Nikon D1H vs Panasonic G6
The Nikon D1H and the Panasonic Lumix DMC-G6 are two digital cameras that were announced, respectively, in February 2001 and April 2013. The D1H is a DSLR, while the G6 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D1H) and a Four Thirds (G6) sensor. The Nikon has a resolution of 2.6 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D1H and the Panasonic Lumix DMC-G6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D1H and the Panasonic G6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the D1H is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is considerably smaller (57 percent) than the Nikon D1H. Moreover, the G6 is substantially lighter (65 percent) than the D1H. It is worth mentioning in this context that the D1H is splash and dust resistant, while the G6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D1H) and the Micro Four Thirds Lens Catalog (G6). Mirrorless cameras, such as the G6, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D1H gets 1200 shots out of its EN-4 battery, while the G6 can take 340 images on a single charge of its DMW-BLC12 power pack. As can be seen in the images above, the D1H has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon D1H||157 mm||153 mm||85 mm||1100 g||1200||Y||Feb 2001||4,499|
|2.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|3.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|4.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|5.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|6.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|7.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699|
|8.||Nikon D200||147 mm||113 mm||74 mm||920 g||400||Y||Nov 2005||1,699|
|9.||Nikon D2X||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999|
|10.||Nikon D2H||158 mm||150 mm||86 mm||1070 g||2900||Y||Jul 2003||3,499|
|11.||Nikon D1X||157 mm||153 mm||85 mm||1100 g||1200||Y||Feb 2001||5,999|
|12.||Nikon D1||157 mm||153 mm||85 mm||1100 g||..||Y||Jun 1999||5,499|
|13.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|14.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|15.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|16.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|17.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G6 was launched at a markedly lower price (by 87 percent) than the D1H, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D1H features an APS-C sensor and the Panasonic G6 a Four Thirds sensor. The sensor area in the G6 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D1H has a native 3:2 aspect ratio, while the one in the G6 offers a 4:3 aspect.
Despite having a smaller sensor, the G6 offers a higher resolution of 15.9 megapixels, compared with 2.6 MP of the D1H. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 11.93μm for the D1H). However, it should be noted that the G6 is much more recent (by 12 years and 2 months) than the D1H, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic G6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G6 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Nikon D1H are 10 x 6.6 inches or 25.4 x 16.7 cm for good quality, 8 x 5.2 inches or 20.3 x 13.3 cm for very good quality, and 6.7 x 4.4 inches or 16.9 x 11.1 cm for excellent quality prints.
The Nikon D1H has a native sensitivity range from ISO 200 to ISO 800, which can be extended to ISO 200-3200. The corresponding ISO settings for the Panasonic Lumix DMC-G6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|3.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|5.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|13.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|14.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|15.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|16.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|17.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The G6 indeed provides for movie recording, while the D1H does not. The highest resolution format that the G6 can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G6 has an electronic viewfinder (1440k dots), while the D1H has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G6 offers a wider field of view (100%) than the one in the D1H (96%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G6 has a higher magnification (0.70x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D1H and Panasonic G6 along with similar information for a selection of comparators.
|1.||Nikon D1H||optical||Y||2.0 / 120||fixed||n||1/16000s||5.0||n||n|
|2.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|3.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0||n||n|
|4.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0||Y||n|
|5.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0||n||n|
|6.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0||Y||n|
|7.||Nikon D2Xs||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||n||n|
|8.||Nikon D200||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|9.||Nikon D2X||optical||Y||2.5 / 235||fixed||n||1/8000s||5.0||n||n|
|10.||Nikon D2H||optical||Y||2.5 / 211||fixed||n||1/8000s||8.0||n||n|
|11.||Nikon D1X||optical||Y||2.0 / 120||fixed||n||1/16000s||3.0||n||n|
|12.||Nikon D1||optical||Y||2.0 / 120||fixed||n||1/16000s||1.5||n||n|
|13.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|14.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|15.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|16.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|17.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
One feature that is present on the D1H, but is missing on the G6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G6 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D1H does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D1H writes its imaging data to Compact Flash cards, while the G6 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D1H and Panasonic Lumix DMC-G6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D1H||Y||- / -||-||-||-||FW||-||-||-|
|2.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|3.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|4.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|5.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|6.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|7.||Nikon D2Xs||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Nikon D200||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Nikon D2X||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Nikon D2H||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D1X||Y||- / -||-||-||-||FW||-||-||-|
|12.||Nikon D1||Y||- / -||-||-||-||FW||-||-||-|
|13.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the G6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D1H does not provide wifi capability.
