Fujifilm X-H2 vs Panasonic TS7

The Fujifilm X-H2 and the Panasonic Lumix DC-TS7 (labelled Panasonic FT7 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2022 and May 2018. The X-H2 is a mirrorless interchangeable lens camera, while the TS7 is a fixed lens compact. The cameras are based on an APS-C (X-H2) and a 1/2.3-inch (TS7) sensor. The Fujifilm has a resolution of 39.8 megapixels, whereas the Panasonic provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-H2		Panasonic TS7
Mirrorless system camera		Fixed lens compact camera
Fujifilm X mount lenses		28-128mm f/3.3-5.9
39.8 MP – APS-C sensor		20.2 MP – 1/2.3" sensor
8k/30p Video		4K/30p Video
ISO 160-12,800 (80 - 51,200)		ISO 80-3,200 (80 - 6,400)
Electronic viewfinder (5760k dots)		Electronic viewfinder (1170k dots)
3.0" LCD – 1620k dots		3.0" LCD – 1040k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
15 shutter flaps per second		10 shutter flaps per second
In-body stabilization		Lens-based stabilization
Weathersealed body		Waterproof body (31m)
680 shots per battery charge		300 shots per battery charge
136 x 93 x 85 mm, 660 g		117 x 76 x 37 mm, 319 g

Check X-H2 price at
amazon.com
Check TS7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-H2 and the Panasonic Lumix DC-TS7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm X-H2 and the Panasonic TS7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The TS7 can be obtained in three different colors (black, blue, orange), while the X-H2 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TS7 is notably smaller (30 percent) than the Fujifilm X-H2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TS7 has a lens built in, whereas the X-H2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-H2 and their specifications in the Fujinon X Lens Catalog.

Concerning battery life, the X-H2 gets 680 shots out of its Fujifilm NP-W235 battery, while the TS7 can take 300 images on a single charge of its Panasonic DMW-BCM13 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-H2	136 mm	93 mm	85 mm	660 g	680	Y	Sep 2022	US$ 1 999	amazon.com
2.		Panasonic TS7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	US$ 449	ebay.com
3.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	US$ 399	ebay.com
4.		Fujifilm X-H1	140 mm	97 mm	86 mm	673 g	310	Y	Feb 2018	US$ 1 899	ebay.com
5.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	US$ 2 499	amazon.com
6.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	US$ 1 699	ebay.com
7.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	US$ 1 799	amazon.com
8.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	US$ 1 699	ebay.com
9.		Fujifilm X-T5	130 mm	91 mm	64 mm	557 g	580	Y	Nov 2022	US$ 1 699	amazon.com
10.		OM System OM-1	135 mm	92 mm	73 mm	599 g	520	Y	Feb 2022	US$ 2 199	ebay.com
11.		Panasonic FZ80	130 mm	94 mm	119 mm	616 g	330	n	Jan 2017	US$ 399	ebay.com
12.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	US$ 1 699	amazon.com
13.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
14.		Panasonic ZS80	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	US$ 449	ebay.com
15.		Pentax K-3 III	135 mm	104 mm	74 mm	820 g	800	Y	Mar 2021	US$ 1 999	amazon.com
16.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340	Y	Feb 2019	US$ 399	amazon.com
17.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	US$ 2 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TS7 was launched at a lower price than the X-H2, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm X-H2 features an APS-C sensor and the Panasonic TS7 a 1/2.3-inch sensor. The sensor area in the TS7 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the X-H2 has a native 3:2 aspect ratio, while the one in the TS7 offers a 4:3 aspect.

