Leica S Typ 006 vs Sony A7 III
The Leica S (Typ 006) and the Sony Alpha A7 III are two digital cameras that were officially introduced, respectively, in September 2012 and February 2018. The S Typ 006 is a DSLR, while the A7 III is a mirrorless interchangeable lens camera. The cameras are based on a medium format (S Typ 006) and a full frame (A7 III) sensor. The Leica has a resolution of 37.5 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica S Typ 006||Sony A7 III|
|Digital single lens reflex||Mirrorless system camera|
|Leica S mount lenses||Sony E mount lenses|
|37.5 MP, Medium Format Sensor||24 MP, Full Frame Sensor|
|no Video||4K/30p Video|
|ISO 100-1600||ISO 100-51200 (50-204800)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 922k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|1.5 shutter flaps per second||10 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Weathersealed body||Weathersealed body|
|160 x 120 x 80 mm, 1260 g||127 x 96 x 74 mm, 650 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S (Typ 006) and the Sony Alpha A7 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica S Typ 006 and the Sony A7 III. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 III is considerably smaller (36 percent) than the Leica S Typ 006. Moreover, the A7 III is substantially lighter (48 percent) than the S Typ 006. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A7 III can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Leica S Typ 006»||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2012||21,950||Leica S Typ 006|
|Sony A7 III«||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||Canon 70D|
|Leica S3« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2018||18,995||Leica S3|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Leica S-E Typ 006« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||16,900||Leica S-E Typ 006|
|Leica S Typ 007« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||24,490||Leica S Typ 007|
|Leica M Typ 240« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Sep 2012||6,950||Leica M Typ 240|
|Leica S2« »||6.3 in||4.7 in||3.1 in||49.7 oz||..||Y||Sep 2008||22,995||Leica S2|
|Nikon D4« »||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999||Nikon D4|
|Pentax 645D« »||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995||Pentax 645D|
|Sony A9 II« »||5.1 in||3.8 in||3.0 in||23.9 oz||690||Y||Oct 2019||4,499||Sony A9 II|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||Sony A7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7 III was launched at a markedly lower price (by 91 percent) than the S Typ 006, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica S Typ 006 features a medium format sensor and the Sony A7 III a full frame sensor. The sensor area in the A7 III is 37 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.5MP, the S Typ 006 offers a higher resolution than the A7 III (24MP), but the S Typ 006 nevertheless has marginally larger individual pixels (pixel pitch of 6.00μm versus 5.94μm for the A7 III) due to its larger sensor. However, the A7 III is a much more recent model (by 5 years and 5 months) than the S Typ 006, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S Typ 006 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica S Typ 006 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S Typ 006 for good quality output (200 dots per inch) amounts to 37.5 x 25 inch or 95.3 x 63.5 cm, for very good quality (250 dpi) 30 x 20 inch or 76.2 x 50.8 cm, and for excellent quality (300 dpi) 25 x 16.7 inch or 63.5 x 42.3 cm. The corresponding values for the Sony A7 III are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The A7 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica S (Typ 006) has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A7 III are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7 III offers substantially better image quality than the S Typ 006 (overall score 20 points higher). The advantage is based on 1.1 bits higher color depth, 2.5 EV in additional dynamic range, and 2.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica S Typ 006||Medium Format||37.5||7500||5000||none||23.9||12.2||824||76||Leica S Typ 006|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 70D||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Leica S3||Medium Format||64.0||9800||6533||4K/24p||..||..||..||..||Leica S3|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Leica S-E Typ 006||Medium Format||37.5||7500||5000||none||..||..||..||..||Leica S-E Typ 006|
|Leica S Typ 007||Medium Format||37.5||7500||5000||4K/24p||..||..||..||..||Leica S Typ 007|
|Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84||Leica M Typ 240|
|Leica S2||Medium Format||37.5||7500||5000||none||..||..||..||..||Leica S2|
|Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82||Pentax 645D|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93||Sony A9 II|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A7 III indeed provides for movie recording, while the S Typ 006 does not. The highest resolution format that the A7 III can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 III has an electronic viewfinder (2359k dots), while the S Typ 006 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 III offers a wider field of view (100%) than the one in the S Typ 006 (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S Typ 006 has a higher magnification (0.87x vs 0.78x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Leica S Typ 006, the Sony A7 III, and comparable cameras.
