Nikon D3500 vs Fujifilm GFX 50R
The Nikon D3500 and the Fujifilm GFX 50R are two digital cameras that were announced, respectively, in August 2018 and September 2018. The D3500 is a DSLR, while the GFX 50R is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D3500) and a medium format (GFX 50R) sensor. The Nikon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D3500 and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Nikon D3500 and the Fujifilm GFX 50R. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is notably larger (30 percent) than the Nikon D3500. Moreover, the GFX 50R is substantially heavier (87 percent) than the D3500. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the D3500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the D3500 gets 1550 shots out of its Nikon EN-EL14a battery, while the GFX 50R can take 400 images on a single charge of its Fujifilm NP-T125 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3500 | 124 mm | 97 mm | 70 mm | 415 g | 1550 | n | Aug 2018 | 429 | ebay.com | |
2. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
3. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
4. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
5. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
6. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
7. | Fujifilm X-A5 | 117 mm | 68 mm | 40 mm | 361 g | 450 | n | Jan 2018 | 399 | ebay.com | |
8. | Fujifilm X-A7 | 119 mm | 68 mm | 41 mm | 320 g | 440 | n | Sep 2019 | 499 | ebay.com | |
9. | Fujifilm X-E3 | 121 mm | 74 mm | 43 mm | 337 g | 350 | n | Sep 2017 | 899 | ebay.com | |
10. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
11. | Leica Q2 | 130 mm | 80 mm | 92 mm | 718 g | 370 | Y | Mar 2019 | 4,995 | amazon.com | |
12. | Nikon D3200 | 125 mm | 96 mm | 77 mm | 505 g | 540 | n | Apr 2012 | 599 | ebay.com | |
13. | Nikon D3300 | 124 mm | 98 mm | 76 mm | 430 g | 700 | n | Jan 2014 | 499 | ebay.com | |
14. | Nikon D3400 | 124 mm | 98 mm | 76 mm | 445 g | 1200 | n | Aug 2016 | 499 | ebay.com | |
15. | Nikon D5300 | 125 mm | 98 mm | 76 mm | 480 g | 600 | n | Oct 2013 | 799 | ebay.com | |
16. | Nikon D5500 | 124 mm | 97 mm | 70 mm | 470 g | 820 | n | Jan 2015 | 899 | ebay.com | |
17. | Nikon D5600 | 124 mm | 97 mm | 70 mm | 465 g | 970 | n | Nov 2016 | 699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D3500 was launched at a markedly lower price (by 90 percent) than the GFX 50R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D3500 features an APS-C sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 296 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 0.79. The sensor in the D3500 has a native 3:2 aspect ratio, while the one in the GFX 50R offers a 4:3 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the D3500 (24MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.91μm for the D3500) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Nikon D3500 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The Nikon D3500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.4 | 1851 | 83 | |
2. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
3. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
4. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
5. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
6. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
7. | Fujifilm X-A5 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.3 | 1800 | 82 | |
8. | Fujifilm X-A7 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1955 | 84 | |
9. | Fujifilm X-E3 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.3 | 1764 | 82 | |
10. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
11. | Leica Q2 | Full Frame | 46.7 | 8368 | 5584 | 4K/30p | 26.4 | 13.5 | 2491 | 96 | |
12. | Nikon D3200 | APS-C | 24.1 | 6016 | 4000 | 1080/30p | 24.1 | 13.2 | 1131 | 81 | |
13. | Nikon D3300 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.8 | 1385 | 82 | |
14. | Nikon D3400 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.8 | 13.9 | 1192 | 86 | |
15. | Nikon D5300 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.9 | 1338 | 83 | |
16. | Nikon D5500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1438 | 84 | |
17. | Nikon D5600 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1306 | 84 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D3500 provides a higher frame rate than the GFX 50R. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), while the D3500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 50R offers a wider field of view (100%) than the one in the D3500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 50R has a higher magnification (0.77x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D3500 and Fujifilm GFX 50R in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3500 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
2. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
3. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
4. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
5. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
6. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
7. | Fujifilm X-A5 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
8. | Fujifilm X-A7 | none | n | 3.5 / 2760 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
9. | Fujifilm X-E3 | 2360 | n | 3.0 / 1040 | fixed | Y | 1/4000s | 8.0/s | n | n | |
10. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
11. | Leica Q2 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
12. | Nikon D3200 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 4.0/s | Y | n | |
13. | Nikon D3300 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
14. | Nikon D3400 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
15. | Nikon D5300 | optical | n | 3.2 / 1037 | swivel | n | 1/4000s | 5.0/s | Y | n | |
16. | Nikon D5500 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
17. | Nikon D5600 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The D3500 has one, while the GFX 50R does not. While the built-in flash of the D3500 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D3500 and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the D3500 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the D3500 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D3500 and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3500 | Y | mono / mono | - | - | mini | 2.0 | - | - | Y | |
2. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
3. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
4. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
5. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
6. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
7. | Fujifilm X-A5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Fujifilm X-A7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
9. | Fujifilm X-E3 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
10. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
11. | Leica Q2 | Y | stereo / mono | - | - | - | - | Y | - | Y | |
12. | Nikon D3200 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
13. | Nikon D3300 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
14. | Nikon D3400 | Y | mono / mono | - | - | mini | 2.0 | - | - | Y | |
15. | Nikon D5300 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
16. | Nikon D5500 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
17. | Nikon D5600 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y |
It is notable that the GFX 50R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D3500 does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the D3500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D3500 and the GFX 50R have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Nikon and Fujifilm. Further information on the features and operation of the D3500 and GFX 50R can be found, respectively, in the Nikon D3500 Manual (free pdf) or the online Fujifilm GFX 50R Manual.
