4/5||4/5||4/5||2013||2,749||latest||check|
|Nikon D5100 (⇒ lft | rgt)||86/100 HiRec||76/100 Silver||4.5/5||5/5||4.5/5||2011||749||discont.||check|
|Nikon D300S (⇒ lft | rgt)||90/100 HiRec||82/100 HiRec||4/5||5/5||4.5/5||2009||1,799||discont.||check|
|Nikon D90 (⇒ lft | rgt)||89/100 HiRec||HiRec||4/5||5/5||4.5/5||2008||1,299||discont.||check|
|Nikon D300 (⇒ lft | rgt)||90/100 HiRec||HiRec||5/5||reviewed||4.5/5||2007||1,799||discont.||check|
|Nikon D200 (⇒ lft | rgt)||91/100 HiRec||HiRec||reviewed||5/5||-||2005||1,699||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Panasonic GH5s (⇒ lft | rgt)||..||84/100 Gold||4.5/5||..||4.5/5||2018||2,499||latest||check|
|Panasonic GH5 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||5/5||2017||1,999||latest||check|
|Panasonic G85 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4.5/5||4.5/5||2016||899||latest||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, kindly get in touch, and I will try to locate and add the respective data to the application.
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