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Fujifilm GFX 50S vs Sony A6300

The Fujifilm GFX 50S and the Sony Alpha A6300 are two digital cameras that were announced, respectively, in September 2016 and February 2016. Both the GFX 50S and the A6300 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S) and an APS-C (A6300) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S VS Sony A6300
Fujifilm GFX 50S Sony A6300
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Sony E mount lenses
51.1 MP, Medium Format Sensor 24 MP, APS-C Sensor
1080/30p Video 4K/30p Video
ISO 100-12800 (50-102400) ISO 100-25600 (100-51200)
Viewfinder optional Electronic viewfinder (2359k dots)
3.2" LCD, 2360k dots 3.0" LCD, 922k dots
Fully flexible touchscreen Tilting screen (not touch-sensitive)
3 shutter flaps per second 11 shutter flaps per second
Weathersealed bodyWeathersealed body
400 shots per battery charge400 shots per battery charge
148 x 94 x 91 mm, 740 g 120 x 67 x 49 mm, 404 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 50S and the Sony A6300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The A6300 can be obtained in two different colors (black, silver), while the GFX 50S is only available in black.

Size Fujifilm GFX 50S vs Sony A6300
Compare GFX 50S versus A6300 top
Comparison GFX 50S or A6300 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is considerably smaller (42 percent) than the Fujifilm GFX 50S. Moreover, the A6300 is substantially lighter (45 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The power pack in the A6300 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Camera
Model
 
Fujifilm GFX 50S» 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 iFujifilm GFX 50S
 
Sony A6300« 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999iSony A6300
 
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 iCanon 6D Mark II
 
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999iCanon 1D X Mark II
 
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 iCanon 5D Mark IV
 
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199iCanon 80D
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 iFujifilm GFX 50R
 
Hasselblad X1D II« » 5.8 in 3.8 in 2.8 in 27.0 oz .. Y Jun 2019 5,750 iHasselblad X1D II
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995iHasselblad X1D
 
Leica M10« » 5.5 in 3.1 in 1.5 in 23.3 oz 210 Y Jan 2017 6,595 iLeica M10
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450iLeica SL
 
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 iNikon D7500
 
Nikon D5500« » 4.9 in 3.8 in 2.8 in 14.8 oz 820 n Jan 2015 899iNikon D5500
 
Nikon D7200« » 5.4 in 4.2 in 3.0 in 27.0 oz 1110 Y Mar 2015 1,199iNikon D7200
 
Sony A6500« » 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399iSony A6500
 
Sony A6000« » 4.7 in 2.6 in 1.8 in 12.1 oz 360 n Feb 2014 599iSony A6000
 
Sony A3000« » 5.0 in 3.6 in 3.3 in 14.5 oz 470 n Aug 2013 329iSony A3000
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6300 was launched at a markedly lower price (by 85 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Sony A6300 an APS-C sensor. The sensor area in the A6300 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the A6300 offers a 3:2 aspect.

In terms of underlying technology, both cameras are build around CMOS sensors.

Fujifilm GFX 50S and Sony A6300 sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the A6300 (24MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.91μm for the A6300) due to its larger sensor. Moreover, the GFX 50S is a somewhat more recent model (by 7 months) than the A6300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Sony A6300 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.

The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

GFX 50S versus A6300 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........Fujifilm GFX 50S
 
Sony A6300 APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
 
Canon 6D Mark II Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
 
Canon 1D X Mark II Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
 
Canon 5D Mark IV Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
 
Canon 80D APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........Fujifilm GFX 50R
 
Hasselblad X1D II Medium Format 51.3 8272 6200none........Hasselblad X1D II
 
Hasselblad X1D Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica M10 Full Frame 23.8 5952 3992none24.413.2213386Leica M10
 
