Leica TL2 vs Nikon D500
The Leica TL2 and the Nikon D500 are two digital cameras that were officially introduced, respectively, in July 2017 and January 2016. The TL2 is a mirrorless interchangeable lens camera, while the D500 is a DSLR. Both cameras are equipped with an APS-C sensor. The Leica has a resolution of 24.1 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica TL2||Nikon D500|
|Mirrorless system camera||Digital single lens reflex|
|Leica T mount lenses||Nikon F mount lenses|
|24.1 MP, APS-C Sensor||20.7 MP, APS-C Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-50000||ISO 100-51200 (50-1640000)|
|Viewfinder optional||Optical viewfinder|
|3.7" LCD, 1230k dots||3.2" LCD, 2359k dots|
|Fixed touchscreen||Tilting touchscreen|
|7 shutter flaps per second||10 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|250 shots per battery charge||1240 shots per battery charge|
|134 x 69 x 33 mm, 399 g||147 x 115 x 81 mm, 860 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica TL2 and the Nikon D500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica TL2 and the Nikon D500. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The TL2 can be obtained in two different colors (black, silver), while the D500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D500 is considerably larger (83 percent) than the Leica TL2. Moreover, the D500 is substantially heavier (116 percent) than the TL2. It is noteworthy in this context that the D500 is splash and dust-proof, while the TL2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the TL2 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica TL2»||5.3 in||2.7 in||1.3 in||14.1 oz||250||n||Jul 2017||1,950||Leica TL2|
|Nikon D500«||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||Fujifilm X-A3|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Leica CL« »||5.2 in||3.1 in||1.8 in||14.2 oz||220||n||Nov 2017||2,795||Leica CL|
|Leica TL« »||5.3 in||2.7 in||1.3 in||13.5 oz||400||n||Nov 2016||1,695||Leica TL|
|Leica T« »||5.3 in||2.7 in||1.3 in||13.5 oz||400||n||Apr 2014||1,850||Leica T|
|Nikon D3500« »||4.9 in||3.8 in||2.8 in||12.9 oz||1550||n||Aug 2018||429||Nikon D3500|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||Nikon D3400|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||Nikon D7200|
|Nikon D300S« »||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||Nikon D300S|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The TL2 was somewhat cheaper (by 2 percent) than the D500 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D500 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.1MP, the TL2 offers a higher resolution than the D500 (20.7MP), but the TL2 has smaller individual pixels (pixel pitch of 3.92μm versus 4.22μm for the D500). However, the TL2 is a somewhat more recent model (by 1 year and 6 months) than the D500, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Leica TL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TL2 for good quality output (200 dots per inch) amounts to 30.1 x 20.1 inch or 76.4 x 51 cm, for very good quality (250 dpi) 24.1 x 16.1 inch or 61.1 x 40.8 cm, and for excellent quality (300 dpi) 20 x 13.4 inch or 50.9 x 34 cm. The corresponding values for the Nikon D500 are 27.8 x 18.6 inch or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inch or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inch or 47.1 x 31.4 cm for excellent quality prints.
The Leica TL2 has a native sensitivity range from ISO 100 to ISO 50000. The corresponding ISO settings for the Nikon D500 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-1640000.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica TL2||APS-C||24.1||6014||4014||4K/30p||..||..||..||..||Leica TL2|
|Nikon D500||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Fujifilm X-T100||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm X-T100|
|Fujifilm X-T20||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-T20|
|Fujifilm X-A3||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X-A3|
|Leica C-LUX||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica C-LUX|
|Leica CL||APS-C||24.1||6014||4014||4K/30p||..||..||..||..||Leica CL|
|Leica TL||APS-C||16.1||4928||3264||1080/30p||..||..||..||..||Leica TL|
|Leica T||APS-C||16.2||4944||3278||1080/30p||23.0||12.7||1082||75||Leica T|
|Nikon D3500||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Nikon D3500|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D5600||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D3400||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D300S||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the TL2 relies on live view and the rear LCD for framing. That said, the TL2 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The adjacent table lists some of the other core features of the Leica TL2 and Nikon D500 along with similar information for a selection of comparators.
