Leica D-LUX 6 vs Sony RX10 II
The Leica D-LUX 6 and the Sony Cyber-shot DSC-RX10 II are two enthusiast cameras that were revealed to the public, respectively, in September 2012 and June 2015. Both the D-LUX 6 and the RX10 II are fixed lens compact cameras that are based on a 1/1.7-inch (D-LUX 6) and an one-inch (RX10 II) sensor. The Leica has a resolution of 10 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica D-LUX 6||Sony RX10 II|
|Fixed lens compact camera||Fixed lens compact camera|
|24-90mm f/1.4-2.3||24-200mm f/2.8|
|10 MP, 1/1.7" Sensor||20 MP, 1" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 80-6400 (80-12800)||ISO 100-12800 (64-25600)|
|Viewfinder optional||Electronic viewfinder (2359k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|11 shutter flaps per second||14 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|330 shots per battery charge||400 shots per battery charge|
|111 x 68 x 46 mm, 298 g||129 x 88 x 102 mm, 813 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 6 and the Sony Cyber-shot DSC-RX10 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica D-LUX 6 and the Sony RX10 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The D-LUX 6 can be obtained in three different colors (black, silver, white), while the RX10 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 II is considerably larger (50 percent) than the Leica D-LUX 6. Moreover, the RX10 II is substantially heavier (173 percent) than the D-LUX 6. It is noteworthy in this context that the RX10 II is splash and dust-proof, while the D-LUX 6 does not feature any corresponding weather-sealing.
Concerning battery life, the D-LUX 6 gets 330 shots out of its BP-DC10 battery, while the RX10 II can take 400 images on a single charge of its NP-FW50 power pack. The power pack in the RX10 II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica D-LUX 6»||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||-||Leica D-LUX 6|
|Sony RX10 II«||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||-||Canon 80D|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Fujifilm X20« »||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599||-||Fujifilm X20|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX Typ 109« »||4.6 in||2.6 in||2.2 in||14.3 oz||300||n||Sep 2014||1,195||-||Leica D-LUX Typ 109|
|Leica X2« »||4.9 in||2.7 in||2.0 in||12.2 oz||450||n||May 2012||1,995||-||Leica X2|
|Leica D-LUX 5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||-||Leica D-LUX 5|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Ricoh GR« »||4.6 in||2.4 in||1.4 in||8.6 oz||290||n||Apr 2013||799||-||Ricoh GR|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX10« »||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||-||Sony RX10|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX 6 was launched at a markedly lower price (by 46 percent) than the RX10 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 6 features a 1/1.7-inch sensor and the Sony RX10 II an one-inch sensor. The sensor area in the RX10 II is 176 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 2.7. The sensor in the D-LUX 6 has a native 4:3 aspect ratio, while the one in the RX10 II offers a 3:2 aspect. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20MP, the RX10 II offers a higher resolution than the D-LUX 6 (10MP), but the RX10 II nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.05μm for the D-LUX 6) due to its larger sensor. Moreover, the RX10 II is a much more recent model (by 2 years and 8 months) than the D-LUX 6, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony RX10 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX10 II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Leica D-LUX 6 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 6 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica D-LUX 6»||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-||Leica D-LUX 6|
|Sony RX10 II«||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Fujifilm X20« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X20|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX Typ 109« »||Four Thirds||12.7||4112||3088||4K/30p||-||-||-||-||Leica D-LUX Typ 109|
|Leica X2« »||APS-C||16.1||4928||3264||-||-||-||-||-||Leica X2|
|Leica D-LUX 5« »||1/1.7||10.0||3648||2736||720/60p||-||-||-||-||Leica D-LUX 5|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Ricoh GR« »||APS-C||16.1||4928||3264||1080/30p||23.6||13.5||972||78||Ricoh GR|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX10« »||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX10 II provides a better video resolution than the D-LUX 6. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the RX10 II has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 6 relies on live view and the rear LCD for framing. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The table below summarizes some of the other core capabilities of the Leica D-LUX 6 and Sony RX10 II in connection with corresponding information for a sample of similar cameras.
|Leica D-LUX 6»||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Sony RX10 II«||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Fujifilm X20« »||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX Typ 109« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Leica D-LUX Typ 109|
|Leica X2« »||-||n||2.7||230||fixed||n||1/2000s||5.0||Y||n||Leica X2|
|Leica D-LUX 5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Ricoh GR« »||-||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y||Sony RX10 III|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX10« »||1440||Y||3.0||1229||tilting||n||1/3200s||10.0||Y||Y||Sony RX10|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One feature that is present on the RX10 II, but is missing on the D-LUX 6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX10 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the D-LUX 6 and the RX10 II have zoom lenses built in. The D-LUX 6 has a 24-90mm f/1.4-2.3 optic and the RX10 II offers a 24-200mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Leica and Sony provide the same view at the wide-angle end, but the Sony has more tele-photo reach at the long end. The D-LUX 6 offers the faster maximum aperture.
