Fujifilm X10 vs Sony A6300
The Fujifilm X10 and the Sony Alpha A6300 are two digital cameras that were officially introduced, respectively, in September 2011 and February 2016. The X10 is a fixed lens compact, while the A6300 is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (X10) and an APS-C (A6300) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X10||Sony A6300|
|Fixed lens compact camera||Mirrorless system camera|
|28-112mm f/2.0-2.8||Sony E mount lenses|
|12 MP, Two Thirds Sensor||24 MP, APS-C Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-3200 (100-12800)||ISO 100-25600 (100-51200)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|2.8" LCD, 460k dots||3.0" LCD, 922k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|10 shutter flaps per second||11 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|270 shots per battery charge||400 shots per battery charge|
|117 x 70 x 57 mm, 350 g||120 x 67 x 49 mm, 404 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X10 and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X10 and the Sony A6300. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is somewhat smaller (2 percent) than the Fujifilm X10. It is noteworthy in this context that the A6300 is splash and dust-proof, while the X10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X10 has a lens built in, whereas the A6300 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6300 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the X10 gets 270 shots out of its NP-50 battery, while the A6300 can take 400 images on a single charge of its NP-FW50 power pack. The power pack in the A6300 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm X10»||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||Fujifilm X10|
|Sony A6300«||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||Sony A6300|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||Canon G15|
|Canon G12« »||4.4 in||3.0 in||1.9 in||14.1 oz||370||n||Sep 2010||499||Canon G12|
|Fujifilm X30« »||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599||Fujifilm X30|
|Fujifilm X20« »||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599||Fujifilm X20|
|Leica D-LUX 6« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||Leica D-LUX 6|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||Nikon D7200|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||Panasonic LX7|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||Panasonic G10|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||Panasonic GF2|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||Panasonic LX5|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||Sony A6000|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||Sony A3000|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X10 was launched at a lower price than the A6300, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X10 features a 2/3 sensor and the Sony A6300 an APS-C sensor. The sensor area in the A6300 is 533 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 1.5. The sensor in the X10 has a native 4:3 aspect ratio, while the one in the A6300 offers a 3:2 aspect.
With 24MP, the A6300 offers a higher resolution than the X10 (12MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.20μm for the X10) due to its larger sensor. Moreover, the A6300 is a much more recent model (by 4 years and 5 months) than the X10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X10 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X10 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X10 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6300 offers substantially better image quality than the X10 (overall score 35 points higher). The advantage is based on 3.9 bits higher color depth, 2.4 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon G12||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Fujifilm X30||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X30|
|Fujifilm X20||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X20|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..||Leica D-LUX 6|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony A6000||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a better video resolution than the X10. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), while the X10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Fujifilm X10, the Sony A6300, and comparable cameras.
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon G12||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Fujifilm X30||2360||n||3.0||920||tilting||n||1/4000s||12.0||Y||Y||Fujifilm X30|
|Fujifilm X20||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic GF2||optional||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony A6000||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A3000||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The X10 writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. The A6300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the X10 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X10 and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon G12||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Fujifilm X30||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Fujifilm X20||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic GF2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony A6000||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
It is notable that the A6300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the X10 does not offer wifi capability.
Both the X10 and the A6300 have been discontinued, but can regularly be found used on eBay. The X10 was replaced by the Fujifilm X20, while the A6300 was followed by the Sony A6500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So how do things add up? Which of the two cameras – the Fujifilm X10 or the Sony A6300 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X10:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Ready to shoot: Has a lens built-in, whereas the A6300 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6300).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2011).
Arguments in favor of the Sony Alpha A6300:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (35 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.6 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 270) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 5 months of technical progress since the X10 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A6300 is the clear winner of the contest (21 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X10 and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the X10 or the A6300 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 30D vs Fujifilm X10
- Canon 400D vs Fujifilm X10
- Canon 5D Mark II vs Fujifilm X10
- Fujifilm X10 vs Leica TL2
- Fujifilm X10 vs Nikon D7500
- Leica D-LUX 5 vs Sony A6300
- Nikon D60 vs Sony A6300
- Panasonic G9 vs Sony A6300
- Panasonic GH3 vs Sony A6300
- Sigma fp vs Sony A6300
- Sony A6300 vs Sony A77
- Sony A6300 vs Sony RX100 III
Specifications: Fujifilm X10 vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X10||Sony A6300|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.0-2.8||Sony E mount lenses|
|Launch Date||September 2011||February 2016|
|Launch Price||USD 599||USD 999|
|Sensor Specs||Fujifilm X10||Sony A6300|
|Sensor Format||Two Thirds Sensor||APS-C Sensor|
|Sensor Size||8.8 x 6.6 mm||23.5 x 15.6 mm|
|Sensor Area||58.08 mm2||366.6 mm2|
|Sensor Diagonal||11 mm||28.2 mm|
|Sensor Resolution||12 Megapixels||24 Megapixels|
|Image Resolution||4000 x 3000 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.20 μm||3.91 μm|
|Pixel Density||20.66 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-3200 ISO||100-25600 ISO|
|ISO Boost||100-12800 ISO||100-51200 ISO|
|Image Processor||EXR Processor II||BIONZ X|
|DXO Sensor Quality (score)||50||85|
|DXO Color Depth (bits)||20.5||24.4|
|DXO Dynamic Range (EV)||11.3||13.7|
|DXO Low Light (ISO)||245||1437|
|Screen Specs||Fujifilm X10||Sony A6300|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||85%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.8 inch||3.0 inch|
|LCD Resolution||460k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Fujifilm X10||Sony A6300|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||10 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Fujifilm X10||Sony A6300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Fujifilm X10||Sony A6300|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||270 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||350 g (12.3 oz)||404 g (14.3 oz)|
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