Review summary
So how do things add up? Is there a clear favorite between the Nikon D3500 and the Fujifilm GFX 50R? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon D3500:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (124x97mm vs 161x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 360g or 46 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (1550 versus 400) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
Advantages of the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.57x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the contest (23 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D3500 and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D3500 or the GFX 50R perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3500 | 4/5 | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Aug 2018 | 429 | ebay.com | |
2. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
3. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
4. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
5. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
6. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
7. | Fujifilm X-A5 | .. | + | 4.1/5 | .. | 4/5 | 3.5/5 | Jan 2018 | 399 | ebay.com | |
8. | Fujifilm X-A7 | 3/5 | .. | 3.5/5 | 81/100 | 4/5 | 3.5/5 | Sep 2019 | 499 | ebay.com | |
9. | Fujifilm X-E3 | 4.5/5 | + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2017 | 899 | ebay.com | |
10. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
11. | Leica Q2 | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4/5 | Mar 2019 | 4,995 | amazon.com | |
12. | Nikon D3200 | 5/5 | + + | .. | 73/100 | 4.5/5 | 4.5/5 | Apr 2012 | 599 | ebay.com | |
13. | Nikon D3300 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jan 2014 | 499 | ebay.com | |
14. | Nikon D3400 | 4/5 | + | 4/5 | 76/100 | 4/5 | 4.5/5 | Aug 2016 | 499 | ebay.com | |
15. | Nikon D5300 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Oct 2013 | 799 | ebay.com | |
16. | Nikon D5500 | 5/5 | + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2015 | 899 | ebay.com | |
17. | Nikon D5600 | 4/5 | .. | 4/5 | 79/100 | 4.5/5 | 4/5 | Nov 2016 | 699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Fujifilm GFX 50R vs Nikon D90
- Fujifilm GFX 50R vs Nikon L840
- Fujifilm GFX 50R vs Olympus E-PL1
- Fujifilm GFX 50R vs Panasonic G2
- Fujifilm GFX 50R vs Panasonic ZS200
- Fujifilm GFX 50R vs Sony RX1R II
- Leica SL2-S vs Nikon D3500
- Nikon D3500 vs Olympus E-520
- Nikon D3500 vs Olympus XZ-2
- Nikon D3500 vs Panasonic GM5
- Nikon D3500 vs Sony A9
- Nikon D3500 vs Sony RX10 IV
Specifications: Nikon D3500 vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D3500 | Fujifilm GFX 50R |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Nikon F mount lenses | Fujifilm G mount lenses |
Launch Date | August 2018 | September 2018 |
Launch Price | USD 429 | USD 4,499 |
Sensor Specs | Nikon D3500 | Fujifilm GFX 50R |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Medium Format Sensor |
Sensor Size | 23.5 x 15.6 mm | 44.0 x 33.0 mm |
Sensor Area | 366.6 mm2 | 1452 mm2 |
Sensor Diagonal | 28.2 mm | 55 mm |
Crop Factor | 1.5x | 0.79x |
Sensor Resolution | 24 Megapixels | 51.1 Megapixels |
Image Resolution | 6000 x 4000 pixels | 8256 x 6192 pixels |
Pixel Pitch | 3.91 μm | 5.33 μm |
Pixel Density | 6.55 MP/cm2 | 3.52 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 1080/60p Video | 1080/30p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 12,800 ISO |
ISO Boost | no Enhancement | 50 - 102,400 ISO |
Image Processor | EXPEED 4 | X Processor Pro |
Screen Specs | Nikon D3500 | Fujifilm GFX 50R |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.57x | 0.77x |
Viewfinder Resolution | 3690k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 921k dots | 2360k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Nikon D3500 | Fujifilm GFX 50R |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 5 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Nikon D3500 | Fujifilm GFX 50R |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Nikon D3500 | Fujifilm GFX 50R |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Nikon EN-EL14a | Fujifilm NP-T125 |
Battery Life (CIPA) | 1550 shots per charge | 400 shots per charge |
Body Dimensions |
124 x 97 x 70 mm (4.9 x 3.8 x 2.8 in) |
161 x 97 x 66 mm (6.3 x 3.8 x 2.6 in) |
Camera Weight | 415 g (14.6 oz) | 775 g (27.3 oz) |
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