The D-LUX 6 writes its imaging data to SDXC cards, while the RX10 II uses SDXC or Memory Stick PRO Duo cards. The RX10 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 6 and Sony Cyber-shot DSC-RX10 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica D-LUX 6»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Sony RX10 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Fujifilm X20« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX Typ 109« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica D-LUX Typ 109|
|Leica X2« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica X2|
|Leica D-LUX 5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Ricoh GR« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Ricoh GR|
|Sony RX10 III« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX10« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the RX10 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D-LUX 6 does not offer wifi capability.
Both the D-LUX 6 and the RX10 II have been discontinued, but can regularly be found used on eBay. The D-LUX 6 was replaced by the Leica D-LUX Typ 109, while the RX10 II was followed by the Sony RX10 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So how do things add up? Is there a clear favorite between the Leica D-LUX 6 and the Sony RX10 II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Leica D-LUX 6:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/3200s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.8).
- More compact: Is smaller (111x68mm vs 129x88mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 515g or 63 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced category (46 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2012).
Reasons to prefer the Sony Cyber-shot DSC-RX10 II:
- More detail: Has more megapixels (20 vs 10MP), which boosts linear resolution by 44%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (14 vs 11 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (400 versus 330) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years and 8 months of technical progress since the D-LUX 6 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX10 II is the clear winner of the contest (21 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 6 and the Sony RX10 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D-LUX 6 and the RX10 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica D-LUX 6»||-||-||4/5||-||4/5||Sep 2012||699||-||Leica D-LUX 6|
|Sony RX10 II«||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||-||Canon 80D|
|Canon G3 X« »||+||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Fujifilm X20« »||+ +||77/100||4.5/5||-||5/5||Jan 2013||599||-||Fujifilm X20|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX Typ 109« »||-||-||4.5/5||-||4.5/5||Sep 2014||1,195||-||Leica D-LUX Typ 109|
|Leica X2« »||-||-||3/5||-||4/5||May 2012||1,995||-||Leica X2|
|Leica D-LUX 5« »||-||-||4.5/5||-||4/5||Sep 2010||699||-||Leica D-LUX 5|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Ricoh GR« »||-||79/100||4.5/5||4.5/5||4.5/5||Apr 2013||799||-||Ricoh GR|
|Sony RX10 III« »||+||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX10« »||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299||-||Sony RX10|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Sony RX10 II
- Canon T6 vs Leica D-LUX 6
- Fujifilm X-A10 vs Sony RX10 II
- Fujifilm X-T2 vs Sony RX10 II
- Fujifilm X10 vs Leica D-LUX 6
- Leica D-LUX 6 vs Panasonic GF2
- Leica D-LUX 6 vs Sony A7R IV
- Leica D-LUX 6 vs Sony RX1R II
- Leica S Typ 007 vs Sony RX10 II
- Nikon D7200 vs Sony RX10 II
- Panasonic TZ95 vs Sony RX10 II
- Sony A3000 vs Sony RX10 II
Specifications: Leica D-LUX 6 vs Sony RX10 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 6||Sony RX10 II|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-90mm f/1.4-2.3||24-200mm f/2.8|
|Launch Date||September 2012||June 2015|
|Launch Price||USD 699||USD 1299|
|Sensor Specs||Leica D-LUX 6||Sony RX10 II|
|Sensor Format||1/1.7" Sensor||1" Sensor|
|Sensor Size||7.44 x 5.58 mm||13.2 x 8.8 mm|
|Sensor Area||41.5152 mm2||116.16 mm2|
|Sensor Diagonal||9.3 mm||15.9 mm|
|Sensor Resolution||10 Megapixels||20 Megapixels|
|Image Resolution||3648 x 2736 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.05 μm||2.41 μm|
|Pixel Density||24.04 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||80-6400 ISO||100-12800 ISO|
|ISO Boost||80-12800 ISO||64-25600 ISO|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||23.0|
|DXO Dynamic Range (EV)||..||12.6|
|DXO Low Light (ISO)||..||531|
|Screen Specs||Leica D-LUX 6||Sony RX10 II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica D-LUX 6||Sony RX10 II|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/3200/s|
|Continuous Shooting||11 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica D-LUX 6||Sony RX10 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica D-LUX 6||Sony RX10 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||298 g (10.5 oz)||813 g (28.7 oz)|
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