Nikon 1 J4 vs Sony A6300
The Nikon 1 J4 and the Sony Alpha A6300 are two digital cameras that were announced, respectively, in April 2014 and February 2016. Both the J4 and the A6300 are mirrorless interchangeable lens cameras that are based on an one-inch (J4) and an APS-C (A6300) sensor. The Nikon has a resolution of 18.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon 1 J4||Sony A6300|
|Mirrorless system camera||Mirrorless system camera|
|Nikon 1 mount lenses||Sony E mount lenses|
|18.2 MP, 1" Sensor||24 MP, APS-C Sensor|
|1080/60p Video||4K/30p Video|
|ISO 160-12,800||ISO 100-25,600 (100 - 51,200)|
|No viewfinder, LCD framing||Electronic viewfinder (2359k dots)|
|3.0 LCD, 1037k dots||3.0 LCD, 922k dots|
|no rear screen||Tilting screen (not touch-sensitive)|
|60 shutter flaps per second||11 shutter flaps per second|
|not weather sealed||Weathersealed body|
|300 shots per battery charge||400 shots per battery charge|
|100 x 60 x 29 mm, 232 g||120 x 67 x 49 mm, 404 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 J4 and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon 1 J4 and the Sony A6300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The J4 can be obtained in four different colors (black, silver, orange, white), while the A6300 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is notably larger (34 percent) than the Nikon 1 J4. Moreover, the A6300 is substantially heavier (74 percent) than the J4. It is noteworthy in this context that the A6300 is splash and dust-proof, while the J4 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A6300 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon 1 J4||3.9 in||2.4 in||1.1 in||8.2 oz||300||n||Apr 2014||549|
|Sony A6300||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999|
|Canon G9 X Mark II||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529|
|Canon G9 X||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529|
|Canon SL1||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549|
|Nikon D5500||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899|
|Nikon D7200||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199|
|Nikon P900||5.5 in||4.1 in||5.4 in||31.7 oz||360||n||Mar 2015||599|
|Nikon 1 J5||3.9 in||2.4 in||1.3 in||8.1 oz||250||n||Apr 2015||399|
|Nikon 1 V3||4.4 in||2.6 in||1.3 in||13.4 oz||310||n||Mar 2014||799|
|Nikon 1 V2||4.3 in||3.2 in||1.8 in||9.8 oz||310||n||Oct 2012||799|
|Panasonic GF7||4.2 in||2.6 in||1.3 in||9.4 oz||230||n||Jan 2015||499|
|Panasonic FZ1000||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899|
|Panasonic G6||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599|
|Sony A6500||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399|
|Sony A6000||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599|
|Sony A3000||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The J4 was launched at a markedly lower price (by 45 percent) than the A6300, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 J4 features an one-inch sensor and the Sony A6300 an APS-C sensor. The sensor area in the A6300 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the A6300 offers a higher resolution than the J4 (18.2MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.52μm for the J4) due to its larger sensor. Moreover, the A6300 is a somewhat more recent model (by 1 year and 9 months) than the J4, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the J4 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon 1 J4 are 26.2 x 17.4 inches or 66.4 x 44.3 cm for good quality, 20.9 x 14 inches or 53.2 x 35.4 cm for very good quality, and 17.4 x 11.6 inches or 44.3 x 29.5 cm for excellent quality prints.
The Nikon 1 J4 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A6300 offers substantially better image quality than the J4 (overall score 32 points higher). The advantage is based on 3.6 bits higher color depth, 3 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53|
|Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65|
|Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52|
|Nikon 1 V2||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50|
|Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a better video resolution than the J4. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the J4 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Nikon 1 J4 and Sony A6300 in connection with corresponding information for a sample of similar cameras.
|Nikon 1 J4||none||n||3.0||1037||Fixed||Y||1/4000s||60.0||Y||n|
|Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|Nikon 1 J5||none||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n|
|Nikon 1 V3||optional||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n|
|Nikon 1 V2||1440||n||3.0||921||fixed||n||1/4000s||15.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The J4 has a touchscreen, while the A6300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The J4 writes its imaging data to micro SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 J4 and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Nikon 1 J4||-||stereo||mono||-||-||mini||2.0||Y||-||-|
|Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Nikon 1 J5||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Nikon 1 V3||-||stereo||mono||Y||-||mini||2.0||Y||-||-|
|Nikon 1 V2||-||stereo||mono||-||-||mini||2.0||-||-||-|
It is notable that the A6300 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The J4 does not feature such a mic input.
