Fujifilm X-M1 vs Kodak S-1
The Fujifilm X-M1 and the Kodak PixPro S-1 are two digital cameras that were revealed to the public, respectively, in June 2013 and January 2012. Both the X-M1 and the S-1 are mirrorless interchangeable lens cameras that are based on an APS-C (X-M1) and a Four Thirds (S-1) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Kodak provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-M1 and the Kodak PixPro S-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-M1 and the Kodak S-1. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-M1 can be obtained in three different colors (black, silver, brown), while the S-1 is available in two color-versions (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-M1 and the Kodak S-1 are of equal size. However, the S-1 is markedly lighter (12 percent) than the X-M1. In this context, it is worth noting that neither the X-M1 nor the S-1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-M1) and the Micro Four Thirds Lens Catalog (S-1). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The power pack in the S-1 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|Kodak S-1||116 mm||68 mm||36 mm||290 g||410||n||Jan 2012||299|
|Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399|
|Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|Fujifilm X-E1||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999|
|Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S-1 was launched at a markedly lower price (by 57 percent) than the X-M1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-M1 features an APS-C sensor and the Kodak S-1 a Four Thirds sensor. The sensor area in the S-1 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-M1 has a native 3:2 aspect ratio, while the one in the S-1 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the S-1 offers a slightly higher resolution of 16.1 megapixels, compared with 16 MP of the X-M1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.74μm versus 4.80μm for the X-M1). Moreover, it should be noted that the X-M1 is a somewhat more recent model (by 1 year and 5 months) than the S-1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-M1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Fujifilm X-M1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Kodak PixPro S-1 are ISO 200 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||..||..||..||..|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The X-M1 and the S-1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The following table reports on some other key feature differences and similarities of the Fujifilm X-M1, the Kodak S-1, and comparable cameras.
One difference between the cameras concerns the presence of an on-board flash. The X-M1 has one, while the S-1 does not. While the built-in flash of the X-M1 is not very powerful, it can at times be useful as a fill-in light.The S-1 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-M1 does not have a selfie-screen.
Concerning the storage of imaging data, both the X-M1 and the S-1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-M1 and Kodak PixPro S-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
The S-1 is a recent model that features in the current product line-up of Kodak. In contrast, the X-M1 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the X-M1 from Fujifilm. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Kodak websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-M1 and the Kodak S-1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X-M1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Faster burst: Shoots at higher frequency (5.6 vs 4 flaps/sec) to capture the decisive moment.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More modern: Is somewhat more recent (announced 1 year and 5 months after the S-1).
Reasons to prefer the Kodak PixPro S-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less heavy: Has a lower weight (by 40g or 12 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (410 versus 350) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (57 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (8 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-M1 and the Kodak S-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-M1 or the S-1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-M1||+||77/100||4.5/5||..||4.5/5||Jun 2013||699|
|Kodak S-1||..||..||4/5||..||4/5||Jan 2012||299|
|Fujifilm X70||..||76/100||4.5/5||4/5||4.5/5||Jan 2016||799|
|Fujifilm X-E2S||..||77/100||4.5/5||..||4.5/5||Jan 2016||699|
|Fujifilm X-A2||..||..||4.5/5||4/5||4.5/5||Jan 2015||399|
|Fujifilm X-T10||+ +||80/100||5/5||4/5||5/5||May 2015||799|
|Fujifilm X20||+ +||77/100||4.5/5||..||5/5||Jan 2013||599|
|Fujifilm X-A1||..||..||4.5/5||..||4.5/5||Sep 2013||399|
|Fujifilm X-E2||..||80/100||4.5/5||..||5/5||Oct 2013||999|
|Fujifilm X-E1||+ +||79/100||4.5/5||4.5/5||4.5/5||Sep 2012||999|
|Olympus E-P5||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999|
|Olympus E-PL6||..||..||..||..||..||May 2013||599|
|Olympus E-PL5||+ +||..||4.5/5||4.5/5||4.5/5||Sep 2012||599|
|Olympus E-PM2||..||77/100||5/5||4.5/5||4.5/5||Sep 2012||499|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Panasonic GX7||+||79/100||5/5||4.5/5||5/5||Aug 2013||999|
|Panasonic G5||+ +||..||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Fujifilm X-M1 vs Kodak S-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-M1||Kodak S-1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2013||January 2012|
|Launch Price||USD 699||USD 299|
|Sensor Specs||Fujifilm X-M1||Kodak S-1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||16.1 Megapixels|
|Image Resolution||4896 x 3264 pixels||4640 x 3480 pixels|
|Pixel Pitch||4.80 μm||3.74 μm|
|Pixel Density||4.34 MP/cm2||7.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||200 - 6,400 ISO||200 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Screen Specs||Fujifilm X-M1||Kodak S-1|
|Viewfinder Type||no viewfinder||no viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Fujifilm X-M1||Kodak S-1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5.6 shutter flaps/s||4 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-M1||Kodak S-1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm X-M1||Kodak S-1|
|Battery Life (CIPA)||350 shots per charge||410 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 67 x 39 mm
(4.6 x 2.6 x 1.5 in)
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
|Camera Weight||330 g (11.6 oz)||290 g (10.2 oz)|
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