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Fujifilm GFX 50S versus Panasonic ZS100

The Fujifilm GFX 50S and the Panasonic Lumix DMC-ZS100 (labelled Panasonic TZ100 in some countries) are two digital cameras that were announced, respectively, in September 2016 and January 2016. The GFX 50S is a mirrorless interchangeable lens camera, while the ZS100 is a fixed lens compact. The cameras are based on a medium format (GFX 50S) and an one-inch (ZS100) sensor. The Fujifilm has a resolution of 51.1 megapixel, whereas the Panasonic provides 20 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Fujifilm GFX 50S vs Panasonic ZS100

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S and the Panasonic ZS100. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the GFX 50S – represents 100 percent across all the size and weight measures).

Compare Fujifilm GFX 50S vs Panasonic ZS100
Compare GFX 50S versus ZS100 top
Compare GFX 50S and ZS100 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS100 is considerably smaller (48 percent) than the Fujifilm GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the ZS100 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS100 has a lens build in, whereas the GFX 50S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the ZS100 can take 300 images on a single charge of its DMW-BLG10 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Fujifilm GFX 50S» 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
Panasonic ZS100« 4.4 in 2.6 in 1.7 in 11.0 oz 300 n Jan 2016 699- i Panasonic ZS100
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
Fujifilm X-Pro2« » 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995 i i Hasselblad X1D
Leica M10« » 5.5 in 3.1 in 1.5 in 23.3 oz 210 n Jan 2017 6,595 i i Leica M10
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
Panasonic ZS200« » 4.4 in 2.6 in 1.8 in 12.0 oz 370 n Feb 2018 799 i i Panasonic ZS200
Panasonic LX10« » 4.2 in 2.4 in 1.7 in 10.9 oz 260 n Sep 2016 699 i i Panasonic LX10
Sony RX100 IV« » 4.0 in 2.3 in 1.6 in 10.5 oz 280 n Jun 2015 999- i Sony RX100 IV
Sony RX100 III« » 4.0 in 2.3 in 1.6 in 10.2 oz 320 n May 2014 799- i Sony RX100 III
Sony RX100 II« » 4.0 in 2.3 in 1.5 in 9.9 oz 350 n Jun 2013 749- i Sony RX100 II

The camera’s price is obviously a critical decision-making factor. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The ZS100 was launched at a lower price than the GFX 50S, despite having a lens build in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Fujifilm GFX 50S vs Panasonic ZS100

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Panasonic ZS100 an one-inch sensor. The sensor area in the ZS100 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.7. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the ZS100 offers a 3:2 aspect.

Fujifilm GFX 50S and Panasonic ZS100 sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the ZS100 (20MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 2.41μm for the ZS100) due to its larger sensor. Moreover, the GFX 50S is a somewhat more recent model (by 8 months) than the ZS100, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

GFX 50S versus ZS100 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Fujifilm GFX 50S» Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
Panasonic ZS100« 1-inch 20.0 5472 36484K/30p22.812.555970Panasonic ZS100
Canon 6D Mark II« » Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
Fujifilm X-Pro2« » APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
Leica M10« » Full Frame 23.8 5952 3992-24.413.2213386Leica M10
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
Panasonic ZS200« » 1-inch 20.0 5472 36484K/30p----Panasonic ZS200
Panasonic LX10« » 1-inch 20.0 5472 36484K/30p----Panasonic LX10
Sony RX100 IV« » 1-inch 20.0 5472 36484K/30p22.812.659170Sony RX100 IV
Sony RX100 III« » 1-inch 20.0 5472 36481080/60p22.412.349567Sony RX100 III
Sony RX100 II« » 1-inch 20.0 5472 36481080/60p22.512.448367Sony RX100 II

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the ZS100 provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

 

