Nikon D300S vs Panasonic GM5
The Nikon D300S and the Panasonic Lumix DMC-GM5 are two digital cameras that were revealed to the public, respectively, in July 2009 and September 2014. The D300S is a DSLR, while the GM5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D300S) and a Four Thirds (GM5) sensor. The Nikon has a resolution of 12.2 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D300S and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D300S and the Panasonic GM5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the D300S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (65 percent) than the Nikon D300S. Moreover, the GM5 is substantially lighter (78 percent) than the D300S. It is worth mentioning in this context that the D300S is splash and dust resistant, while the GM5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D300S) and the Micro Four Thirds Lens Catalog (GM5). Mirrorless cameras, such as the GM5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|2.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|3.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|4.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|5.||Nikon D3100||124 mm||96 mm||75 mm||505 g||550||n||Aug 2010||599|
|6.||Nikon D5000||127 mm||104 mm||80 mm||590 g||510||n||Apr 2009||749|
|7.||Nikon D60||126 mm||94 mm||64 mm||522 g||500||n||Jan 2008||629|
|8.||Nikon D700||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999|
|9.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|10.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699|
|11.||Nikon D200||147 mm||113 mm||74 mm||920 g||400||Y||Nov 2005||1,699|
|12.||Nikon D2X||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999|
|13.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|14.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|15.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|16.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GM5 was launched at a markedly lower price (by 58 percent) than the D300S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D300S features an APS-C sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D300S has a native 3:2 aspect ratio, while the one in the GM5 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the GM5 offers a higher resolution of 15.8 megapixels, compared with 12.2 MP of the D300S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 5.53μm for the D300S). However, it should be noted that the GM5 is much more recent (by 5 years and 1 month) than the D300S, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic GM5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GM5 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Nikon D300S are 21.4 x 14.2 inches or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inches or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inches or 36.3 x 24.1 cm for excellent quality prints.
The Nikon D300S has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D300S has a notably higher overall DXO score than the GM5 (overall score 4 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.4 bits higher color depth, 0.5 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|8.||Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
|13.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|14.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|15.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|16.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GM5 provides a better video resolution than the D300S. It can shoot movie footage at 1080/60p, while the Nikon is limited to 720/24p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GM5 has an electronic viewfinder (1166k dots), while the D300S has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D300S has a higher magnification than the one of the GM5 (0.63x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D300S and Panasonic GM5 along with similar information for a selection of comparators.
|1.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0||Y||n|
|2.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8||n||n|
|3.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|4.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|5.||Nikon D3100||optical||n||3.0 / 230||fixed||n||1/4000s||3.0||Y||n|
|6.||Nikon D5000||optical||n||2.7 / 230||full-flex||n||1/4000s||4.0||Y||n|
|7.||Nikon D60||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|8.||Nikon D700||optical||Y||3.0 / 922||fixed||n||1/8000s||8.0||Y||n|
|9.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0||Y||n|
|10.||Nikon D2Xs||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||n||n|
|11.||Nikon D200||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|12.||Nikon D2X||optical||Y||2.5 / 235||fixed||n||1/8000s||5.0||n||n|
|13.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|14.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|15.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0||Y||n|
|16.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The D300S has one, while the GM5 does not. While the built-in flash of the D300S is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D300S and the Panasonic GM5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D300S writes its imaging data to Compact Flash or SDXC cards, while the GM5 uses SDXC cards. The D300S features dual card slots, which can be very useful in case a memory card fails. In contrast, the GM5 only has one slot. The GM5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D300S cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D300S and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|4.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Nikon D3100||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Nikon D5000||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Nikon D60||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Nikon D700||Y||- / -||-||-||mini||2.0||-||-||-|
|9.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Nikon D2Xs||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D200||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D2X||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the D300S has a microphone port, which is missing on the GM5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Nikon D300S (unlike the GM5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D300S and the GM5 have been discontinued, but can regularly be found used on eBay. The D300S was replaced by the Nikon D500, while the GM5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Nikon D300S or the Panasonic GM5 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon D300S:
- Better image quality: Scores markedly higher (4 points) in the DXO overall assessment.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 5.8 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (950 versus 220) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in July 2009).
Arguments in favor of the Panasonic Lumix DMC-GM5:
- More detail: Has more megapixels (15.8 vs 12.2MP), which boosts linear resolution by 12%.
- Better video: Provides higher definition movie capture (1080/60p vs 720/24p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (99x60mm vs 147x115mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 727g or 78 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
- More modern: Reflects 5 years and 1 month of technical progress since the D300S launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D300S comes out slightly ahead of the GM5 (13 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D300S and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D300S or the GM5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|2.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|3.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|4.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|5.||Nikon D3100||5/5||+ +||..||72/100||4.5/5||4.5/5||Aug 2010||599|
|6.||Nikon D5000||..||+ +||..||75/100||4/5||4.5/5||Apr 2009||749|
|7.||Nikon D60||..||80/100||..||+ +||4/5||4.5/5||Jan 2008||629|
|8.||Nikon D700||..||89/100||..||+ +||4.5/5||4.5/5||Jul 2008||2,999|
|9.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|10.||Nikon D2Xs||..||..||..||..||..||..||Jun 2006||4,699|
|11.||Nikon D200||..||+ +||..||+ +||o||..||Nov 2005||1,699|
|12.||Nikon D2X||..||..||..||+ +||..||..||Sep 2004||4,999|
|13.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|14.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|15.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|16.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 350D vs Nikon D300S
- Canon 600D vs Nikon D300S
- Canon G1 X Mark III vs Nikon D300S
- Canon SL3 vs Nikon D300S
- Contax N Digital vs Panasonic GM5
- Nikon A1000 vs Nikon D300S
- Nikon D300S vs Nikon Df
- Nikon D3X vs Panasonic GM5
- Nikon D700 vs Panasonic GM5
- Panasonic GM5 vs Pentax KP
- Panasonic GM5 vs Sony A7S
- Panasonic GM5 vs Sony RX10 III
Specifications: Nikon D300S vs Panasonic GM5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D300S||Panasonic GM5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||July 2009||September 2014|
|Launch Price||USD 1,799||USD 749|
|Sensor Specs||Nikon D300S||Panasonic GM5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.8 mm||17.3 x 13.0 mm|
|Sensor Area||372.88 mm2||224.9 mm2|
|Sensor Diagonal||28.4 mm||21.6 mm|
|Sensor Resolution||12.2 Megapixels||15.8 Megapixels|
|Image Resolution||4288 x 2848 pixels||4592 x 3448 pixels|
|Pixel Pitch||5.53 μm||3.77 μm|
|Pixel Density||3.28 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/24p Video||1080/60p Video|
|ISO Setting||200 - 3,200 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 6,400 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||70||66|
|DXO Color Depth (bits)||22.5||22.1|
|DXO Dynamic Range (EV)||12.2||11.7|
|DXO Low Light (ISO)||787||721|
|Screen Specs||Nikon D300S||Panasonic GM5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D300S||Panasonic GM5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/500s|
|Continuous Shooting||7 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Nikon D300S||Panasonic GM5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D300S||Panasonic GM5|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||950 shots per charge||220 shots per charge|
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
|Camera Weight||938 g (33.1 oz)||211 g (7.4 oz)|
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