|Leica S Typ 006||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n||Leica S Typ 006|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 70D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Leica S3||optical||Y||3.0||922||fixed||n||1/4000s||3.0||n||n||Leica S3|
|Leica SL||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Leica S-E Typ 006||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n||Leica S-E Typ 006|
|Leica S Typ 007||optical||Y||3.0||922||fixed||n||1/4000s||3.5||n||n||Leica S Typ 007|
|Leica M Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M Typ 240|
|Leica S2||optical||Y||3.0||460||fixed||n||1/4000s||1.5||n||n||Leica S2|
|Nikon D4||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Pentax 645D||optical||Y||3.0||921||fixed||n||1/4000s||1.1||n||n||Pentax 645D|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A9 II|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
One feature that is present on the S Typ 006, but is missing on the A7 III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S Typ 006 writes its imaging data to Compact Flash or SDXC cards, while the A7 III uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The A7 III supports UHS-II cards (on its first slot), while the S Typ 006 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S (Typ 006) and Sony Alpha A7 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica S Typ 006||Y||none||none||-||-||mini||2.0||-||-||-||Leica S Typ 006|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 70D||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Leica S3||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S3|
|Leica SL||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Leica S-E Typ 006||Y||none||none||-||-||mini||2.0||-||-||-||Leica S-E Typ 006|
|Leica S Typ 007||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S Typ 007|
|Leica M Typ 240||Y||stereo||mono||-||-||none||2.0||-||-||-||Leica M Typ 240|
|Leica S2||Y||none||none||-||-||mini||2.0||-||-||-||Leica S2|
|Nikon D4||Y||mono||mono||Y||Y||micro||2.0||-||-||-||Nikon D4|
|Pentax 645D||Y||stereo||none||-||-||none||2.0||-||-||-||Pentax 645D|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A9 II|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
It is notable that the A7 III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the S Typ 006 does not offer wifi capability.
Studio photographers will appreciate that the Leica S Typ 006 (unlike the A7 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7 III is a recent model that features in the current product line-up of Sony. In contrast, the S Typ 006 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the S Typ 006 was succeeded by the Leica S Typ 007. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica S Typ 006 and the Sony A7 III? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica S (Typ 006):
- More detail: Offers more megapixels (37.5 vs 24MP) with a 25% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.87x vs 0.78x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Advantages of the Sony Alpha A7 III:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (20 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.2 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (127x96mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 610g or 48 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
- More modern: Reflects 5 years and 5 months of technical progress since the S Typ 006 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 III is the clear winner of the contest (26 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S Typ 006 and the Sony A7 III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the S Typ 006 or the A7 III perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 350D vs Sony A7 III
- Canon SL3 vs Leica S Typ 006
- Canon T5i vs Leica S Typ 006
- Fujifilm X100S vs Leica S Typ 006
- Leica S Typ 006 vs Leica V-LUX 2
- Leica S Typ 006 vs Panasonic GF5
- Leica S Typ 006 vs Sony A9
- Nikon A1000 vs Sony A7 III
- Nikon D4S vs Sony A7 III
- Nikon P1000 vs Sony A7 III
- Olympus TG-6 vs Sony A7 III
- Sony A7 III vs Sony RX100 III
Specifications: Leica S Typ 006 vs Sony A7 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica S Typ 006||Sony A7 III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Leica S mount lenses||Sony E mount lenses|
|Launch Date||September 2012||February 2018|
|Launch Price||USD 21950||USD 1999|
|Sensor Specs||Leica S Typ 006||Sony A7 III|
|Sensor Format||Medium Format Sensor||Full Frame Sensor|
|Sensor Size||45.0 x 30.0 mm||35.6 x 23.8 mm|
|Sensor Area||1350 mm2||847.28 mm2|
|Sensor Diagonal||54.1 mm||42.8 mm|
|Sensor Resolution||37.5 Megapixels||24 Megapixels|
|Image Resolution||7500 x 5000 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.00 μm||5.94 μm|
|Pixel Density||2.78 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1600 ISO||100-51200 ISO|
|ISO Boost||no Enhancement||50-204800 ISO|
|DXO Sensor Quality (score)||76||96|
|DXO Color Depth (bits)||23.9||25.0|
|DXO Dynamic Range (EV)||12.2||14.7|
|DXO Low Light (ISO)||824||3730|
|Screen Specs||Leica S Typ 006||Sony A7 III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica S Typ 006||Sony A7 III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||1.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Leica S Typ 006||Sony A7 III|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica S Typ 006||Sony A7 III|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|In-Camera Charging||no USB charging||USB charging|
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||1260 g (44.4 oz)||650 g (22.9 oz)|
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