With 39.8MP, the X-H2 offers a higher resolution than the TS7 (20.2MP), but the X-H2 nevertheless has larger individual pixels (pixel pitch of 3.04μm versus 1.18μm for the TS7) due to its larger sensor. Moreover, the X-H2 is a much more recent model (by 4 years and 4 months) than the TS7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-H2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-H2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-H2 for good quality output (200 dots per inch) amounts to 38.6 x 25.8 inches or 98.1 x 65.4 cm, for very good quality (250 dpi) 30.9 x 20.6 inches or 78.5 x 52.3 cm, and for excellent quality (300 dpi) 25.8 x 17.2 inches or 65.4 x 43.6 cm. The corresponding values for the Panasonic TS7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The X-H2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the TS7, the X-H2 has the capacity to capture high quality composite images (160MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm X-H2 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Panasonic Lumix DC-TS7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. The X-H2 uses Fujifilm's X-Trans layout of photosites, while the TS7 employs the more common Bayer array.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-H2	APS-C	39.8	7728	5152	8k/30p	24.3	13.9	2249	86
2.		Panasonic TS7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
3.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
4.		Fujifilm X-H1	APS-C	24.0	6000	4000	4K/30p	24.0	13.3	1806	82
5.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
6.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
7.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
8.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
9.		Fujifilm X-T5	APS-C	39.8	7728	5152	6.2k/30p	24.3	13.9	2264	86
10.		OM System OM-1	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.4	1553	77
11.		Panasonic FZ80	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
12.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
13.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
14.		Panasonic ZS80	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
15.		Pentax K-3 III	APS-C	25.6	6192	4128	4K/30p	24.2	13.7	2083	85
16.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
17.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-H2 provides a higher video resolution than the TS7. It can shoot video footage at 8k/30p, while the Panasonic is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-H2 offers a substantially higher resolution than the one in the TS7 (5760k vs 1170k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-H2, the Panasonic TS7, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-H2	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
2.		Panasonic TS7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
3.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
4.		Fujifilm X-H1	3690	Y	3.0 / 1040	full-flex	Y	1/8000s	14.0/s	n	Y
5.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
6.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
7.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
8.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
9.		Fujifilm X-T5	3690	n	3.0 / 1840	full-flex	Y	1/8000s	15.0/s	n	Y
10.		OM System OM-1	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
11.		Panasonic FZ80	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
12.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
13.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
14.		Panasonic ZS80	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
15.		Pentax K-3 III	optical	Y	3.2 / 1620	fixed	Y	1/8000s	12.0/s	n	Y
16.		Ricoh WG-6	none	n	3.0 / 1040	fixed	n	1/4000s	1.0/s	Y	n
17.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the X-H2, but is missing on the TS7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-H2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The X-H2 writes its imaging data to CFexpress (type B) or SDXC cards, while the TS7 uses SDXC cards. The X-H2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the TS7 only has one slot. The X-H2 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the TS7 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-H2 and Panasonic Lumix DC-TS7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-H2	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Panasonic TS7	-	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
4.		Fujifilm X-H1	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
5.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
6.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
8.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
9.		Fujifilm X-T5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
10.		OM System OM-1	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
11.		Panasonic FZ80	Y	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
13.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Panasonic ZS80	-	stereo / mono	-	-	micro	2.0	Y	-	Y
15.		Pentax K-3 III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
16.		Ricoh WG-6	-	mono / mono	-	-	micro	3.0	-	-	-
17.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the X-H2 has a hotshoe, while the TS7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Fujifilm X-H2 (unlike the TS7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The X-H2 is a recent model that features in the current product line-up of Fujifilm. In contrast, the TS7 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the TS7 from Panasonic. Further information on the features and operation of the X-H2 and TS7 can be found, respectively, in the Fujifilm X-H2 Manual (free pdf) or the online Panasonic TS7 Manual.

Review summary

So what is the bottom line? Is the Fujifilm X-H2 better than the Panasonic TS7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Fujifilm X-H2:

• More detail: Offers more megapixels (39.8 vs 20.2MP) with a 43% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (8k/30p vs 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 1170k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.8x vs 0.45x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1300s) to freeze action.
• Faster burst: Shoots at higher frequency (15 vs 10 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Longer lasting: Can take more shots (680 versus 300) on a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 4 years and 4 months of technical progress since the TS7 launch.

Arguments in favor of the Panasonic Lumix DC-TS7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Ready to shoot: Has an integrated lens, whereas the X-H2 necessitates an extra lens.
• More compact: Is smaller (117x76mm vs 136x93mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the X-H2).
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in May 2018).

If the count of relative strengths (bullet points above) is taken as a measure, the X-H2 is the clear winner of the match-up (31 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-H2 and the Panasonic TS7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-H2 and the TS7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-H2	5/5	+ +	5/5	89/100	5/5	5/5	Sep 2022	US$ 1 999	amazon.com
2.		Panasonic TS7	..	+	..	..	..	3.5/5	May 2018	US$ 449	ebay.com
3.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	US$ 399	ebay.com
4.		Fujifilm X-H1	..	+	5/5	86/100	4.5/5	4.5/5	Feb 2018	US$ 1 899	ebay.com
5.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	US$ 2 499	amazon.com
6.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	US$ 1 699	ebay.com
7.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	US$ 1 799	amazon.com
8.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	US$ 1 699	ebay.com
9.		Fujifilm X-T5	5/5	+ +	4.5/5	90/100	4.5/5	..	Nov 2022	US$ 1 699	amazon.com
10.		OM System OM-1	5/5	..	..	87/100	5/5	4.5/5	Feb 2022	US$ 2 199	ebay.com
11.		Panasonic FZ80	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	US$ 399	ebay.com
12.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	US$ 1 699	amazon.com
13.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
14.		Panasonic ZS80	..	+ +	..	..	4.5/5	..	Feb 2019	US$ 449	ebay.com
15.		Pentax K-3 III	4/5	..	3/5	..	4.5/5	..	Mar 2021	US$ 1 999	amazon.com
16.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	US$ 399	amazon.com
17.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	US$ 2 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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