Fujifilm X-Pro2 vs Nikon D1
The Fujifilm X-Pro2 and the Nikon D1 are two digital cameras that were announced, respectively, in January 2016 and June 1999. The X-Pro2 is a mirrorless interchangeable lens camera, while the D1 is a DSLR. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Nikon provides 2.6 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-Pro2||Nikon D1|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm X mount lenses||Nikon F mount lenses|
|24 MP, APS-C Sensor||2.6 MP, APS-C Sensor|
|1080/60p Video||no Video|
|ISO 200-12800 (100-51200)||ISO 200-1600 (200-6400)|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0" LCD, 1620k dots||2.0" LCD, 120k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|8 shutter flaps per second||1.5 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|141 x 83 x 46 mm, 495 g||157 x 153 x 85 mm, 1100 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Nikon D1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-Pro2 and the Nikon D1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the D1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D1 is considerably larger (105 percent) than the Fujifilm X-Pro2. Moreover, the D1 is substantially heavier (122 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Nikon Lens Catalog (D1). Mirrorless cameras, such as the Fujifilm X-Pro2, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
As can be seen in the images above, the D1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-Pro2»||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Nikon D1«||157 mm||153 mm||85 mm||1100 g||..||Y||Jun 1999||5,499||-||Nikon D1|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Fujifilm X-T3« »||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X100F« »||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-E3« »||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-T2« »||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D4« »||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999||-||Nikon D4|
|Nikon D2Xs« »||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Nikon D2X« »||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999||-||Nikon D2X|
|Nikon D1H« »||157 mm||153 mm||85 mm||1100 g||1200||Y||Feb 2001||4,499||-||Nikon D1H|
|Nikon D1X« »||157 mm||153 mm||85 mm||1100 g||1200||Y||Feb 2001||5,999||-||Nikon D1X|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Sony A6500« »||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||-||Sony A6500|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-Pro2 was launched at a markedly lower price (by 69 percent) than the D1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D1 is 1 percent bigger. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Fujifilm X-Pro2 offers a higher resolution of 24 megapixels, compared with 2.6 MP of the Nikon D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 11.93μm for the D1). However, it should be noted that the X-Pro2 is much more recent (by 16 years and 7 months) than the D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Nikon D1 are 10 x 6.6 inch or 25.4 x 16.7 cm for good quality, 8 x 5.2 inch or 20.3 x 13.3 cm for very good quality, and 6.7 x 4.4 inch or 16.9 x 11.1 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon D1 are ISO 200 to ISO 1600, with the possibility to increase the ISO range to 200-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X-Pro2»||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Nikon D1«||APS-C||2.6||2000||1312||-||-||-||-||-||Nikon D1|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-E3|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T20|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Nikon D4« »||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
|Nikon D2X« »||APS-C||12.2||4288||2848||-||22.1||10.9||476||59||Nikon D2X|
|Nikon D1H« »||APS-C||2.6||2000||1312||-||-||-||-||-||Nikon D1H|
|Nikon D1X« »||APS-C||5.9||3008||1960||-||-||-||-||-||Nikon D1X|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
Many modern cameras cannot only take still pictures, but also record videos. The X-Pro2 indeed provides movie recording capabilities, while the D1 does not. The highest resolution format that the X-Pro2 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-Pro2 offers a wider field of view (100%) than the one in the D1 (96%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the D1 has a higher magnification (0.53x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro2, the Nikon D1, and comparable cameras.
