Fujifilm X-Pro2 versus Nikon D610
The Fujifilm X-Pro2 and the Nikon D610 are two enthusiast cameras that were announced, respectively, in January 2016 and October 2013. The X-Pro2 is a mirrorless interchangeable lens camera, while the D610 is a DSLR. The cameras are based on an APS-C (X-Pro2) and a full frame (D610) sensor. The Fujifilm has a resolution of 24 megapixel, whereas the Nikon provides 24.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Fujifilm X-Pro2 vs Nikon D610
An illustration of the physical size and weight of the Fujifilm X-Pro2 and the Nikon D610 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X-Pro2 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D610 is notably larger (36 percent) than the Fujifilm X-Pro2. Moreover, the D610 is substantially heavier (72 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Nikon Lens Catalog (D610). Mirrorless cameras, such as the Fujifilm X-Pro2, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Fujifilm X-Pro2»||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699|
|Nikon D610«||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,699||-|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-|
|Nikon D800« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999||-|
|Nikon D800E« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299||-|
|Sony RX10 IV« »||5.2 in||3.7 in||5.7 in||38.6 oz||400||Y||Sep 2017||1,699|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-Pro2 was launched at a somewhat lower price (by 15 percent) than the D610, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Fujifilm X-Pro2 vs Nikon D610
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Nikon D610 a full frame sensor. The sensor area in the D610 is 134 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.2MP, the D610 offers a higher resolution than the X-Pro2 (24MP), but the D610 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.92μm for the X-Pro2) due to its larger sensor. However, the X-Pro2 is a much more recent model (by 2 years and 3 months) than the D610, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon D610«||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D600« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Nikon D800« »||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|Nikon D800E« »||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|Sony RX10 IV« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-Pro2 provides a higher frame rate than the D610. It can shoot video footage at 1080/60p, while the Nikon is limited to 1080/30p.
Feature comparison: Fujifilm X-Pro2 vs Nikon D610
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the D610 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Fujifilm X-Pro2 and Nikon D610 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||4000||8.0||n||n|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||n|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||8000||14.0||n||n|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||4000||8.0||n||n|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||4000||6.0||n||n|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||4000||6.0||Y||n|
|Nikon D600« »||optical||Y||3.0||921||fixed||n||4000||5.5||Y||n|
|Nikon D800« »||optical||Y||3.2||921||fixed||n||8000||4.0||Y||n|
|Nikon D800E« »||optical||Y||3.2||921||fixed||n||8000||4.0||Y||n|
|Sony RX10 IV« »||2359||Y||3.0||1440||tilting||Y||2000||24.0||Y||Y|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||2000||14.0||Y||Y|
Both the X-Pro2 and the D610 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The D610 replaced the earlier Nikon D600, while the X-Pro2 followed on from the Fujifilm X-Pro1.
Review summary: Fujifilm X-Pro2 vs Nikon D610
So how do things add up? Is the Fujifilm X-Pro2 better than the Nikon D610 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm X-Pro2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 921k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (141x83mm vs 141x113mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 355g or 42 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More affordable: Was introduced into a lower priced segment (15 percent cheaper at launch).
- More modern: Reflects 2 years and 3 months of technical progress since the D610 launch.
Reasons to prefer the Nikon D610:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Gets more shots (900 versus 350) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the X-Pro2 emerges as the winner of the contest (11 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the X-Pro2 or the D610. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Fujifilm X-Pro2»||Rec||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699|
|Nikon D610«||HiRec||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 6D« »||HiRec||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-|
|Fujifilm X-E3« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899|
|Fujifilm X-T20« »||HiRec||82/100||5/5||-||4.5/5||Jan 2017||899|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399|
|Fujifilm X-T2« »||HiRec||86/100||4.5/5||5/5||5/5||Jul 2016||1,599|
|Fujifilm X-T1« »||HiRec||84/100||5/5||4/5||5/5||Jan 2014||1,699||-|
|Fujifilm X-Pro1« »||HiRec||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-|
|Nikon D500« »||HiRec||91/100||4.5/5||5/5||5/5||Jan 2016||1,999|
|Nikon D750« »||HiRec||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299|
|Nikon D600« »||HiRec||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-|
|Nikon D800« »||HiRec||82/100||5/5||5/5||5/5||Feb 2012||2,999||-|
|Nikon D800E« »||-||84/100||5/5||4.5/5||5/5||Feb 2012||3,299||-|
|Sony RX10 IV« »||Rec||84/100||4.5/5||-||5/5||Sep 2017||1,699|
|Sony RX10 III« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||-|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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