Nikon D5100 versus Canon T4i
The Nikon D5100 and the Canon EOS Rebel T4i (labelled Canon 650D in some countries) are two digital cameras that were announced, respectively, in April 2011 and June 2012. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Nikon has a resolution of 16.1 megapixel, whereas the Canon provides 17.9 MP.
The side-by-side display below illustrates the physical size and weight of the Nikon D5100 and the Canon T4i. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the D5200 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T4i is somewhat larger (7 percent) than the Nikon D5100. Moreover, the T4i is slightly heavier (3 percent) than the D5200. In this context, it is worth noting that neither the D5200 nor the T4i are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Nikon Lens Catalog (D5200) and the Canon EF Lens Catalog (T4i).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Nikon D5100 (⇒ rgt)||128 mm||97 mm||79 mm||560 g||660||no||2011||749||discont.||check|
|Canon T4i (⇒ lft)||133 mm||100 mm||79 mm||575 g||440||no||2012||849||discont.||check|
|Canon T5i (⇒ lft | rgt)||133 mm||100 mm||79 mm||580 g||440||no||2013||649||discont.||check|
|Canon SL1 (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Canon G1 X (⇒ lft | rgt)||117 mm||81 mm||65 mm||534 g||250||no||2012||799||discont.||check|
|Canon T3i (⇒ lft | rgt)||133 mm||100 mm||80 mm||570 g||440||no||2011||599||discont.||check|
|Canon T2i (⇒ lft | rgt)||129 mm||98 mm||62 mm||530 g||440||no||2010||699||discont.||check|
|Canon T1i (⇒ lft | rgt)||129 mm||98 mm||62 mm||480 g||400||no||2009||799||discont.||check|
|Nikon D5600 (⇒ lft | rgt)||124 mm||97 mm||70 mm||465 g||970||no||2016||699||latest||check|
|Nikon D5500 (⇒ lft | rgt)||124 mm||97 mm||70 mm||420 g||820||no||2015||899||discont.||check|
|Nikon D5300 (⇒ lft | rgt)||125 mm||98 mm||76 mm||480 g||600||no||2013||799||discont.||check|
|Nikon D3200 (⇒ lft | rgt)||125 mm||96 mm||77 mm||505 g||540||no||2012||599||discont.||check|
|Nikon D5200 (⇒ lft | rgt)||129 mm||98 mm||78 mm||555 g||500||no||2012||749||discont.||check|
|Nikon D7000 (⇒ lft | rgt)||132 mm||105 mm||77 mm||780 g||1050||YES||2010||1,499||discont.||check|
|Nikon D3100 (⇒ lft | rgt)||124 mm||96 mm||75 mm||505 g||550||no||2010||599||discont.||check|
|Nikon D5000 (⇒ lft | rgt)||127 mm||104 mm||80 mm||590 g||510||no||2009||749||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5200 was launched at a somewhat lower price (by 12 percent) than the T4i, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the T4i is 11 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (D5200) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the T4i offers a higher resolution of 17.9 megapixel, compared with 16.1 MP of the D5200. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.31μm versus 4.80μm for the D5200). However, it should be noted that the T4i is a somewhat more recent model (by 1 year and 2 months) than the D5200, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D5200 provides substantially higher image quality than the T4i, with an overall score that is 18 points higher. This advantage is based on 1.8 bits higher color depth, 2.4 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D5100 (⇒ rgt)||APS-C||16.1||4928||3264||1080/30p||23.5||13.6||1183||80|
|Canon T4i (⇒ lft)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62|
|Canon T5i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Canon SL1 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Canon G1 X (⇒ lft | rgt)||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Canon T3i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65|
|Canon T2i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66|
|Canon T1i (⇒ lft | rgt)||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63|
|Nikon D5600 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84|
|Nikon D5500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84|
|Nikon D5300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83|
|Nikon D3200 (⇒ lft | rgt)||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81|
|Nikon D5200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84|
|Nikon D7000 (⇒ lft | rgt)||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80|
|Nikon D3100 (⇒ lft | rgt)||APS-C||14.2||4608||3072||1080/24p||22.5||11.3||919||67|
|Nikon D5000 (⇒ lft | rgt)||APS-C||12.2||4288||2848||720/24p||22.7||12.5||868||72|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The D5200 and the T4i are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Nikon D5100, the Canon T4i, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Nikon D5100 (⇒ rgt)||optical||no||3.0||921||swivel||no||4000||4.0||YES||no|
|Canon T4i (⇒ lft)||optical||no||3||1040||swivel||YES||4000||5.0||YES||no|
|Canon T5i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||13||no|
|Canon SL1 (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Canon G1 X (⇒ lft | rgt)||optical||no||3.0||922||Swivel||no||4000||1.9||7||no|
|Canon T3i (⇒ lft | rgt)||optical||no||3||1040||swivel||no||4000||3.7||YES||no|
|Canon T2i (⇒ lft | rgt)||optical||no||3.0||1040||fixed||no||4000||3.7||YES||no|
|Canon T1i (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.4||YES||no|
|Nikon D5600 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Nikon D5500 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Nikon D5300 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||no||4000||5.0||12||no|
|Nikon D3200 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||4.0||YES||no|
|Nikon D5200 (⇒ lft | rgt)||optical||no||3.0||921||swivel||no||4000||5.0||YES||no|
|Nikon D7000 (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||8000||6.0||12||no|
|Nikon D3100 (⇒ lft | rgt)||optical||no||3.0||230||fixed||no||4000||3.0||YES||no|
|Nikon D5000 (⇒ lft | rgt)||optical||no||2.7||230||full-flex||no||4000||4.0||YES||no|
Both the D5200 and the T4i have been discontinued, but can regularly be found used on ebay. The D5200 was replaced by the Nikon D5200, while the T4i was followed by the Canon T5i.