|Leica TL2||optional||n||3.7||1230||fixed||Y||1/4000s||7.0||n||n||Leica TL2|
|Nikon D500||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Fujifilm X-T100||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X-T20||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-A3||none||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Leica C-LUX||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Leica CL||2360||Y||3.0||1040||fixed||Y||1/8000s||10.0||n||n||Leica CL|
|Leica TL||optional||n||3.7||1230||fixed||Y||1/4000s||5.0||Y||n||Leica TL|
|Leica T||optional||n||3.7||1300||fixed||Y||1/4000s||5.0||Y||n||Leica T|
|Nikon D3500||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3500|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D5600||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon D3400||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D300S||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
One feature that is present on the D500, but is missing on the TL2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The TL2 writes its imaging data to SDXC cards, while the D500 uses SDHC or XQD cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the TL2 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica TL2 and Nikon D500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica TL2||Y||stereo||mono||-||-||micro||3.0||Y||-||-||Leica TL2|
|Nikon D500||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Fujifilm X-T100||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X-T20||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-A3||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Leica C-LUX||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Leica CL||Y||stereo||mono||-||-||none||none||Y||-||-||Leica CL|
|Leica TL||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Leica TL|
|Leica T||Y||stereo||mono||-||-||none||2.0||Y||-||-||Leica T|
|Nikon D3500||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3500|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D5600||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D3400||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D300S||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
It is notable that the D500 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The TL2 lacks such a headphone port.
Studio photographers will appreciate that the Nikon D500 (unlike the TL2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the TL2 and the D500 are recent models that are part of the current product line-up. The D500 replaced the earlier Nikon D300S, while the TL2 followed on from the Leica TL. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Nikon websites.
So how do things add up? Which of the two cameras – the Leica TL2 or the Nikon D500 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Leica TL2:
- More detail: Offers more megapixels (24.1 vs 20.7MP) with a 8% higher linear resolution.
- Larger screen: Has a bigger rear LCD (3.7" vs 3.2") for image review and settings control.
- More compact: Is smaller (134x69mm vs 147x115mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 461g or 54 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Is somewhat more recent (announced 1 year and 6 months after the D500).
Advantages of the Nikon D500:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 1230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (1240 versus 250) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the D500 is the clear winner of the contest (16 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica TL2 and the Nikon D500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the TL2 or the D500. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X Mark II vs Nikon D500
- Canon M200 vs Leica TL2
- Fujifilm X100 vs Leica TL2
- Leica M9 vs Leica TL2
- Leica TL2 vs Nikon D5100
- Leica TL2 vs Olympus PEN-F
- Leica TL2 vs Panasonic G9
- Nikon 1 J4 vs Nikon D500
- Nikon D500 vs Nikon P950
- Nikon D500 vs Nikon Z50
- Nikon D500 vs Olympus TG-6
- Nikon D500 vs Panasonic G5
Specifications: Leica TL2 vs Nikon D500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica TL2||Nikon D500|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Leica T mount lenses||Nikon F mount lenses|
|Launch Date||July 2017||January 2016|
|Launch Price||USD 1950||USD 1999|
|Sensor Specs||Leica TL2||Nikon D500|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.7 mm||23.5 x 15.7 mm|
|Sensor Area||370.52 mm2||368.95 mm2|
|Sensor Diagonal||28.3 mm||28.3 mm|
|Sensor Resolution||24.1 Megapixels||20.7 Megapixels|
|Image Resolution||6014 x 4014 pixels||5568 x 3712 pixels|
|Pixel Pitch||3.92 μm||4.22 μm|
|Pixel Density||6.52 MP/cm2||5.60 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-50000 ISO||100-51200 ISO|
|ISO Boost||no Enhancement||50-1640000 ISO|
|DXO Sensor Quality (score)||..||83|
|DXO Color Depth (bits)||..||24.0|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||1324|
|Screen Specs||Leica TL2||Nikon D500|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.7 inch||3.2 inch|
|LCD Resolution||1230k dots||2359k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica TL2||Nikon D500|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||7 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-II||UHS-II|
|Connectivity Specs||Leica TL2||Nikon D500|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 3.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica TL2||Nikon D500|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||250 shots per charge||1240 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
134 x 69 x 33 mm
(5.3 x 2.7 x 1.3 in)
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
|Camera Weight||399 g (14.1 oz)||860 g (30.3 oz)|
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