Fujifilm X-M1 vs Sony A68
The Fujifilm X-M1 and the Sony Alpha SLT-A68 are two digital cameras that were announced, respectively, in June 2013 and November 2015. The X-M1 is a mirrorless interchangeable lens camera, while the A68 is a DSLR. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-M1||Sony A68|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm X mount lenses||Sony A mount lenses|
|16 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/30p Video||1080/60i Video|
|ISO 200-6400 (100-25600)||ISO 100-25600|
|No viewfinder, LCD framing||Electronic viewfinder (1440k dots)|
|3.0" LCD, 920k dots||2.7" LCD, 460k dots|
|Tilting screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|5.6 shutter flaps per second||8 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|350 shots per battery charge||540 shots per battery charge|
|117 x 67 x 39 mm, 330 g||143 x 104 x 81 mm, 610 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-M1 and the Sony Alpha SLT-A68? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-M1 and the Sony A68 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The X-M1 can be obtained in three different colors (black, silver, brown), while the A68 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A68 is considerably larger (90 percent) than the Fujifilm X-M1. Moreover, the A68 is substantially heavier (85 percent) than the X-M1. In this context, it is worth noting that neither the X-M1 nor the A68 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-M1»||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||-||Fujifilm X-M1|
|Sony A68«||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699||-||Sony A68|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-A1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Panasonic ZS100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic ZS100|
|Sony A77 II« »||5.6 in||4.1 in||3.2 in||22.8 oz||480||Y||May 2014||1,199||Sony A77 II|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony A58« »||5.1 in||3.7 in||3.1 in||17.4 oz||690||n||Feb 2013||599||-||Sony A58|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a slightly smaller sensor, the A68 offers a higher resolution of 24 megapixels, compared with 16 MP of the X-M1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.80μm for the X-M1). However, it should be noted that the A68 is much more recent (by 2 years and 4 months) than the X-M1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-M1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A68 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A68 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X-M1 are 24.5 x 16.3 inch or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inch or 41.5 x 27.6 cm for excellent quality prints.
The Fujifilm X-M1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha SLT-A68 are ISO 100 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X-M1»||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-M1|
|Sony A68«||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Fujifilm X-A10« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T10|
|Fujifilm X-A1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2|
|Fujifilm X-E1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Panasonic ZS100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic ZS100|
|Sony A77 II« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Sony A77 II|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A58« »||APS-C||19.8||5456||3632||1080/60i||23.3||12.5||753||74||Sony A58|
|Sony NEX-5R« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A68 provides a faster frame rate than the X-M1. It can shoot movie footage at 1080/60i, while the Fujifilm is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A68 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-M1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm X-M1 and Sony A68 along with similar information for a selection of comparators.
|Fujifilm X-M1»||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Sony A68«||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Fujifilm X-A10« »||-||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-A2« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A2|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-A1« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A1|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-E1« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Panasonic ZS100« »||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS100|
|Sony A77 II« »||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A58« »||1440||n||2.7||460||tilting||n||1/4000s||5.0||Y||Y||Sony A58|
|Sony NEX-5R« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that differentiates the A68 and the X-M1 is in-body image stabilization (IBIS). The A68 reduces the risk of handshake-induced blur with all attached lenses, while the X-M1 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The X-M1 writes its imaging data to SDXC cards, while the A68 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-M1 and Sony Alpha SLT-A68 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-M1»||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Sony A68«||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Fujifilm X-A10« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-A1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-E1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Panasonic ZS100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS100|
|Sony A77 II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A58« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A58|
|Sony NEX-5R« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the X-M1 offers wifi support, while the A68 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the X-M1 and the A68 have been discontinued, but can regularly be found used on eBay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Fujifilm and Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So what is the bottom line? Is the Fujifilm X-M1 better than the Sony A68 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Fujifilm X-M1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- More compact: Is smaller (117x67mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 280g or 46 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More heavily discounted: Has been available for much longer (launched in June 2013).
Arguments in favor of the Sony Alpha SLT-A68:
- More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster burst: Shoots at higher frequency (8 vs 5.6 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (540 versus 350) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More modern: Reflects 2 years and 4 months of technical progress since the X-M1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A68 emerges as the winner of the match-up (10 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-M1 and the Sony A68 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-M1 and the A68 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-M1»||+||77/100||4.5/5||-||4.5/5||Jun 2013||699||-||Fujifilm X-M1|
|Sony A68«||-||-||4/5||-||4/5||Nov 2015||699||-||Sony A68|
|Fujifilm X-A10« »||-||-||4/5||-||4/5||Dec 2016||399||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||-||-||4.5/5||4/5||4.5/5||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||+ +||80/100||5/5||4/5||5/5||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-A1« »||-||-||4.5/5||-||4.5/5||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-E1« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Sep 2012||999||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Panasonic ZS100« »||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic ZS100|
|Sony A77 II« »||-||80/100||4.5/5||4/5||5/5||May 2014||1,199||Sony A77 II|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A58« »||-||-||4.5/5||4.5/5||4.5/5||Feb 2013||599||-||Sony A58|
|Sony NEX-5R« »||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 100D vs Fujifilm X-M1
- Canon G1 X Mark III vs Sony A68
- Canon SL2 vs Sony A68
- Canon T6s vs Fujifilm X-M1
- Fujifilm GFX 100 vs Sony A68
- Fujifilm X-M1 vs Olympus E-PL2
- Fujifilm X-M1 vs Panasonic FZ80
- Fujifilm X-M1 vs Panasonic G1
- Fujifilm X-M1 vs Panasonic GM5
- Fujifilm X-M1 vs Panasonic GX85
- Sony A68 vs Sony A77
- Sony A68 vs Sony HX95
Specifications: Fujifilm X-M1 vs Sony A68
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-M1||Sony A68|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Sony A mount lenses|
|Launch Date||June 2013||November 2015|
|Launch Price||USD 699||USD 699|
|Sensor Specs||Fujifilm X-M1||Sony A68|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.5 x 15.6 mm|
|Sensor Area||368.16 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||16 Megapixels||24 Megapixels|
|Image Resolution||4896 x 3264 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.80 μm||3.91 μm|
|Pixel Density||4.34 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||200-6400 ISO||100-25600 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|Image Processor||EXR Processor II||BIONZ X|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||24.1|
|DXO Dynamic Range (EV)||..||13.5|
|DXO Low Light (ISO)||..||701|
|Screen Specs||Fujifilm X-M1||Sony A68|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.7 inch|
|LCD Resolution||920k dots||460k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Fujifilm X-M1||Sony A68|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5.6 shutter flaps/s||8 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-M1||Sony A68|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-M1||Sony A68|
|Battery Life (CIPA)||350 shots per charge||540 shots per charge|
117 x 67 x 39 mm
(4.6 x 2.6 x 1.5 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||330 g (11.6 oz)||610 g (21.5 oz)|
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