Fujifilm X10 vs Sony A6600
The Fujifilm X10 and the Sony Alpha A6600 are two digital cameras that were officially introduced, respectively, in September 2011 and August 2019. The X10 is a fixed lens compact, while the A6600 is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (X10) and an APS-C (A6600) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X10 and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X10 and the Sony A6600. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The X10 can be obtained in two different colors (black, silver), while the A6600 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is somewhat smaller (2 percent) than the Fujifilm X10. It is noteworthy in this context that the A6600 is splash and dust-proof, while the X10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X10 has a lens built in, whereas the A6600 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6600 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the X10 gets 270 shots out of its NP-50 battery, while the A6600 can take 810 images on a single charge of its NP-FZ100 power pack. The power pack in the A6600 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|2.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|4.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|5.||Canon G12||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499|
|6.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|7.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|8.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|9.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|10.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|11.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|12.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549|
|13.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|14.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799|
|15.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|16.||Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X10 was launched at a lower price than the A6600, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X10 features a 2/3 sensor and the Sony A6600 an APS-C sensor. The sensor area in the A6600 is 533 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 1.5. The sensor in the X10 has a native 4:3 aspect ratio, while the one in the A6600 offers a 3:2 aspect.
With 24MP, the A6600 offers a higher resolution than the X10 (12MP), but the A6600 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.20μm for the X10) due to its larger sensor. Moreover, the A6600 is a much more recent model (by 7 years and 11 months) than the X10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X10 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X10 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The A6600 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X10 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6600 offers substantially better image quality than the X10 (overall score 32 points higher). The advantage is based on 3.3 bits higher color depth, 2.1 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|9.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|11.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|12.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|14.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|16.||Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6600 provides a better video resolution than the X10. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6600 has an electronic viewfinder (2359k dots), while the X10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Fujifilm X10, the Sony A6600, and comparable cameras.
|1.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0||Y||Y|
|2.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||n||Y|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|4.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1||Y||Y|
|5.||Canon G12||optical||n||2.8 / 461||swivel||n||1/4000s||1.1||Y||Y|
|6.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0||n||Y|
|7.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0||Y||Y|
|8.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0||Y||Y|
|9.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|10.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|11.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|12.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6||Y||n|
|13.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
|14.||Sony A7C||2360||n||3.0 / 922||swivel||Y||1/4000s||10.0||n||Y|
|15.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|16.||Sony A77 II||2359||Y||3.0 / 1229||full-flex||n||1/8000s||12.0||Y||Y|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The X10 has one, while the A6600 does not. While the built-in flash of the X10 is not very powerful, it can at times be useful as a fill-in light.The A6600 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X10 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6600 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A6600 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X10 writes its imaging data to SDXC cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. The A6600 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the X10 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X10 and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Canon G12||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|9.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|14.||Sony A7C||Y||stereo / mono||Y||Y||micro||3.2||Y||Y||Y|
|15.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A77 II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A6600 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the X10 does not provide wifi capability.
The A6600 is a recent model that features in the current product line-up of Sony. In contrast, the X10 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X10 was succeeded by the Fujifilm X20. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So how do things add up? Which of the two cameras – the Fujifilm X10 or the Sony A6600 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X10:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Ready to shoot: Has a lens built-in, whereas the A6600 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6600).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2011).
Arguments in favor of the Sony Alpha A6600:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (32 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.6 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (810 versus 270) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 7 years and 11 months of technical progress since the X10 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A6600 is the clear winner of the contest (27 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X10 and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the X10 or the A6600 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|2.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|4.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|5.||Canon G12||4/5||+||..||73/100||4.5/5||4.5/5||Sep 2010||499|
|6.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|7.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|8.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599|
|9.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699|
|10.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|11.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|12.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549|
|13.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|14.||Sony A7C||3.5/5||..||3.5/5||86/100||4/5||4/5||Sep 2020||1,799|
|15.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|16.||Sony A77 II||4/5||..||..||80/100||4.5/5||5/5||May 2014||1,199|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark IV vs Sony A6600
- Canon 650D vs Fujifilm X10
- Canon M50 Mark II vs Fujifilm X10
- Canon T2i vs Fujifilm X10
- Fujifilm X-T3 vs Sony A6600
- Fujifilm X10 vs Nikon B500
- Fujifilm X10 vs Panasonic FZ100
- Fujifilm X10 vs Pentax KP
- Nikon D3400 vs Sony A6600
- Nikon D610 vs Sony A6600
- Panasonic FT7 vs Sony A6600
- Panasonic L1 vs Sony A6600
Specifications: Fujifilm X10 vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X10||Sony A6600|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.0-2.8||Sony E mount lenses|
|Launch Date||September 2011||August 2019|
|Launch Price||USD 599||USD 1,399|
|Sensor Specs||Fujifilm X10||Sony A6600|
|Sensor Format||Two Thirds Sensor||APS-C Sensor|
|Sensor Size||8.8 x 6.6 mm||23.5 x 15.6 mm|
|Sensor Area||58.08 mm2||366.6 mm2|
|Sensor Diagonal||11 mm||28.2 mm|
|Sensor Resolution||12 Megapixels||24 Megapixels|
|Image Resolution||4000 x 3000 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.20 μm||3.91 μm|
|Pixel Density||20.66 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||100 - 32,000 ISO|
|ISO Boost||100 - 12,800 ISO||100 - 102,400 ISO|
|Image Processor||EXR Processor II||BIONZ X|
|DXO Sensor Quality (score)||50||82|
|DXO Color Depth (bits)||20.5||23.8|
|DXO Dynamic Range (EV)||11.3||13.4|
|DXO Low Light (ISO)||245||1497|
|Screen Specs||Fujifilm X10||Sony A6600|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||85%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.8inch||3.0inch|
|LCD Resolution||460k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X10||Sony A6600|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Fujifilm X10||Sony A6600|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||YES HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm X10||Sony A6600|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||270 shots per charge||810 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
120 x 67 x 69 mm
(4.7 x 2.6 x 2.7 in)
|Camera Weight||350 g (12.3 oz)||503 g (17.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.