Nikon B500 vs Sony A9 II
The Nikon Coolpix B500 and the Sony Alpha A9 II are two digital cameras that were announced, respectively, in January 2016 and October 2019. The B500 is a fixed lens compact, while the A9 II is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (B500) and a full frame (A9 II) sensor. The Nikon has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Coolpix B500 and the Sony Alpha A9 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon B500 and the Sony A9 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The B500 can be obtained in two different colors (black, red), while the A9 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 II is notably larger (39 percent) than the Nikon B500. It is noteworthy in this context that the A9 II is splash and dust-proof, while the B500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the B500 has a lens built in, whereas the A9 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A9 II and their specifications in the Sony FE Lens Catalog.
The power pack in the A9 II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon B500||114 mm||78 mm||95 mm||541 g||600||n||Jan 2016||299|
|2.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|3.||Nikon B600||122 mm||82 mm||99 mm||500 g||280||n||Jan 2019||349|
|4.||Nikon A1000||114 mm||72 mm||41 mm||330 g||250||n||Jan 2019||429|
|5.||Nikon P1000||146 mm||119 mm||181 mm||1415 g||250||n||Jul 2018||999|
|6.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389|
|7.||Nikon B700||125 mm||85 mm||107 mm||565 g||350||n||Feb 2016||499|
|8.||Nikon P900||140 mm||103 mm||137 mm||899 g||360||n||Mar 2015||599|
|9.||Nikon L840||113 mm||78 mm||96 mm||538 g||590||n||Feb 2015||299|
|10.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|11.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|12.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|13.||Sony HX80||102 mm||58 mm||36 mm||245 g||390||n||Mar 2016||349|
|14.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|16.||Sony H200||123 mm||83 mm||87 mm||530 g||240||n||Jan 2013||249|
|17.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The B500 was launched at a lower price than the A9 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon B500 features a 1/2.3-inch sensor and the Sony A9 II a full frame sensor. The sensor area in the A9 II is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the B500 has a native 4:3 aspect ratio, while the one in the A9 II offers a 3:2 aspect.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the A9 II offers a higher resolution than the B500 (15.9MP), but the A9 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.33μm for the B500) due to its larger sensor. Moreover, the A9 II is a much more recent model (by 3 years and 8 months) than the B500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the B500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A9 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon B500 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The A9 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Coolpix B500 has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Sony Alpha A9 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|11.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|12.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|14.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|17.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A9 II provides a better video resolution than the B500. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A9 II has an electronic viewfinder (3686k dots), which can be very helpful when shooting in bright sunlight. In contrast, the B500 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Nikon B500 and Sony A9 II along with similar information for a selection of comparators.
|1.||Nikon B500||none||n||3.0 / 921||tilting||n||1/4000s||7.4/s||Y||Y|
|2.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|3.||Nikon B600||none||n||3.0 / 921||fixed||n||1/4000s||7.4/s||Y||Y|
|4.||Nikon A1000||1166||n||3.0 / 1036||tilting||Y||1/4000s||7.0/s||Y||Y|
|5.||Nikon P1000||2359||n||3.2 / 921||swivel||n||1/4000s||7.0/s||Y||Y|
|6.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0/s||Y||Y|
|7.||Nikon B700||921||n||3.0 / 921||swivel||n||1/4000s||5.0/s||Y||Y|
|8.||Nikon P900||921||n||3.0 / 921||swivel||n||1/4000s||7.0/s||Y||Y|
|9.||Nikon L840||none||n||3.0 / 921||tilting||n||1/4000s||7.4/s||Y||Y|
|10.||Panasonic FZ80||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|11.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|12.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|13.||Sony HX80||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|14.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|15.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony H200||none||n||3.0 / 460||fixed||n||1/1500s||0.8/s||Y||Y|
|17.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The B500 has one, while the A9 II does not. While the built-in flash of the B500 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A9 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A9 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the B500 and the A9 II write their files to SDXC cards. The A9 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the B500 only has one slot. The A9 II supports UHS-II cards (on both slots), while the B500 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Coolpix B500 and Sony Alpha A9 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon B500||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|2.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Nikon B600||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Nikon A1000||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|5.||Nikon P1000||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Nikon B700||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Nikon P900||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|9.||Nikon L840||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|10.||Panasonic FZ80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|12.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|13.||Sony HX80||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony H200||-||mono / mono||-||-||-||2.0||-||-||-|
|17.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
It is notable that the A9 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The B500 does not feature such a mic input.
