Kodak S-1 vs Olympus E-M10 III
The Kodak PixPro S-1 and the Olympus OM-D E-M10 Mark III are two digital cameras that were announced, respectively, in January 2012 and August 2017. Both the S-1 and the E-M10 III are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro S-1 and the Olympus OM-D E-M10 Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Kodak S-1 and the Olympus E-M10 III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the E-M10 III is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M10 III is notably larger (30 percent) than the Kodak S-1. Moreover, the E-M10 III is substantially heavier (41 percent) than the S-1. In this context, it is worth noting that neither the S-1 nor the E-M10 III are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The power pack in the S-1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Kodak S-1||116 mm||68 mm||36 mm||290 g||410||n||Jan 2012||299||ebay.com|
|2.||Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649||ebay.com|
|3.||Olympus E-M10 IV||122 mm||84 mm||49 mm||383 g||360||n||Aug 2020||699||amazon.com|
|4.||Olympus E-PL10||117 mm||68 mm||39 mm||380 g||350||n||Oct 2019||599||ebay.com|
|5.||Olympus E-PL9||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||599||ebay.com|
|6.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549||ebay.com|
|7.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||ebay.com|
|8.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|9.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599||ebay.com|
|10.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599||ebay.com|
|11.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499||ebay.com|
|12.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|13.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499||ebay.com|
|14.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|15.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|16.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|17.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S-1 was launched at a markedly lower price (by 54 percent) than the E-M10 III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the S-1 offers a slightly higher resolution of 16.1 megapixels, compared with 15.9 MP of the E-M10 III. This megapixels advantage translates into a 0.7 percent gain in linear resolution. On the other hand, these sensor specs imply that the S-1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.74μm versus 3.76μm for the E-M10 III). Moreover, it should be noted that the E-M10 III is much more recent (by 5 years and 7 months) than the S-1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels. Coming back to sensor resolution, it should be mentioned that the E-M10 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Kodak PixPro S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Olympus OM-D E-M10 Mark III are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||22.2||11.8||598||65|
|2.||Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1120||74|
|3.||Olympus E-M10 IV||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.2||1402||76|
|4.||Olympus E-PL10||Four Thirds||15.9||4608||3456||4K/30p||23.3||13.1||1324||76|
|5.||Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1162||74|
|6.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.6||1030||73|
|7.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|8.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|9.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||22.5||12.0||717||68|
|10.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|11.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|12.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|13.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|14.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|15.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|16.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|17.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the E-M10 III provides a better video resolution than the S-1. It can shoot movie footage at 4K/30p, while the Kodak is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M10 III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Kodak S-1 and Olympus E-M10 III in connection with corresponding information for a sample of similar cameras.
|1.||Kodak S-1||none||n||3.0 / 920||tilting||n||1/4000s||4.0/s||n||Y|
|2.||Olympus E-M10 III||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|3.||Olympus E-M10 IV||2360||n||3.0 / 1040||tilting||Y||1/4000s||15.0/s||Y||Y|
|4.||Olympus E-PL10||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|5.||Olympus E-PL9||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|6.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|7.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|8.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|9.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|10.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|11.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0/s||n||Y|
|12.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|13.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5/s||n||Y|
|14.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|15.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|16.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|17.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M10 III has a touchscreen, while the S-1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The S-1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-M10 III does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M10 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M10 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the S-1 and the E-M10 III write their files to SDXC cards. The E-M10 III supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the S-1 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro S-1 and Olympus OM-D E-M10 Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Kodak S-1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Olympus E-M10 III||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Olympus E-M10 IV||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Olympus E-PL10||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|5.||Olympus E-PL9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|13.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|15.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
Both the S-1 and the E-M10 III have been discontinued, but can regularly be found used on ebay. The E-M10 III was replaced by the Olympus E-M10 IV, while the S-1 does not have a direct successor. Further information on the features and operation of the S-1 and E-M10 III can be found, respectively, in the Kodak S-1 Manual (free pdf) or the online Olympus E-M10 III Manual.
So how do things add up? Is the Kodak S-1 better than the Olympus E-M10 III or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Kodak PixPro S-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (116x68mm vs 122x84mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 120g or 29 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (410 versus 330) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2012).
Reasons to prefer the Olympus OM-D E-M10 Mark III:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (8.6 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 7 months of technical progress since the S-1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M10 III emerges as the winner of the match-up (11 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the Olympus E-M10 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the S-1 and the E-M10 III in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Kodak S-1||..||..||..||..||4/5||4/5||Jan 2012||299||ebay.com|
|2.||Olympus E-M10 III||..||+||5/5||80/100||4.5/5||4.5/5||Aug 2017||649||ebay.com|
|3.||Olympus E-M10 IV||4.5/5||..||5/5||81/100||4.5/5||4.5/5||Aug 2020||699||amazon.com|
|4.||Olympus E-PL10||..||..||4/5||77/100||..||4/5||Oct 2019||599||ebay.com|
|5.||Olympus E-PL9||..||+||..||..||4.5/5||4/5||Feb 2018||599||ebay.com|
|6.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549||ebay.com|
|7.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649||ebay.com|
|8.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|9.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599||ebay.com|
|10.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|11.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499||ebay.com|
|12.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|13.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499||ebay.com|
|14.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|15.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|16.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|17.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Kodak S-1
- Canon 1Ds vs Olympus E-M10 III
- Canon M10 vs Olympus E-M10 III
- Fujifilm X-Pro1 vs Kodak S-1
- Kodak S-1 vs Nikon D300
- Kodak S-1 vs Olympus E-M5 III
- Kodak S-1 vs Olympus E-PL1
- Kodak S-1 vs Panasonic FZ1000 II
- Olympus E-410 vs Olympus E-M10 III
- Olympus E-M10 III vs Olympus E-P7
- Olympus E-M10 III vs Olympus XZ-1
- Olympus E-M10 III vs Panasonic G10
Specifications: Kodak S-1 vs Olympus E-M10 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Kodak S-1||Olympus E-M10 III|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||January 2012||August 2017|
|Launch Price||USD 299||USD 649|
|Sensor Specs||Kodak S-1||Olympus E-M10 III|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||16.1 Megapixels||15.9 Megapixels|
|Image Resolution||4640 x 3480 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.74 μm||3.76 μm|
|Pixel Density||7.18 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Screen Specs||Kodak S-1||Olympus E-M10 III|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Kodak S-1||Olympus E-M10 III|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||4 shutter flaps/s||8.6 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Kodak S-1||Olympus E-M10 III|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Kodak S-1||Olympus E-M10 III|
|Battery Life (CIPA)||410 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
122 x 84 x 50 mm
(4.8 x 3.3 x 2.0 in)
|Camera Weight||290 g (10.2 oz)||410 g (14.5 oz)|
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