So what is the bottom line? Is the Nikon D5100 better than the Canon T4i or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Nikon D5100:
- Better image quality: Scores substantially higher (18 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.4 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Longer lasting: Can take more shots (660 versus 440) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (12 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in April 2011).
Reasons to prefer the Canon EOS Rebel T4i:
- More detail: Has more megapixels (17.9 vs 16.1MP), which boosts linear resolution by 5%.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
- More modern: Was introduced somewhat (1 year and 2 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the D5200 emerges as the winner of the contest (7 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D5200 or the T4i handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Nikon D5100 (⇒ rgt)||86/100 HiRec||76/100 Silver||4.5/5||5/5||4.5/5||2011||749||discont.||check|
|Canon T4i (⇒ lft)||HiRec||77/100 Silver||4.5/5||4.5/5||4.5/5||2012||849||discont.||check|
|Canon T5i (⇒ lft | rgt)||-||76/100 Silver||4.5/5||4.5/5||4.5/5||2013||649||discont.||check|
|Canon SL1 (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Canon G1 X (⇒ lft | rgt)||79/100 Rec||76/100 Silver||4/5||4/5||4.5/5||2012||799||discont.||check|
|Canon T3i (⇒ lft | rgt)||reviewed||77/100 Silver||4.5/5||5/5||4.5/5||2011||599||discont.||check|
|Canon T2i (⇒ lft | rgt)||88/100 HiRec||77/100 Gold||4/5||5/5||4.5/5||2010||699||discont.||check|
|Canon T1i (⇒ lft | rgt)||88/100 HiRec||74/100 HiRec||4.5/5||5/5||4.5/5||2009||799||discont.||check|
|Nikon D5600 (⇒ lft | rgt)||-||79/100 Silver||4.5/5||4.5/5||4/5||2016||699||latest||check|
|Nikon D5500 (⇒ lft | rgt)||Rec||79/100 Silver||4.5/5||5/5||4.5/5||2015||899||discont.||check|
|Nikon D5300 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4.5/5||4.5/5||2013||799||discont.||check|
|Nikon D3200 (⇒ lft | rgt)||HiRec||73/100 Silver||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Nikon D5200 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4.5/5||4.5/5||2012||749||discont.||check|
|Nikon D7000 (⇒ lft | rgt)||-||80/100 Silver||4.5/5||5/5||4.5/5||2010||1,499||discont.||check|
|Nikon D3100 (⇒ lft | rgt)||84/100 HiRec||72/100 Silver||4.5/5||5/5||4.5/5||2010||599||discont.||check|
|Nikon D5000 (⇒ lft | rgt)||88/100 HiRec||75/100 HiRec||4/5||5/5||4.5/5||2009||749||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, please send me an email, and I will try to locate and add the respective data to the application.
- Canon 1300D vs Nikon D3300
- Canon 450D vs Canon 1100D
- Canon M5 vs Fujifilm X-E3
- Fujifilm X-E1 vs Olympus PEN-F
- Fujifilm X-E3 vs Olympus E-M10 III
- Fujifilm X-T20 vs Sony A6300
- Nikon D5300 vs Canon 7D II
- Nikon D7500 vs Olympus PEN-F
- Olympus E-1 vs Olympus E-410
- Olympus PEN-F vs Sony RX100 IV
- Panasonic GM1 vs Canon G1 X Mark II
- Sony A77 II vs Panasonic GX8