Studio photographers will appreciate that the Nikon D1H (unlike the G6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D1H and the G6 have been discontinued, but can regularly be found used on eBay. The D1H was replaced by the Nikon D2H, while the G6 was followed by the Panasonic G7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Nikon D1H and the Panasonic G6? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D1H:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 340) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2001).
Advantages of the Panasonic Lumix DMC-G6:
- More detail: Has more megapixels (15.9 vs 2.6MP), which boosts linear resolution by 141%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.53x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 120k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (122x85mm vs 157x153mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 710g or 65 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
- More modern: Reflects 12 years and 2 months of technical progress since the D1H launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G6 is the clear winner of the contest (21 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D1H and the Panasonic G6 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D1H or the G6 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D1H||..||..||..||+ +||..||..||Feb 2001||4,499|
|2.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|3.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|4.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|5.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|6.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|7.||Nikon D2Xs||..||..||..||..||..||..||Jun 2006||4,699|
|8.||Nikon D200||..||+ +||..||+ +||o||..||Nov 2005||1,699|
|9.||Nikon D2X||..||..||..||+ +||..||..||Sep 2004||4,999|
|10.||Nikon D2H||..||..||..||+ +||..||..||Jul 2003||3,499|
|11.||Nikon D1X||..||..||..||+ +||..||..||Feb 2001||5,999|
|12.||Nikon D1||..||..||..||+ +||..||..||Jun 1999||5,499|
|13.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|14.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|15.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|16.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|17.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G7 X vs Panasonic G6
- Canon S120 vs Nikon D1H
- Hasselblad X1D vs Nikon D1H
- Leica V-LUX 4 vs Nikon D1H
- Nikon D1H vs Nikon D3500
- Nikon D1H vs Panasonic FZ82
- Nikon D1H vs Sony A900
- Nikon W150 vs Panasonic G6
- Olympus E-M10 IV vs Panasonic G6
- Panasonic G100 vs Panasonic G6
- Panasonic G6 vs Panasonic S1H
- Panasonic G6 vs Sony RX0 II
Specifications: Nikon D1H vs Panasonic G6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D1H||Panasonic G6|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2001||April 2013|
|Launch Price||USD 4,499||USD 599|
|Sensor Specs||Nikon D1H||Panasonic G6|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.7 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||369.72 mm2||224.9 mm2|
|Sensor Diagonal||28.4 mm||21.6 mm|
|Sensor Resolution||2.6 Megapixels||15.9 Megapixels|
|Image Resolution||2000 x 1312 pixels||4608 x 3456 pixels|
|Pixel Pitch||11.93 μm||3.76 μm|
|Pixel Density||0.71 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||200 - 800 ISO||160 - 12,800 ISO|
|ISO Boost||200 - 3,200 ISO||160 - 25,600 ISO|
|DXO Sensor Quality (score)||..||61|
|DXO Color Depth (bits)||..||21.3|
|DXO Dynamic Range (EV)||..||11.5|
|DXO Low Light (ISO)||..||639|
|Screen Specs||Nikon D1H||Panasonic G6|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||120k dots||1036k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D1H||Panasonic G6|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/16000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/4000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D1H||Panasonic G6|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D1H||Panasonic G6|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||340 shots per charge|
157 x 153 x 85 mm
(6.2 x 6.0 x 3.3 in)
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
|Camera Weight||1100 g (38.8 oz)||390 g (13.8 oz)|
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