Nikon D5600 vs Panasonic G95
The Nikon D5600 and the Panasonic Lumix DC-G95 (labelled Panasonic G90 in some countries) are two digital cameras that were revealed to the public, respectively, in November 2016 and April 2019. The D5600 is a DSLR, while the G95 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5600) and a Four Thirds (G95) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5600 and the Panasonic Lumix DC-G95? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D5600 and the Panasonic G95. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The D5600 can be obtained in two different colors (black, red), while the G95 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G95 is somewhat larger (2 percent) than the Nikon D5600. Moreover, the G95 is markedly heavier (15 percent) than the D5600. It is noteworthy in this context that the G95 is splash and dust-proof, while the D5600 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5600) and the Micro Four Thirds Lens Catalog (G95). Mirrorless cameras, such as the G95, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D5600 gets 970 shots out of its EN-EL14a battery, while the G95 can take 290 images on a single charge of its DMW-BLC12 power pack. The power pack in the G95 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|2.||Panasonic G95||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|3.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|4.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|5.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|6.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|7.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|8.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499|
|9.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|10.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599|
|11.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749|
|12.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749|
|13.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|14.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|15.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|16.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|17.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D5600 was launched at a markedly lower price (by 30 percent) than the G95, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5600 features an APS-C sensor and the Panasonic G95 a Four Thirds sensor. The sensor area in the G95 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D5600 has a native 3:2 aspect ratio, while the one in the G95 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the D5600 offers a higher resolution than the G95 (20.2MP), but the D5600 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the G95) due to its larger sensor. However, the G95 is a much more recent model (by 2 years and 4 months) than the D5600, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon D5600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G95 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The Nikon D5600 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DC-G95 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1273||75|
|13.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1356||76|
|14.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1324||76|
|15.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||23.1||12.8||1163||74|
|16.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|17.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G95 provides a better video resolution than the D5600. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G95 has an electronic viewfinder (2360k dots), while the D5600 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G95 offers a wider field of view (100%) than the one in the D5600 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G95 has a higher magnification (0.74x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D5600 and Panasonic G95 along with similar information for a selection of comparators.
|1.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|2.||Panasonic G95||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0||Y||Y|
|3.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|6.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|7.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|8.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|9.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0||Y||n|
|10.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0||Y||n|
|11.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0||Y||n|
|12.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0||Y||n|
|13.||Olympus E-M1 III||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|14.||Olympus E-M5 III||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|15.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|16.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|17.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
One feature that differentiates the G95 and the D5600 is in-body image stabilization (IBIS). The G95 reduces the risk of handshake-induced blur with all attached lenses, while the D5600 offers no blur reduction with lenses that themselves do not provide optical image stabilization.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G95 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5600 and the Panasonic G95 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5600 and the G95 write their files to SDXC cards. The G95 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D5600 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5600 and Panasonic Lumix DC-G95 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Panasonic G95||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|3.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|6.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|7.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|8.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Olympus E-M1 III||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|14.||Olympus E-M5 III||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|17.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the G95 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The D5600 lacks such a headphone port.
Both the D5600 and the G95 are recent models that are part of the current product line-up. The D5600 replaced the earlier Nikon D5500, while the G95 followed on from the Panasonic G85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is the Nikon D5600 better than the Panasonic G95 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon D5600:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Less heavy: Is lighter (by 71g or 13 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (970 versus 290) on a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (30 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in November 2016).
Arguments in favor of the Panasonic Lumix DC-G95:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.57x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1037k dots).
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 4 months of technical progress since the D5600 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the G95 emerges as the winner of the match-up (14 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5600 and the Panasonic G95 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D5600 or the G95 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699|
|2.||Panasonic G95||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|3.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|4.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|5.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|6.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|7.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|8.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499|
|9.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|10.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599|
|11.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749|
|12.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749|
|13.||Olympus E-M1 III||5/5||..||5/5||83/100||4.5/5||4/5||Feb 2020||1,799|
|14.||Olympus E-M5 III||5/5||+||5/5||82/100||4.5/5||4.5/5||Oct 2019||1,199|
|15.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|16.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|17.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon R5 vs Nikon D5600
- Canon SL2 vs Panasonic G95
- Canon SX50 vs Nikon D5600
- Canon SX720 vs Panasonic G95
- Fujifilm X-Pro1 vs Panasonic G95
- Nikon B500 vs Panasonic G95
- Nikon D3000 vs Panasonic G95
- Nikon D3200 vs Nikon D5600
- Nikon D4S vs Nikon D5600
- Nikon D5600 vs Olympus E-400
- Nikon D5600 vs Panasonic FZ80
- Panasonic G95 vs Sony RX1R
Specifications: Nikon D5600 vs Panasonic G95
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5600||Panasonic G95|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||November 2016||April 2019|
|Launch Price||USD 699||USD 999|
|Sensor Specs||Nikon D5600||Panasonic G95|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.91 μm||3.34 μm|
|Pixel Density||6.55 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||EXPEED 4||Venus|
|DXO Sensor Quality (score)||84||..|
|DXO Color Depth (bits)||24.1||..|
|DXO Dynamic Range (EV)||14.0||..|
|DXO Low Light (ISO)||1306||..|
|Screen Specs||Nikon D5600||Panasonic G95|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1037k dots||1240k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Nikon D5600||Panasonic G95|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Nikon D5600||Panasonic G95|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Nikon D5600||Panasonic G95|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||970 shots per charge||290 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
130 x 94 x 77 mm
(5.1 x 3.7 x 3.0 in)
|Camera Weight||465 g (16.4 oz)||536 g (18.9 oz)|
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