Kodak S-1 vs YI M1
The Kodak PixPro S-1 and the YI M1 are two digital cameras that were announced, respectively, in January 2012 and September 2016. Both the S-1 and the M1 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Kodak has a resolution of 16.1 megapixels, whereas the YI provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro S-1 and the YI M1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Kodak S-1 and the YI M1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the M1 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the YI M1 is notably smaller (8 percent) than the Kodak S-1. Moreover, the M1 is slightly lighter (3 percent) than the S-1. In this context, it is worth noting that neither the S-1 nor the M1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Kodak S-1||116 mm||68 mm||36 mm||290 g||410||n||Jan 2012||299|
|2.||YI M1||114 mm||64 mm||34 mm||281 g||450||n||Sep 2016||349|
|3.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|4.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|5.||Nikon 1 J5||98 mm||60 mm||32 mm||231 g||250||n||Apr 2015||399|
|6.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|7.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|8.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|9.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|10.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|11.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|12.||Panasonic GX850||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|13.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|14.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|15.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|16.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|17.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The S-1 was launched at a somewhat lower price (by 14 percent) than the M1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the M1 offers a higher resolution of 20.2 megapixels, compared with 16.1 MP of the S-1. This megapixels advantage translates into a 12 percent gain in linear resolution. On the other hand, these sensor specs imply that the M1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 3.74μm for the S-1). However, it should be noted that the M1 is much more recent (by 4 years and 8 months) than the S-1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the YI M1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M1 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Kodak S-1 are 23.2 x 17.4 inches or 58.9 x 44.2 cm for good quality, 18.6 x 13.9 inches or 47.1 x 35.4 cm for very good quality, and 15.5 x 11.6 inches or 39.3 x 29.5 cm for excellent quality prints.
The Kodak PixPro S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the YI M1 are ISO 100 to ISO 25600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||..||..||..||..|
|2.||YI M1||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|5.||Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65|
|6.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|7.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|8.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|9.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|10.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|11.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|12.||Panasonic GX850||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|13.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|14.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|15.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|16.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|17.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the M1 provides a better video resolution than the S-1. It can shoot movie footage at 4K/30p, while the Kodak is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The S-1 and the M1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The following table reports on some other key feature differences and similarities of the Kodak S-1, the YI M1, and comparable cameras.
|5.||Nikon 1 J5||none||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n|
One feature that differentiates the S-1 and the M1 is in-body image stabilization (IBIS). The S-1 reduces the risk of handshake-induced blur with all attached lenses, while the M1 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The S-1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the M1 does not have a selfie-screen.
The YI M1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the S-1 and the M1 write their files to SDXC cards. The S-1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the M1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro S-1 and YI M1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|5.||Nikon 1 J5||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
The M1 is a recent model that features in the current product line-up of YI. In contrast, the S-1 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the S-1 from Kodak. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Kodak and YI websites.
So how do things add up? Is the Kodak S-1 better than the YI M1 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Kodak PixPro S-1:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2012).
Arguments in favor of the YI M1:
- More detail: Has more megapixels (20.2 vs 16.1MP), which boosts linear resolution by 12%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 4 years and 8 months of technical progress since the S-1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the M1 emerges as the winner of the match-up (8 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the YI M1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the S-1 or the M1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Kodak S-1||..||..||..||4/5||4/5||Jan 2012||299|
|2.||YI M1||..||..||69/100||..||..||Sep 2016||349|
|3.||Canon SX730||..||+||..||4/5||4/5||Apr 2017||399|
|4.||Fujifilm X-A3||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|5.||Nikon 1 J5||..||..||..||4.5/5||4.5/5||Apr 2015||399|
|6.||Olympus E-P5||5/5||+ +||78/100||4.5/5||5/5||May 2013||999|
|7.||Olympus E-PL6||..||..||..||..||..||May 2013||599|
|8.||Olympus E-PL5||3/5||+ +||..||4.5/5||4.5/5||Sep 2012||599|
|9.||Olympus E-PM2||3/5||..||77/100||5/5||4.5/5||Sep 2012||499|
|10.||Olympus E-PL3||3/5||+ +||72/100||4.5/5||4/5||Jun 2011||599|
|11.||Olympus E-PM1||..||86/100||71/100||4.5/5||4.5/5||Jun 2011||499|
|12.||Panasonic GX850||..||+||76/100||4.5/5||4.5/5||Jan 2017||549|
|13.||Panasonic GF7||4/5||+||..||4.5/5||4.5/5||Jan 2015||499|
|14.||Panasonic GF6||..||+ +||..||4.5/5||4.5/5||Apr 2013||499|
|15.||Panasonic GX7||4/5||+||79/100||5/5||5/5||Aug 2013||999|
|16.||Panasonic G3||3/5||+ +||75/100||4.5/5||5/5||May 2011||599|
|17.||Panasonic GX1||3/5||+||77/100||4.5/5||4.5/5||Nov 2011||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Kodak S-1 vs YI M1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Kodak S-1||YI M1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||January 2012||September 2016|
|Launch Price||USD 299||USD 349|
|Sensor Specs||Kodak S-1||YI M1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||16.1 Megapixels||20.2 Megapixels|
|Image Resolution||4640 x 3480 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.74 μm||3.34 μm|
|Pixel Density||7.18 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200 - 12,800 ISO||100 - 25,600 ISO|
|Screen Specs||Kodak S-1||YI M1|
|Viewfinder Type||no viewfinder||no viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Kodak S-1||YI M1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||4 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Kodak S-1||YI M1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Kodak S-1||YI M1|
|Battery Life (CIPA)||410 shots per charge||450 shots per charge|
|In-Camera Charging||USB charging||USB charging|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
114 x 64 x 34 mm
(4.5 x 2.5 x 1.3 in)
|Camera Weight||290 g (10.2 oz)||281 g (9.9 oz)|
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