Nikon B500 vs Panasonic LX5
The Nikon Coolpix B500 and the Panasonic Lumix DMC-LX5 are two digital cameras that were revealed to the public, respectively, in January 2016 and July 2010. Both the B500 and the LX5 are fixed lens compact cameras that are based on a 1/2.3-inch (B500) and a 1/1.7-inch (LX5) sensor. The Nikon has a resolution of 15.9 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon B500||Panasonic LX5|
|Fixed lens compact camera||Fixed lens compact camera|
|22.5-900mm f/3-6.5||24-90mm f/2.0-3.3|
|15.9 MP, 1/2.3" Sensor||10 MP, 1/1.7" Sensor|
|1080/60i Video||720/60p Video|
|ISO 80-6400||ISO 80-3200 (80-12800)|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 921k dots||3.0" LCD, 460k dots|
|Tilting screen (no touchscreen)||Fixed screen (not touch-sensitive)|
|7.4 shutter flaps per second||2.5 shutter flaps per second|
|600 shots per battery charge||400 shots per battery charge|
|114 x 78 x 95 mm, 541 g||110 x 65 x 43 mm, 271 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Coolpix B500 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon B500 and the Panasonic LX5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The B500 can be obtained in two different colors (black, red), while the LX5 is also available in two color-versions, but different ones (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is notably smaller (20 percent) than the Nikon B500. Moreover, the LX5 is substantially lighter (50 percent) than the B500. In this context, it is worth noting that neither the B500 nor the LX5 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon B500»||4.5 in||3.1 in||3.7 in||19.1 oz||600||n||Jan 2016||299||Nikon B500|
|Panasonic LX5«||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||Panasonic LX5|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||Fujifilm X10|
|Nikon B600« »||4.8 in||3.2 in||3.9 in||17.6 oz||280||n||Jan 2019||349||Nikon B600|
|Nikon A1000« »||4.5 in||2.8 in||1.6 in||11.6 oz||250||n||Jan 2019||429||Nikon A1000|
|Nikon P1000« »||5.7 in||4.7 in||7.1 in||49.9 oz||250||n||Jul 2018||999||Nikon P1000|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Nikon B700« »||4.9 in||3.3 in||4.2 in||19.9 oz||350||n||Feb 2016||499||Nikon B700|
|Nikon P900« »||5.5 in||4.1 in||5.4 in||31.7 oz||360||n||Mar 2015||599||Nikon P900|
|Nikon L840« »||4.4 in||3.1 in||3.8 in||19.0 oz||590||n||Feb 2015||299||Nikon L840|
|Olympus XZ-1« »||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499||Olympus XZ-1|
|Panasonic FZ80« »||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ80|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||Panasonic LX7|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||Panasonic GF3|
|Sony HX80« »||4.0 in||2.3 in||1.4 in||8.6 oz||390||n||Mar 2016||349||Sony HX80|
|Sony H200« »||4.8 in||3.3 in||3.4 in||18.7 oz||240||n||Jan 2013||249||Sony H200|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The B500 was launched at a markedly lower price (by 40 percent) than the LX5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon B500 features a 1/2.3-inch sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 4.4. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Nikon B500 offers a higher resolution of 15.9 megapixels, compared with 10 MP of the Panasonic LX5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 2.14μm for the LX5). However, it should be noted that the B500 is much more recent (by 5 years and 6 months) than the LX5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the B500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon B500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the B500 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Nikon Coolpix B500 has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon B500||1/2.3||15.9||4608||3456||1080/60i||..||..||..||..||Nikon B500|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Nikon B600||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Nikon B600|
|Nikon A1000||1/2.3||15.9||4608||3456||4K/30p||..||..||..||..||Nikon A1000|
|Nikon P1000||1/2.3||15.9||4608||3456||4K/30p||..||..||..||..||Nikon P1000|
|Nikon W300||1/2.3||15.9||4608||3456||4K/30p||..||..||..||..||Nikon W300|
|Nikon B700||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Nikon B700|
|Nikon P900||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Nikon P900|
|Nikon L840||1/2.3||15.9||4608||3456||1080/60i||..||..||..||..||Nikon L840|
|Olympus XZ-1||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Panasonic FZ80||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Panasonic FZ80|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Sony HX80||1/2.3||18.0||4896||3672||1080/60p||..||..||..||..||Sony HX80|
|Sony H200||1/2.3||15.2||5184||2930||720/30p||..||..||..||..||Sony H200|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the B500 provides a higher video resolution than the LX5. It can shoot video footage at 1080/60i, while the Panasonic is limited to 720/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The B500 and the LX5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Nikon B500 and Panasonic LX5 along with similar information for a selection of comparators.