Leica SL Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
 
Nikon D7500 APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
 
Nikon D5500 APS-C 24.0 6000 40001080/60p24.114.0143884Nikon D5500
 
Nikon D7200 APS-C 24.0 6000 40001080/60p24.514.6133387Nikon D7200
 
Sony A6500 APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
 
Sony A6000 APS-C 24.0 6000 40001080/60p24.113.1134782Sony A6000
 
Sony A3000 APS-C 19.8 5456 36321080/60i23.712.8106878Sony A3000

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

 

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Sony A6300, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Sony A63002359 n 3.0 922 tilting n 1/4000s 11.0 Y n Sony A6300
 
Canon 6D Mark IIoptical Y 3.0 1040 swivel Y 1/4000s 6.5 n n Canon 6D Mark II
 
Canon 1D X Mark IIoptical Y 3.2 1620 fixed Y 1/8000s 16.0 n n Canon 1D X Mark II
 
Canon 5D Mark IVoptical Y 3.2 1620 fixed Y 1/8000s 7.0 n n Canon 5D Mark IV
 
Canon 80Doptical Y 3.0 1040 swivel Y 1/8000s 7.0 Y n Canon 80D
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Hasselblad X1D II3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n Hasselblad X1D II
 
Hasselblad X1D2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica M10optical n 3.0 1037 fixed n 1/4000s 5.0 n n Leica M10
 
Leica SL4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL
 
Nikon D7500optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n Nikon D7500
 
Nikon D5500optical n 3.2 1037 swivel Y 1/4000s 5.0 Y n Nikon D5500
 
Nikon D7200optical Y 3.2 1229 fixed n 1/8000s 6.0 Y n Nikon D7200
 
Sony A65002359 n 3.0 922 tilting Y 1/4000s 11.0 Y Y Sony A6500
 
Sony A60001440 n 3.0 922 tilting n 1/4000s 11.0 Y n Sony A6000
 
Sony A3000202 n 3.0 230 fixed n 1/4000s 2.5 Y n Sony A3000

One feature that is present on the GFX 50S, but is missing on the A6300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6300 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the A6300 can use UHS-I cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Sony A6300YstereomonoY-micro2.0YY-Sony A6300
 
Canon 6D Mark IIYstereomonoY-mini2.0YYYCanon 6D Mark II
 
Canon 1D X Mark IIYmonomonoYYmini3.0---Canon 1D X Mark II
 
Canon 5D Mark IVYmonomonoYYmini3.0YY-Canon 5D Mark IV
 
Canon 80DYstereomonoYYmini2.0YY-Canon 80D
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Hasselblad X1D IIYstereomonoYYnone3.0Y--Hasselblad X1D II
 
Hasselblad X1DYstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica M10Ynonenone--nonenoneY--Leica M10
 
Leica SLYstereomonoYYfull3.0Y--Leica SL
 
Nikon D7500YstereomonoYYmini2.0Y-YNikon D7500
 
Nikon D5500YstereomonoY-mini2.0Y--Nikon D5500
 
Nikon D7200YstereomonoYYmini2.0YY-Nikon D7200
 
Sony A6500YstereomonoY-micro2.0YY-Sony A6500
 
Sony A6000Ystereomono--micro2.0YY-Sony A6000
 
Sony A3000Ystereomono--mini2.0---Sony A3000

It is notable that the GFX 50S has a headphone jack, which is not present on the A6300 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the A6300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the A6300 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 50S and the Sony A6300? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

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Reasons to prefer the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 24MP) with a 43% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Is somewhat more recent (announced 7 months after the A6300).