Both the J4 and the A6300 have been discontinued, but can regularly be found used on eBay. The J4 was replaced by the Nikon 1 J5, while the A6300 was followed by the Sony A6500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Nikon 1 J4 or the Sony A6300 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon 1 J4:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (60 vs 11 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (100x60mm vs 120x67mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 172g or 43 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (45 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in April 2014).
Reasons to prefer the Sony Alpha A6300:
- More detail: Has more megapixels (24 vs 18.2MP), which boosts linear resolution by 15%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (32 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Longer lasting: Gets more shots (400 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (1 year and 9 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the A6300 is the clear winner of the contest (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 J4 and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the J4 and the A6300 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon 1 J4||..||..||4.5/5||..||4/5||Apr 2014||549|
|Sony A6300||+||85/100||5/5||5/5||5/5||Feb 2016||999|
|Canon G9 X Mark II||..||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529|
|Canon G9 X||+ +||..||4.5/5||4/5||4.5/5||Oct 2015||529|
|Canon SL1||+||78/100||4/5||4/5||4/5||Mar 2013||549|
|Nikon D5500||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899|
|Nikon D7200||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199|
|Nikon P900||..||77/100||4/5||4.5/5||4/5||Mar 2015||599|
|Nikon 1 J5||..||..||4.5/5||4/5||4.5/5||Apr 2015||399|
|Nikon 1 V3||..||76/100||4.5/5||3/5||4/5||Mar 2014||799|
|Nikon 1 V2||..||..||4.5/5||..||4/5||Oct 2012||799|
|Panasonic GF7||+||..||4.5/5||4.5/5||4.5/5||Jan 2015||499|
|Panasonic FZ1000||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Sony A6500||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399|
|Sony A6000||+||80/100||4.5/5||5/5||5/5||Feb 2014||599|
|Sony A3000||+||..||4/5||4.5/5||4/5||Aug 2013||329|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon M3 vs Sony A6300
- Canon SL1 vs Sony A6300
- Canon SX720 vs Sony A6300
- Leica D-LUX 5 vs Sony A6300
- Leica V-LUX 4 vs Nikon 1 J4
- Leica V-LUX 4 vs Sony A6300
- Nikon 1 J4 vs Nikon D3300
- Nikon 1 J4 vs Nikon D4
- Nikon 1 J4 vs Panasonic G5
- Nikon 1 J4 vs Ricoh GR III
- Panasonic S1H vs Sony A6300
Specifications: Nikon 1 J4 vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 J4||Sony A6300|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon 1 mount lenses||Sony E mount lenses|
|Launch Date||April 2014||February 2016|
|Launch Price||USD 549||USD 999|
|Sensor Specs||Nikon 1 J4||Sony A6300|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.6 mm|
|Sensor Area||116.16 mm2||366.6 mm2|
|Sensor Diagonal||15.9 mm||28.2 mm|
|Sensor Resolution||18.2 Megapixels||24 Megapixels|
|Image Resolution||5232 x 3488 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.52 μm||3.91 μm|
|Pixel Density||15.71 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||160 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|Image Processor||EXPEED 4||BIONZ X|
|DXO Sensor Quality (score)||53||85|
|DXO Color Depth (bits)||20.8||24.4|
|DXO Dynamic Range (EV)||10.7||13.7|
|DXO Low Light (ISO)||426||1437|
|Screen Specs||Nikon 1 J4||Sony A6300|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||922k dots|
|LCD Attachment||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon 1 J4||Sony A6300|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||60 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||micro or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon 1 J4||Sony A6300|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon 1 J4||Sony A6300|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
100 x 60 x 29 mm
(3.9 x 2.4 x 1.1 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||232 g (8.2 oz)||404 g (14.3 oz)|
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