Kodak S-1 vs Panasonic FZ100
The Kodak PixPro S-1 and the Panasonic Lumix DMC-FZ100 are two digital cameras that were revealed to the public, respectively, in January 2012 and July 2010. The S-1 is a mirrorless interchangeable lens camera, while the FZ100 is a fixed lens compact. The cameras are based on a Four Thirds (S-1) and a 1/2.3-inch (FZ100) sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Panasonic provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro S-1 and the Panasonic Lumix DMC-FZ100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Kodak S-1 and the Panasonic FZ100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the FZ100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ100 is notably larger (29 percent) than the Kodak S-1. In this context, it is worth noting that neither the S-1 nor the FZ100 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ100 has a lens built in, whereas the S-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the S-1 and their specifications in the Micro Four Thirds Lens Catalog.
The power pack in the S-1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Kodak S-1||116 mm||68 mm||36 mm||290 g||410||n||Jan 2012||299||ebay.com|
|2.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||ebay.com|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|4.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429||ebay.com|
|5.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429||ebay.com|
|6.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|7.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599||ebay.com|
|8.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599||ebay.com|
|9.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499||ebay.com|
|10.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|11.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499||ebay.com|
|12.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|13.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|14.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||ebay.com|
|15.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||ebay.com|
|16.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|17.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Kodak S-1 features a Four Thirds sensor and the Panasonic FZ100 a 1/2.3-inch sensor. The sensor area in the FZ100 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 16.1MP, the S-1 offers a higher resolution than the FZ100 (14MP), but the S-1 nevertheless has larger individual pixels (pixel pitch of 3.74μm versus 1.41μm for the FZ100) due to its larger sensor. Moreover, the S-1 is a somewhat more recent model (by 1 year and 5 months) than the FZ100, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Kodak S-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S-1 for good quality output (200 dots per inch) amounts to 23.2 x 17.4 inches or 58.9 x 44.2 cm, for very good quality (250 dpi) 18.6 x 13.9 inches or 47.1 x 35.4 cm, and for excellent quality (300 dpi) 15.5 x 11.6 inches or 39.3 x 29.5 cm. The corresponding values for the Panasonic FZ100 are 21.6 x 16.2 inches or 54.9 x 41.1 cm for good quality, 17.3 x 13 inches or 43.9 x 32.9 cm for very good quality, and 14.4 x 10.8 inches or 36.6 x 27.4 cm for excellent quality prints.
The Kodak PixPro S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ100 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-6400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||22.2||11.8||598||65|
|6.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|7.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||22.5||12.0||717||68|
|8.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|9.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|10.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|11.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|12.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|13.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|16.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|17.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ100 provides a faster frame rate than the S-1. It can shoot movie footage at 1080/60i, while the Kodak is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ100 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Kodak S-1 and Panasonic FZ100 along with similar information for a selection of comparators.
|1.||Kodak S-1||none||n||3.0 / 920||tilting||n||1/4000s||4.0/s||n||Y|
|2.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|3.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|4.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3/s||Y||Y|
|5.||Canon SX30||202||n||2.7 / 230||swivel||n||1/3200s||0.6/s||Y||Y|
|6.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|7.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|8.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|9.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0/s||n||Y|
|10.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|11.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5/s||n||Y|
|12.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|13.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|14.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|15.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|16.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|17.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The FZ100 has one, while the S-1 does not. While the built-in flash of the FZ100 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
Concerning the storage of imaging data, both the S-1 and the FZ100 write their files to SDXC cards. The S-1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the FZ100 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro S-1 and Panasonic Lumix DMC-FZ100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Kodak S-1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|5.||Canon SX30||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|6.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|11.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|14.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|16.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the S-1 offers wifi support, while the FZ100 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the S-1 and the FZ100 have been discontinued, but can regularly be found used on ebay. The FZ100 was replaced by the Panasonic FZ150, while the S-1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Kodak and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Kodak S-1 and the Panasonic FZ100? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Kodak PixPro S-1:
- More detail: Offers more megapixels (16.1 vs 14MP) with a 7% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (116x68mm vs 124x82mm) and thus needs less room in the bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 5 months after the FZ100).
Advantages of the Panasonic Lumix DMC-FZ100:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 4 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the S-1 necessitates an extra lens.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More heavily discounted: Has been on the market for longer (launched in July 2010).
If the count of relative strengths (bullet points above) is taken as a measure, the S-1 is the clear winner of the match-up (14 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the Panasonic FZ100 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the S-1 or the FZ100 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Kodak S-1||..||..||..||..||4/5||4/5||Jan 2012||299||ebay.com|
|2.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|3.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|4.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429||ebay.com|
|5.||Canon SX30||3/5||+ +||..||..||3.5/5||4/5||Sep 2010||429||ebay.com|
|6.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|7.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599||ebay.com|
|8.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|9.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499||ebay.com|
|10.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|11.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499||ebay.com|
|12.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|13.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|14.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|15.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499||ebay.com|
|16.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|17.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark III vs Kodak S-1
- Canon SX520 vs Panasonic FZ100
- Kodak S-1 vs Leica M-E Typ 240
- Kodak S-1 vs Olympus E-P1
- Kodak S-1 vs Panasonic GX1
- Kodak S-1 vs Ricoh WG-60
- Kodak S-1 vs Sony NEX-7
- Nikon D4S vs Panasonic FZ100
- Nikon D800E vs Panasonic FZ100
- Olympus Stylus 1s vs Panasonic FZ100
- Panasonic FZ100 vs Panasonic FZ1000 II
- Panasonic FZ100 vs Sony A99 II
Specifications: Kodak S-1 vs Panasonic FZ100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Kodak S-1||Panasonic FZ100|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||25-600mm f/2.8-5.2|
|Launch Date||January 2012||July 2010|
|Launch Price||USD 299||USD 499|
|Sensor Specs||Kodak S-1||Panasonic FZ100|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||16.1 Megapixels||14 Megapixels|
|Image Resolution||4640 x 3480 pixels||4320 x 3240 pixels|
|Pixel Pitch||3.74 μm||1.41 μm|
|Pixel Density||7.18 MP/cm2||49.86 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||200 - 12,800 ISO||100 - 1,600 ISO|
|ISO Boost||no Enhancement||100 - 6,400 ISO|
|Screen Specs||Kodak S-1||Panasonic FZ100|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||460k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Kodak S-1||Panasonic FZ100|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||11 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Kodak S-1||Panasonic FZ100|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Kodak S-1||Panasonic FZ100|
|Battery Life (CIPA)||410 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
|Camera Weight||290 g (10.2 oz)||540 g (19.0 oz)|
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