Kodak S-1 vs Sony A77
The Kodak PixPro S-1 and the Sony Alpha SLT-A77 are two digital cameras that were announced, respectively, in January 2012 and August 2011. The S-1 is a mirrorless interchangeable lens camera, while the A77 is a DSLR. The cameras are based on a Four Thirds (S-1) and an APS-C (A77) sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Kodak S-1||Sony A77|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Sony A mount lenses|
|16.1 MP, Four Thirds Sensor||24 MP, APS-C Sensor|
|1080/30p Video||1080/60p Video|
|ISO 200-12,800||ISO 100-16,000 (50 - 25,600)|
|No viewfinder, LCD framing||Electronic viewfinder (2359k dots)|
|3.0 LCD, 920k dots||3.0 LCD, 921k dots|
|Tilting screen (no touchscreen)||Fully flexible screen (no touchscreen)|
|4 shutter flaps per second||12 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|410 shots per battery charge||470 shots per battery charge|
|116 x 68 x 36 mm, 290 g||143 x 104 x 81 mm, 732 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro S-1 and the Sony Alpha SLT-A77? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Kodak S-1 and the Sony A77 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the A77 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 is considerably larger (89 percent) than the Kodak S-1. Moreover, the A77 is substantially heavier (152 percent) than the S-1. It is noteworthy in this context that the A77 is splash and dust-proof, while the S-1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the S-1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Kodak S-1||116 mm||68 mm||36 mm||290 g||410||n||Jan 2012||299|
|Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199|
|Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The S-1 was launched at a markedly lower price (by 79 percent) than the A77, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Kodak S-1 features a Four Thirds sensor and the Sony A77 an APS-C sensor. The sensor area in the A77 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the S-1 has a native 4:3 aspect ratio, while the one in the A77 offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the A77 offers a higher resolution than the S-1 (16.1MP), but the A77 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.74μm for the S-1) due to its larger sensor. However, the S-1 is a somewhat more recent model (by 4 months) than the A77, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A77 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A77 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Kodak S-1 are 23.2 x 17.4 inches or 58.9 x 44.2 cm for good quality, 18.6 x 13.9 inches or 47.1 x 35.4 cm for very good quality, and 15.5 x 11.6 inches or 39.3 x 29.5 cm for excellent quality prints.
The Kodak PixPro S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Sony Alpha SLT-A77 are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 50-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||..||..||..||..|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A77 provides a faster frame rate than the S-1. It can shoot movie footage at 1080/60p, while the Kodak is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A77 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Kodak S-1, the Sony A77, and comparable cameras.
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
|Sony A77 II||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y|
One feature that is present on the A77, but is missing on the S-1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The S-1 writes its imaging data to SDXC cards, while the A77 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro S-1 and Sony Alpha SLT-A77 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A77 II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-|
It is notable that the S-1 offers wifi support, while the A77 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Sony A77 (unlike the S-1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the A77 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The S-1 is a recent model that features in the current product line-up of Kodak. In contrast, the A77 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A77 was succeeded by the Sony A77 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Kodak and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Kodak S-1 and the Sony A77? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Kodak PixPro S-1:
- More compact: Is smaller (116x68mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 442g or 60 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 4 months after the A77).
Arguments in favor of the Sony Alpha SLT-A77:
- More detail: Has more megapixels (24 vs 16.1MP), which boosts linear resolution by 24%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 4 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (470 versus 410) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in August 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the A77 is the clear winner of the contest (18 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the Sony A77 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the S-1 or the A77 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Kodak S-1||..||..||4/5||..||4/5||Jan 2012||299|
|Sony A77||91/100||81/100||..||4.5/5||5/5||Aug 2011||1,399|
|Olympus E-P5||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999|
|Olympus E-PL6||..||..||..||..||..||May 2013||599|
|Olympus E-PL5||+ +||..||4.5/5||4.5/5||4.5/5||Sep 2012||599|
|Olympus E-PM2||..||77/100||5/5||4.5/5||4.5/5||Sep 2012||499|
|Olympus E-PL3||+ +||72/100||4.5/5||..||4/5||Jun 2011||599|
|Olympus E-PM1||86/100||71/100||4.5/5||..||4.5/5||Jun 2011||499|
|Panasonic GH5||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic GF6||+ +||..||4.5/5||..||4.5/5||Apr 2013||499|
|Panasonic GX7||+||79/100||5/5||4.5/5||5/5||Aug 2013||999|
|Panasonic G3||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599|
|Panasonic GX1||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699|
|Sony A9||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Sony A77 II||..||80/100||4.5/5||4/5||5/5||May 2014||1,199|
|Sony A99||..||84/100||4.5/5||o||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Kodak S-1 vs Sony A77
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Kodak S-1||Sony A77|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Sony A mount lenses|
|Launch Date||January 2012||August 2011|
|Launch Price||USD 299||USD 1,399|
|Sensor Specs||Kodak S-1||Sony A77|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||16.1 Megapixels||24 Megapixels|
|Image Resolution||4640 x 3480 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.74 μm||3.91 μm|
|Pixel Density||7.18 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||200 - 12,800 ISO||100 - 16,000 ISO|
|ISO Boost||no Enhancement||50 - 25,600 ISO|
|DXO Sensor Quality (score)||..||78|
|DXO Color Depth (bits)||..||24.0|
|DXO Dynamic Range (EV)||..||13.2|
|DXO Low Light (ISO)||..||801|
|Screen Specs||Kodak S-1||Sony A77|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||921k dots|
|LCD Attachment||Tilting screen||Fully flexible screen|
|Shooting Specs||Kodak S-1||Sony A77|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||4 shutter flaps/s||12 shutter flaps/s|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Kodak S-1||Sony A77|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Kodak S-1||Sony A77|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||410 shots per charge||470 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||290 g (10.2 oz)||732 g (25.8 oz)|
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