|Nikon B500||none||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon B500|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Nikon B600||none||n||3.0||921||fixed||n||1/4000s||7.4||Y||Y||Nikon B600|
|Nikon A1000||1166||n||3.0||1036||tilting||Y||1/4000s||7.0||Y||Y||Nikon A1000|
|Nikon P1000||2359||n||3.2||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P1000|
|Nikon W300||none||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Nikon B700||921||n||3.0||921||swivel||n||1/4000s||5.0||Y||Y||Nikon B700|
|Nikon P900||921||n||3.0||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P900|
|Nikon L840||none||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon L840|
|Olympus XZ-1||optional||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Panasonic FZ80||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic FZ80|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic GF3||none||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Sony HX80||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX80|
|Sony H200||none||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H200|
Both the B500 and the LX5 have zoom lenses built in. The B500 has a 22.5-900mm f/3-6.5 optic and the LX5 offers a 24-90mm f/2.0-3.3 (focal lengths in full frame equivalent terms). Hence, the Nikon provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Panasonic. The LX5 offers the faster maximum aperture.
Concerning the storage of imaging data, both the B500 and the LX5 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Coolpix B500 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon B500||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B500|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Nikon B600||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon B600|
|Nikon A1000||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon A1000|
|Nikon P1000||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Nikon P1000|
|Nikon W300||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Nikon B700||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B700|
|Nikon P900||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon P900|
|Nikon L840||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon L840|
|Olympus XZ-1||Y||mono||none||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Panasonic FZ80||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ80|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic GF3||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Sony HX80||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX80|
|Sony H200||-||mono||mono||-||-||none||2.0||-||-||-||Sony H200|
It is notable that the B500 offers wifi support, while the LX5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the B500 and the LX5 have been discontinued, but can regularly be found used on eBay. The LX5 was replaced by the Panasonic LX7, while the B500 was followed by the Nikon B600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is the Nikon B500 better than the Panasonic LX5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Nikon Coolpix B500:
- More detail: Offers more megapixels (15.9 vs 10MP) with a 26% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (1080/60i vs 720/60p).
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (7.4 vs 2.5 flaps/sec) to capture the decisive moment.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (600 versus 400) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More modern: Reflects 5 years and 6 months of technical progress since the LX5 launch.
Advantages of the Panasonic Lumix DMC-LX5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/3).
- More compact: Is smaller (110x65mm vs 114x78mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 270g or 50 percent) and is thus easier to take along.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in July 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the B500 is the clear winner of the match-up (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon B500 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the B500 or the LX5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 600D vs Nikon B500
- Canon 77D vs Nikon B500
- Canon M10 vs Nikon B500
- Canon T3 vs Nikon B500
- Fujifilm X-T3 vs Nikon B500
- Nikon B500 vs Nikon W300
- Nikon B500 vs Olympus E-PL3
- Nikon B500 vs Sony A7
- Nikon B500 vs Sony NEX-6
- Olympus E-410 vs Panasonic LX5
- Panasonic LX5 vs Sony H300
- Panasonic LX5 vs Sony RX10 III
Specifications: Nikon B500 vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon B500||Panasonic LX5|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||22.5-900mm f/3-6.5||24-90mm f/2.0-3.3|
|Launch Date||January 2016||July 2010|
|Launch Price||USD 299||USD 499|
|Sensor Specs||Nikon B500||Panasonic LX5|
|Sensor Format||1/2.3" Sensor||1/1.7" Sensor|
|Sensor Size||6.17 x 4.55 mm||7.85 x 5.89 mm|
|Sensor Area||28.0735 mm2||46.2365 mm2|
|Sensor Diagonal||7.7 mm||9.8 mm|
|Sensor Resolution||15.9 Megapixels||10 Megapixels|
|Image Resolution||4608 x 3456 pixels||3648 x 2736 pixels|
|Pixel Pitch||1.33 μm||2.14 μm|
|Pixel Density||56.73 MP/cm2||21.59 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||720/60p Video|
|ISO Setting||80-6400 ISO||80-3200 ISO|
|ISO Boost||no Enhancement||80-12800 ISO|
|DXO Sensor Quality (score)||..||41|
|DXO Color Depth (bits)||..||19.6|
|DXO Dynamic Range (EV)||..||10.8|
|DXO Low Light (ISO)||..||132|
|Screen Specs||Nikon B500||Panasonic LX5|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Nikon B500||Panasonic LX5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||7.4 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Nikon B500||Panasonic LX5|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon B500||Panasonic LX5|
|Battery Life (CIPA)||600 shots per charge||400 shots per charge|
114 x 78 x 95 mm
(4.5 x 3.1 x 3.7 in)
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
|Camera Weight||541 g (19.1 oz)||271 g (9.6 oz)|
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