|Fujifilm X-Pro2»||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Nikon D1«||optical||Y||2.0||120||fixed||n||1/16000s||1.5||n||n||Nikon D1|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Nikon D4« »||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Nikon D2X« »||optical||Y||2.5||235||fixed||n||1/8000s||5.0||n||n||Nikon D2X|
|Nikon D1H« »||optical||Y||2.0||120||fixed||n||1/16000s||5.0||n||n||Nikon D1H|
|Nikon D1X« »||optical||Y||2.0||120||fixed||n||1/16000s||3.0||n||n||Nikon D1X|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
One feature that is present on the D1, but is missing on the X-Pro2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-Pro2 writes its imaging data to SDXC cards, while the D1 uses Compact Flash cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Nikon D1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-Pro2»||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Nikon D1«||Y||-||-||-||-||-||FW||-||-||-||Nikon D1|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X-E3« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X-T20« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Nikon D4« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Nikon D4|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
|Nikon D2X« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2X|
|Nikon D1H« »||Y||-||-||-||-||-||FW||-||-||-||Nikon D1H|
|Nikon D1X« »||Y||-||-||-||-||-||FW||-||-||-||Nikon D1X|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
It is notable that the X-Pro2 offers wifi support, while the D1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The X-Pro2 is a recent model that features in the current product line-up of Fujifilm. In contrast, the D1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D1 was succeeded by the Nikon D1X. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So how do things add up? Is the Fujifilm X-Pro2 better than the Nikon D1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X-Pro2:
- More detail: Offers more megapixels (24 vs 2.6MP) with a 201% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 120k dots).
- Faster burst: Shoots at higher frequency (8 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (141x83mm vs 157x153mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 605g or 55 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
- More modern: Reflects 16 years and 7 months of technical progress since the D1 launch.
Arguments in favor of the Nikon D1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.53x vs 0.39x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/8000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- More heavily discounted: Has been around for much longer (launched in June 1999).
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the match-up (18 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Nikon D1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the X-Pro2 or the D1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-Pro2»||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Nikon D1«||-||+ +||-||-||-||Jun 1999||5,499||-||Nikon D1|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-E3« »||+||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||+ +||82/100||5/5||-||4.5/5||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D4« »||-||-||4.5/5||-||4.5/5||Jan 2012||5,999||-||Nikon D4|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Nikon D2X« »||-||+ +||-||o||-||Sep 2004||4,999||-||Nikon D2X|
|Nikon D1H« »||-||+ +||-||o||-||Feb 2001||4,499||-||Nikon D1H|
|Nikon D1X« »||-||+ +||-||o||-||Feb 2001||5,999||-||Nikon D1X|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark II vs Nikon D1
- Canon M10 vs Fujifilm X-Pro2
- Fujifilm X-Pro2 vs Olympus TG-5
- Fujifilm X-Pro2 vs Panasonic GH5s
- Fujifilm X-Pro2 vs Ricoh GR III
- Fujifilm X-Pro2 vs Sony A7
- Fujifilm X-Pro2 vs Sony HX80
- Leica TL2 vs Nikon D1
- Nikon D1 vs Nikon D3X
- Nikon D1 vs Olympus E-P3
- Nikon D1 vs Panasonic GF6
- Nikon D1 vs Ricoh WG-60
Specifications: Fujifilm X-Pro2 vs Nikon D1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Nikon D1|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Nikon F mount lenses|
|Launch Date||January 2016||June 1999|
|Launch Price||USD 1699||USD 5499|
|Sensor Specs||Fujifilm X-Pro2||Nikon D1|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.7 x 15.6 mm|
|Sensor Area||368.16 mm2||369.72 mm2|
|Sensor Diagonal||28.3 mm||28.4 mm|
|Sensor Resolution||24 Megapixels||2.6 Megapixels|
|Image Resolution||6000 x 4000 pixels||2000 x 1312 pixels|
|Pixel Pitch||3.92 μm||11.93 μm|
|Pixel Density||6.52 MP/cm2||0.71 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||200-12800 ISO||200-1600 ISO|
|ISO Boost||100-51200 ISO||200-6400 ISO|
|Screen Specs||Fujifilm X-Pro2||Nikon D1|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||96%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||2.0 inch|
|LCD Resolution||1620k dots||120k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm X-Pro2||Nikon D1|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||1.5 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Fujifilm X-Pro2||Nikon D1|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||Firewire|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-Pro2||Nikon D1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
157 x 153 x 85 mm
(6.2 x 6.0 x 3.3 in)
|Camera Weight||495 g (17.5 oz)||1100 g (38.8 oz)|
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