Fujifilm X-Pro2 vs Olympus E-5
The Fujifilm X-Pro2 and the Olympus E-5 are two digital cameras that were officially introduced, respectively, in January 2016 and September 2010. The X-Pro2 is a mirrorless interchangeable lens camera, while the E-5 is a DSLR. The cameras are based on an APS-C (X-Pro2) and a Four Thirds (E-5) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-Pro2||Olympus E-5|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm X mount lenses||Four Thirds lenses|
|24 MP, APS-C Sensor||12.2 MP, Four Thirds Sensor|
|1080/60p Video||720/30p Video|
|ISO 200-12800 (100-51200)||ISO 100-6400|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0" LCD, 1620k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|8 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|350 shots per battery charge||750 shots per battery charge|
|141 x 83 x 46 mm, 495 g||142 x 117 x 75 mm, 873 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Olympus E-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-Pro2 and the Olympus E-5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the E-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-5 is notably larger (42 percent) than the Fujifilm X-Pro2. Moreover, the E-5 is substantially heavier (76 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Four Thirds Lens Catalog (E-5). Mirrorless cameras, such as the Fujifilm X-Pro2, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-Pro2»||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Olympus E-5«||5.6 in||4.6 in||3.0 in||30.8 oz||750||Y||Sep 2010||1,699||-||Olympus E-5|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Olympus E-30« »||5.6 in||4.3 in||3.0 in||24.7 oz||750||n||Nov 2008||1,299||-||Olympus E-30|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||-||Olympus E-520|
|Olympus E-3« »||5.6 in||4.6 in||3.0 in||30.9 oz||750||Y||Oct 2007||1,699||-||Olympus E-3|
|Olympus E-510« »||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799||-||Olympus E-510|
|Olympus E-1« »||5.6 in||4.1 in||3.2 in||26.0 oz||750||Y||Jun 2003||1,699||-||Olympus E-1|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||-||Sony A6500|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Olympus E-5 a Four Thirds sensor. The sensor area in the E-5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro2 has a native 3:2 aspect ratio, while the one in the E-5 offers a 4:3 aspect.
With 24MP, the X-Pro2 offers a higher resolution than the E-5 (12.2MP), but the X-Pro2 has smaller individual pixels (pixel pitch of 3.92μm versus 4.29μm for the E-5). However, the X-Pro2 is a much more recent model (by 5 years and 4 months) than the E-5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inch or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inch or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inch or 34.1 x 25.6 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus E-5 are ISO 100 to ISO 6400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X-Pro2»||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Olympus E-5«||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56||Olympus E-5|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-T100|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Olympus E-30« »||Four Thirds||12.2||4032||3024||-||21.3||10.4||530||55||Olympus E-30|
|Olympus E-520« »||Four Thirds||10.0||3648||2736||-||21.4||10.4||548||55||Olympus E-520|
|Olympus E-3« »||Four Thirds||10.0||3648||2736||-||21.6||10.5||571||56||Olympus E-3|
|Olympus E-510« »||Four Thirds||10.0||3648||2736||-||21.2||10.0||442||52||Olympus E-510|
|Olympus E-1« »||Four Thirds||4.9||2560||1920||-||-||-||-||-||Olympus E-1|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-Pro2 provides a higher video resolution than the E-5. It can shoot video footage at 1080/60p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the E-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-5 has a higher magnification than the one of the X-Pro2 (0.575x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro2, the Olympus E-5, and comparable cameras.
|Fujifilm X-Pro2»||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Olympus E-5«||optical||Y||3.0||920||swivel||n||1/8000s||5.0||Y||Y||Olympus E-5|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Olympus E-30« »||optical||Y||2.7||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-30|
|Olympus E-520« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-3« »||optical||Y||2.5||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-3|
|Olympus E-510« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Olympus E-1« »||optical||Y||1.8||134||fixed||n||1/4000s||3.0||n||n||Olympus E-1|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
One feature that differentiates the E-5 and the X-Pro2 is in-body image stabilization (IBIS). The E-5 reduces the risk of handshake-induced blur with all attached lenses, while the X-Pro2 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The E-5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-Pro2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-Pro2 writes its imaging data to SDXC cards, while the E-5 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Olympus E-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-Pro2»||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Olympus E-5«||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-5|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Fujifilm X-T100« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Olympus E-30« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-30|
|Olympus E-520« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-520|
|Olympus E-3« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-3|
|Olympus E-510« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-510|
|Olympus E-1« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-1|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
It is notable that the X-Pro2 has a microphone port, which is missing on the E-5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The X-Pro2 is a recent model that features in the current product line-up of Fujifilm. In contrast, the E-5 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the E-5 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So what is the bottom line? Is there a clear favorite between the Fujifilm X-Pro2 and the Olympus E-5? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X-Pro2:
- More detail: Offers more megapixels (24 vs 12.2MP) with a 43% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 920k dots).
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (141x83mm vs 142x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 378g or 43 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 5 years and 4 months of technical progress since the E-5 launch.
Arguments in favor of the Olympus E-5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.575x vs 0.39x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Gets more shots (750 versus 350) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the match-up (19 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Olympus E-5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the X-Pro2 and the E-5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-Pro2»||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Olympus E-5«||-||75/100||4/5||-||4.5/5||Sep 2010||1,699||-||Olympus E-5|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X-T100« »||+||79/100||4/5||-||4.5/5||May 2018||599||Fujifilm X-T100|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Olympus E-30« »||-||71/100||4.5/5||-||4/5||Nov 2008||1,299||-||Olympus E-30|
|Olympus E-520« »||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699||-||Olympus E-520|
|Olympus E-3« »||88/100||+ +||o||o||4/5||Oct 2007||1,699||-||Olympus E-3|
|Olympus E-510« »||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799||-||Olympus E-510|
|Olympus E-1« »||-||+||o||o||-||Jun 2003||1,699||-||Olympus E-1|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
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Specifications: Fujifilm X-Pro2 vs Olympus E-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Olympus E-5|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Four Thirds lenses|
|Launch Date||January 2016||September 2010|
|Launch Price||USD 1699||USD 1699|
|Sensor Specs||Fujifilm X-Pro2||Olympus E-5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||12.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||4032 x 3024 pixels|
|Pixel Pitch||3.92 μm||4.29 μm|
|Pixel Density||6.52 MP/cm2||5.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||720/30p Video|
|ISO Setting||200-12800 ISO||100-6400 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||X Processor Pro||TruePic V+|
|DXO Sensor Quality (score)||..||56|
|DXO Color Depth (bits)||..||21.6|
|DXO Dynamic Range (EV)||..||10.5|
|DXO Low Light (ISO)||..||519|
|Screen Specs||Fujifilm X-Pro2||Olympus E-5|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1620k dots||920k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Fujifilm X-Pro2||Olympus E-5|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Fujifilm X-Pro2||Olympus E-5|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-Pro2||Olympus E-5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||750 shots per charge|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
|Camera Weight||495 g (17.5 oz)||873 g (30.8 oz)|
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