Studio photographers will appreciate that the Sony A9 II (unlike the B500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A9 II is a recent model that features in the current product line-up of Sony. In contrast, the B500 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the B500 was succeeded by the Nikon B600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what is the bottom line? Is the Nikon B500 better than the Sony A9 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon Coolpix B500:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has a lens built-in, whereas the A9 II requires a separate lens.
- More compact: Is smaller (114x78mm vs 129x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A9 II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in January 2016).
Arguments in favor of the Sony Alpha A9 II:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 921k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 7.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (690 versus 600) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 3 years and 8 months of technical progress since the B500 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A9 II is the clear winner of the contest (27 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon B500 and the Sony A9 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the B500 and the A9 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon B500||..||+||..||..||4/5||3.5/5||Jan 2016||299|
|2.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|3.||Nikon B600||..||+||..||..||3.5/5||3/5||Jan 2019||349|
|4.||Nikon A1000||..||+ +||3.5/5||..||3.5/5||3/5||Jan 2019||429|
|5.||Nikon P1000||..||+||3.5/5||73/100||3.5/5||3.5/5||Jul 2018||999|
|6.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389|
|7.||Nikon B700||..||+||..||..||4/5||4/5||Feb 2016||499|
|8.||Nikon P900||..||..||..||77/100||4/5||4/5||Mar 2015||599|
|9.||Nikon L840||..||+ +||..||..||3.5/5||4/5||Feb 2015||299|
|10.||Panasonic FZ80||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399|
|11.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|12.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499|
|13.||Sony HX80||..||..||..||..||..||..||Mar 2016||349|
|14.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|15.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|16.||Sony H200||..||..||..||..||3.5/5||3.5/5||Jan 2013||249|
|17.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark III vs Sony A9 II
- Canon 90D vs Sony A9 II
- Canon M200 vs Nikon B500
- Canon SX420 vs Sony A9 II
- Canon SX60 vs Sony A9 II
- Fujifilm X-Pro2 vs Nikon B500
- Leica SL2-S vs Sony A9 II
- Nikon B500 vs Nikon D800
- Nikon B500 vs Panasonic S1R
- Nikon B500 vs Sony A6100
- Nikon B500 vs Sony A7 II
- Nikon D3S vs Sony A9 II
Specifications: Nikon B500 vs Sony A9 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon B500||Sony A9 II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||22.5-900mm f/3.0-6.5||Sony E mount lenses|
|Launch Date||January 2016||October 2019|
|Launch Price||USD 299||USD 4,499|
|Sensor Specs||Nikon B500||Sony A9 II|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.6 x 23.8 mm|
|Sensor Area||28.0735 mm2||847.28 mm2|
|Sensor Diagonal||7.7 mm||42.8 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.33 μm||5.94 μm|
|Pixel Density||56.73 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||80 - 6,400 ISO||100 - 51,200 ISO|
|ISO Boost||no Enhancement||50 - 204,800 ISO|
|DXO Sensor Quality (score)||..||93|
|DXO Color Depth (bits)||..||25.0|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||3434|
|Screen Specs||Nikon B500||Sony A9 II|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1440k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon B500||Sony A9 II|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||7.4 shutter flaps/s||20 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Nikon B500||Sony A9 II|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Nikon B500||Sony A9 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||600 shots per charge||690 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
114 x 78 x 95 mm
(4.5 x 3.1 x 3.7 in)
129 x 96 x 76 mm
(5.1 x 3.8 x 3.0 in)
|Camera Weight||541 g (19.1 oz)||678 g (23.9 oz)|
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