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Arguments in favor of the Sony Alpha A6300:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 148x94mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 336g or 45 percent) and is thus easier to take along.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in February 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the match-up (18 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S 18:11 A6300

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 50S or the A6300 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cam
era
  labs  
dp
re
  view  
e
photo
  zine  
ima
ging
resource
photo
graphy
  blog  
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Camera
Model
 
Fujifilm GFX 50S..85/1005/55/54.5/5 Sep 2016 6,499 iFujifilm GFX 50S
 
Sony A6300+85/1005/55/55/5 Feb 2016 999iSony A6300
 
Canon 6D Mark II+80/1004.5/54/54/5 Jun 2017 1,999 iCanon 6D Mark II
 
Canon 1D X Mark II..89/1004.5/55/54.5/5 Feb 2016 5,999iCanon 1D X Mark II
 
Canon 5D Mark IV+ +87/1004.5/55/54.5/5 Aug 2016 3,499 iCanon 5D Mark IV
 
Canon 80D+ +84/1004.5/54.5/54.5/5 Feb 2016 1,199iCanon 80D
 
Fujifilm GFX 50R..84/1004.5/54.5/54.5/5 Sep 2018 4,499 iFujifilm GFX 50R
 
Hasselblad X1D II....4/5.... Jun 2019 5,750 iHasselblad X1D II
 
Hasselblad X1Do81/100....4/5 Jun 2016 8,995iHasselblad X1D
 
Leica M10....4/5..4.5/5 Jan 2017 6,595 iLeica M10
 
Leica SL..84/1004.5/54/54/5 Oct 2015 7,450iLeica SL
 
Nikon D7500+ +86/1005/54.5/54.5/5 Apr 2017 1,299 iNikon D7500
 
Nikon D5500+79/1004.5/55/54.5/5 Jan 2015 899iNikon D5500
 
Nikon D7200+ +84/1004.5/54/54.5/5 Mar 2015 1,199iNikon D7200
 
Sony A6500+ +85/1004.5/55/54.5/5 Oct 2016 1,399iSony A6500
 
Sony A6000+80/1004.5/55/55/5 Feb 2014 599iSony A6000
 
Sony A3000+..4/54.5/54/5 Aug 2013 329iSony A3000
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Fujifilm GFX 50S:
Check Amazon price
Sony A6300:
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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Fujifilm GFX 50S vs Sony A6300

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S Sony A6300
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Sony E mount lenses
    Launch Date September 2016 February 2016
    Launch Price USD 6499 USD 999
    Sensor Specs Fujifilm GFX 50S Sony A6300
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor APS-C Sensor
    Sensor Size 44.0 x 33.0 mm 23.5 x 15.6 mm
    Sensor Area 1452 mm2 366.6 mm2
    Sensor Diagonal 55 mm 28.2 mm
    Crop Factor 0.79x 1.5x
    Sensor Resolution 51.1 Megapixels 24 Megapixels
    Image Resolution 8256 x 6192 pixels 6000 x 4000 pixels
    Pixel Pitch 5.33 μm 3.91 μm
    Pixel Density 3.52 MP/cm2 6.55 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/30p Video 4K/30p Video
    ISO Setting 100-12800 ISO 100-25600 ISO
    ISO Boost 50-102400 ISO 100-51200 ISO
    Image Processor X Processor Pro BIONZ X
    DXO Sensor Quality (score) .. 85
    DXO Color Depth (bits) .. 24.4
    DXO Dynamic Range (EV) .. 13.7
    DXO Low Light (ISO) .. 1437
    Screen Specs Fujifilm GFX 50S Sony A6300
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.70x
    Viewfinder Resolution 2359k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2 inch 3.0 inch
    LCD Resolution 2360k dots 922k dots
    LCD Attachment Fully flexible screen Tilting screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Fujifilm GFX 50S Sony A6300
    Focus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 3 shutter flaps/s 11 shutter flaps/s
    Electronic Shutterup to 1/16000sYES
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 50S Sony A6300
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Fujifilm GFX 50S Sony A6300
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-T125 NP-FW50
    Battery Life (CIPA)400 shots per charge400 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    120 x 67 x 49 mm
    (4.7 x 2.6 x 1.9 in)
    Camera Weight 740 g (26.1 oz) 404 g (14.3 oz)

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