Leica TL vs Sony A6300
The Leica TL and the Sony Alpha A6300 are two digital cameras that were officially introduced, respectively, in November 2016 and February 2016. Both the TL and the A6300 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Leica has a resolution of 16.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica TL||Sony A6300|
|Mirrorless system camera||Mirrorless system camera|
|Leica T mount lenses||Sony E mount lenses|
|16.1 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-12500||ISO 100-25600 (100-51200)|
|Viewfinder optional||Electronic viewfinder (2359k dots)|
|3.7" LCD, 1230k dots||3.0" LCD, 922k dots|
|Fixed touchscreen||Tilting screen (not touch-sensitive)|
|5 shutter flaps per second||11 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|400 shots per battery charge||400 shots per battery charge|
|134 x 69 x 33 mm, 384 g||120 x 67 x 49 mm, 404 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica TL and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica TL and the Sony A6300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The TL can be obtained in three different colors (black, silver, titanium), while the A6300 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is notably smaller (13 percent) than the Leica TL. However, the A6300 is markedly heavier (5 percent) than the TL. It is noteworthy in this context that the A6300 is splash and dust-proof, while the TL does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Leica TL»||5.3 in||2.7 in||1.3 in||13.5 oz||400||n||Nov 2016||1,695||-||Leica TL|
|Sony A6300«||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Fujifilm X70« »||4.4 in||2.5 in||1.7 in||12.0 oz||330||n||Jan 2016||799||-||Fujifilm X70|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Leica CL« »||5.2 in||3.1 in||1.8 in||14.2 oz||220||n||Nov 2017||2,795||Leica CL|
|Leica TL2« »||5.3 in||2.7 in||1.3 in||14.1 oz||250||n||Jul 2017||1,950||Leica TL2|
|Leica T« »||5.3 in||2.7 in||1.3 in||13.5 oz||400||n||Apr 2014||1,850||-||Leica T|
|Leica X2« »||4.9 in||2.7 in||2.0 in||12.2 oz||450||n||May 2012||1,995||-||Leica X2|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-||Nikon D5500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||-||Sony A6500|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6300 was launched at a markedly lower price (by 41 percent) than the TL, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6300 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A6300 offers a higher resolution of 24 megapixels, compared with 16.1 MP of the TL. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.80μm for the TL). Moreover, it should be noted that the TL is a somewhat more recent model (by 9 months) than the A6300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the TL has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Leica TL are 24.6 x 16.3 inch or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inch or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.7 x 27.6 cm for excellent quality prints.
The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica TL has a native sensitivity range from ISO 100 to ISO 12500. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica TL»||APS-C||16.1||4928||3264||1080/30p||-||-||-||-||Leica TL|
|Sony A6300«||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Fujifilm X70« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X70|
|Fujifilm X-A10« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T10|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Leica CL« »||APS-C||24.1||6014||4014||4K/30p||-||-||-||-||Leica CL|
|Leica TL2« »||APS-C||24.1||6014||4014||4K/30p||-||-||-||-||Leica TL2|
|Leica T« »||APS-C||16.2||4944||3278||1080/30p||23.0||12.7||1082||75||Leica T|
|Leica X2« »||APS-C||16.1||4928||3264||-||-||-||-||-||Leica X2|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6300 provides a better video resolution than the TL. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the TL relies on live view and the rear LCD for framing. That said, the TL can be equipped with an optional viewfinder – the Visoflex (Typ 020). The following table reports on some other key feature differences and similarities of the Leica TL, the Sony A6300, and comparable cameras.
|Leica TL»||-||n||3.7||1230||fixed||Y||1/4000s||5.0||Y||n||Leica TL|
|Sony A6300«||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Fujifilm X70« »||-||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X70|
|Fujifilm X-A10« »||-||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-A2« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A2|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Leica CL« »||2360||Y||3.0||1040||fixed||Y||1/8000s||10.0||n||n||Leica CL|
|Leica TL2« »||-||n||3.7||1230||fixed||Y||1/4000s||7.0||n||n||Leica TL2|
|Leica T« »||-||n||3.7||1300||fixed||Y||1/4000s||5.0||Y||n||Leica T|
|Leica X2« »||-||n||2.7||230||fixed||n||1/2000s||5.0||Y||n||Leica X2|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TL has a touchscreen, while the A6300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The TL writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. The A6300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the TL cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica TL and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica TL»||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Leica TL|
|Sony A6300«||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Fujifilm X70« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X70|
|Fujifilm X-A10« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Leica CL« »||Y||stereo||mono||-||-||-||-||Y||-||-||Leica CL|
|Leica TL2« »||Y||stereo||mono||-||-||micro||3.0||Y||-||-||Leica TL2|
|Leica T« »||Y||stereo||mono||-||-||-||2.0||Y||-||-||Leica T|
|Leica X2« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica X2|
|Nikon D5500« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
It is notable that the A6300 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TL does not feature such a mic input.
Both the TL and the A6300 have been discontinued, but can regularly be found used on eBay. The A6300 was replaced by the Sony A6500, while the TL was followed by the Leica TL2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica TL and the Sony A6300? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica TL:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Larger screen: Has a bigger rear LCD (3.7" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 922k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Is somewhat more recent (announced 9 months after the A6300).
Arguments in favor of the Sony Alpha A6300:
- More detail: Has more megapixels (24 vs 16.1MP), which boosts linear resolution by 22%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 134x69mm) and will fit more readily into a bag.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (41 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the A6300 is the clear winner of the contest (15 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica TL and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the TL or the A6300 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica TL»||-||-||-||-||4/5||Nov 2016||1,695||-||Leica TL|
|Sony A6300«||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Fujifilm X70« »||-||76/100||4.5/5||4/5||4.5/5||Jan 2016||799||-||Fujifilm X70|
|Fujifilm X-A10« »||-||-||4/5||-||4/5||Dec 2016||399||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||-||-||4.5/5||4/5||4.5/5||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||+ +||80/100||5/5||4/5||5/5||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Leica CL« »||-||-||-||-||4/5||Nov 2017||2,795||Leica CL|
|Leica TL2« »||-||-||4/5||-||4/5||Jul 2017||1,950||Leica TL2|
|Leica T« »||-||-||4/5||-||4/5||Apr 2014||1,850||-||Leica T|
|Leica X2« »||-||-||3/5||-||4/5||May 2012||1,995||-||Leica X2|
|Nikon D5500« »||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Nikon D7200« »||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Leica TL vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica TL||Sony A6300|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica T mount lenses||Sony E mount lenses|
|Launch Date||November 2016||February 2016|
|Launch Price||USD 1695||USD 999|
|Sensor Specs||Leica TL||Sony A6300|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.7 mm||23.5 x 15.6 mm|
|Sensor Area||370.52 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||16.1 Megapixels||24 Megapixels|
|Image Resolution||4928 x 3264 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.80 μm||3.91 μm|
|Pixel Density||4.34 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-12500 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||100-51200 ISO|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.4|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1437|
|Screen Specs||Leica TL||Sony A6300|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.7 inch||3.0 inch|
|LCD Resolution||1230k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Leica TL||Sony A6300|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica TL||Sony A6300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica TL||Sony A6300|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
134 x 69 x 33 mm
(5.3 x 2.7 x 1.3 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||384 g (13.5 oz)||404 g (14.3 oz)|
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