Feature comparison: Fujifilm GFX 50S vs Panasonic ZS100

Apart from body and sensor, cameras can and do differ across a range of features. For example, the ZS100 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Panasonic ZS100, and comparable cameras. The full specs-sheets can be found in the camera manual or in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Fujifilm GFX 50S»- Y 3.2 2360 full-flex Y 4000 3.0 n n Fujifilm GFX 50S
Panasonic ZS100«1166 n 3.0 1040 fixed Y 2000 10.0 Y Y Panasonic ZS100
Canon 6D Mark II« »optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 8000 16.0 n n Canon 1D X Mark II
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 4000 3.0 n n Fujifilm GFX 50R
Fujifilm X-Pro2« »2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Hasselblad X1D« »2360 n 3.0 920 fixed Y 2000 2.3 n n Hasselblad X1D
Leica M10« »optical n 3.0 1037 fixed n 4000 5.0 n n Leica M10
Leica SL« »4400 Y 3.0 1040 fixed Y 8000 11.0 n n Leica SL
Nikon D7500« »optical Y 3.2 922 tilting Y 8000 8.0 Y n Nikon D7500
Panasonic ZS200« »2330 n 3.0 1240 fixed Y 2000 10.0 Y Y Panasonic ZS200
Panasonic LX10« »- n 3.0 1040 tilting Y 4000 10.0 Y Y Panasonic LX10
Sony RX100 IV« »2359 n 3.0 1228 tilting n 2000 16.0 Y Y Sony RX100 IV
Sony RX100 III« »1440 n 3.0 1229 tilting n 2000 10.0 Y Y Sony RX100 III
Sony RX100 II« »- n 3.0 1229 tilting n 2000 10.0 Y Y Sony RX100 II

One feature that is present on the GFX 50S, but is missing on the ZS100 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

Both the GFX 50S and the ZS100 write their imaging data to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZS100 only has one slot.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Fujifilm GFX 50S»YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
Panasonic ZS100«-stereomono--micro2.0Y--Panasonic ZS100
Canon 6D Mark II« »YstereomonoY-mini2.0YYYCanon 6D Mark II
Canon 1D X Mark II« »YmonomonoYYmini3.0---Canon 1D X Mark II
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
Fujifilm X-Pro2« »YstereomonoY-micro2.0Y--Fujifilm X-Pro2
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
Leica M10« »Y------Y--Leica M10
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
Nikon D7500« »YstereomonoYYmini2.0Y-YNikon D7500
Panasonic ZS200« »-stereomono--micro2.0Y--Panasonic ZS200
Panasonic LX10« »-stereomono--micro2.0Y--Panasonic LX10
Sony RX100 IV« »-stereomono--micro2.0YY-Sony RX100 IV
Sony RX100 III« »-stereomono--micro2.0YY-Sony RX100 III
Sony RX100 II« »Ystereomono--micro2.0YY-Sony RX100 II

The GFX 50S is a current model that online retailers, such as amazon, will have in stock. In contrast, the ZS100 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the ZS100 was succeeded by the Panasonic ZS200.

Review summary: Fujifilm GFX 50S vs Panasonic ZS100

So how do things add up? Is the Fujifilm GFX 50S better than the Panasonic ZS100 or vice versa? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 20MP) with a 57% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
  • More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
  • Longer lasting: Can take more shots (400 versus 300) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More modern: Is somewhat more recent (announced 8 months after the ZS100).

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Reasons to prefer the Panasonic Lumix DMC-ZS100:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
  • Ready to shoot: Has an integrated lens, whereas the GFX 50S necessitates an extra lens.
  • More compact: Is smaller (111x65mm vs 148x94mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight even though it has a lens build in (unlike the GFX 50S).
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced at a lower price, despite coming with a build-in lens.
  • More heavily discounted: Has been on the market for longer (launched in January 2016).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (17 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

GFX 50S 17:11 ZS100

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the GFX 50S and the ZS100 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Fujifilm GFX 50S»-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
Panasonic ZS100«HiRec82/1004.5/54/54.5/5 Jan 2016 699- i Panasonic ZS100
Canon 6D Mark II« »Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Fujifilm GFX 50R« »----- Sep 2018 4,499 i i Fujifilm GFX 50R
Fujifilm X-Pro2« »Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Hasselblad X1D« »rev81/100--4/5 Jun 2016 8,995 i i Hasselblad X1D
Leica M10« »--4/5-4.5/5 Jan 2017 6,595 i i Leica M10
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
Nikon D7500« »HiRec86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
Panasonic ZS200« »HiRec81/1004.5/5-4.5/5 Feb 2018 799 i i Panasonic ZS200
Panasonic LX10« »HiRec81/1004/54.5/54.5/5 Sep 2016 699 i i Panasonic LX10
Sony RX100 IV« »HiRec85/1004/54.5/54.5/5 Jun 2015 999- i Sony RX100 IV
Sony RX100 III« »HiRec82/1004.5/54.5/55/5 May 2014 799- i Sony RX100 III
Sony RX100 II« »HiRec79/1004.5/55/54.5/5 Jun 2013 749- i Sony RX100 II

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please send me an email, and I will try to add information on that model to the database.

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