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Fujifilm GFX 50S vs Nikon Z6 II

The Fujifilm GFX 50S and the Nikon Z6 II are two digital cameras that were officially introduced, respectively, in September 2016 and October 2020. Both the GFX 50S and the Z6 II are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S) and a full frame (Z6 II) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 24.3 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S versus Nikon Z6 II
Fujifilm GFX 50S Nikon Z6 II
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Nikon Z mount lenses
51.1 MP, Medium Format Sensor 24.3 MP, Full Frame Sensor
1080/30p Video 4K/60p Video
ISO 100-12,800 (50 - 102,400) ISO 100-51,200 (50 - 204,800)
Viewfinder optional Electronic viewfinder (3690k dots)
3.2 LCD, 2360k dots 3.2 LCD, 2100k dots
Fully flexible touchscreen Tilting touchscreen
3 shutter flaps per second 14 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Weathersealed bodyWeathersealed body
400 shots per battery charge410 shots per battery charge
148 x 94 x 91 mm, 740 g 134 x 101 x 70 mm, 705 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Nikon Z6 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S and the Nikon Z6 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

Size Fujifilm GFX 50S vs Nikon Z6 II
Compare GFX 50S versus Z6 II top
Comparison GFX 50S or Z6 II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z6 II is somewhat smaller (3 percent) than the Fujifilm GFX 50S. Moreover, the Z6 II is markedly lighter (5 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the Z6 II can take 410 images on a single charge of its EN-EL15c power pack. The power pack in the Z6 II can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499 i
2.
 
Nikon Z6 II 134 mm 101 mm 70 mm 705 g 410 Y Oct 2020 1,999 i
3.
 
Canon 6D Mark II 144 mm 111 mm 75 mm 765 g 1200 Y Jun 2017 1,999 i
4.
 
Canon 5D Mark IV 151 mm 116 mm 76 mm 890 g 900 Y Aug 2016 3,499 i
5.
 
Canon 80D 139 mm 105 mm 79 mm 730 g 960 Y Feb 2016 1,199i
6.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 i
7.
 
Fujifilm X-T4 135 mm 93 mm 64 mm 607 g 500 Y Feb 2020 1,699 i
8.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i
9.
 
Hasselblad X1D II 148 mm 97 mm 70 mm 766 g .. Y Jun 2019 5,750 i
10.
 
Hasselblad X1D 150 mm 98 mm 71 mm 725 g .. Y Jun 2016 8,995i
11.
 
Leica M10 139 mm 80 mm 39 mm 660 g 210 Y Jan 2017 6,595 i
12.
 
Leica SL 147 mm 104 mm 39 mm 847 g 400 Y Oct 2015 7,450i
13.
 
Nikon D780 144 mm 116 mm 76 mm 840 g 2260 Y Jan 2020 2,299 i
14.
 
Nikon Z5 134 mm 101 mm 67 mm 675 g 470 Y Jul 2020 1,399 i
15.
 
Nikon Z6 134 mm 101 mm 67 mm 675 g 310 Y Aug 2018 1,999i
16.
 
Nikon D7500 136 mm 104 mm 73 mm 720 g 950 Y Apr 2017 1,299 i
17.
 
Olympus E-M1 III 134 mm 91 mm 69 mm 580 g 420 Y Feb 2020 1,799 i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Z6 II was launched at a markedly lower price (by 69 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

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Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Nikon Z6 II a full frame sensor. The sensor area in the Z6 II is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the Z6 II offers a 3:2 aspect.

Fujifilm GFX 50S and Nikon Z6 II sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the Z6 II (24.3MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 5.94μm for the Z6 II). Moreover, the Z6 II is a much more recent model (by 4 years) than the GFX 50S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Nikon Z6 II are 30.2 x 20.1 inches or 76.8 x 51.1 cm for good quality, 24.2 x 16.1 inches or 61.4 x 40.9 cm for very good quality, and 20.2 x 13.4 inches or 51.2 x 34.1 cm for excellent quality prints.

The Z6 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Z6 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

GFX 50S versus Z6 II MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
2.
 
Nikon Z6 II Full Frame 24.3 6048 40244K/60p........
3.
 
Canon 6D Mark II Full Frame 26.0 6240 41601080/60p24.411.9286285
4.
 
Canon 5D Mark IV Full Frame 30.1 6720 44804K/30p24.813.6299591
5.
 
Canon 80D APS-C 24.0 6000 40001080/60p23.613.2113579
6.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p........
7.
 
Fujifilm X-T4 APS-C 26.0 6240 41604K/60p........
8.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
9.
 
Hasselblad X1D II Medium Format 51.3 8272 6200none........
10.
 
Hasselblad X1D Medium Format 51.3 8272 62001080/25p26.214.84489102
11.
 
Leica M10 Full Frame 23.8 5952 3992none24.413.2213386
12.
 
Leica SL Full Frame 24.0 6000 40004K/30p25.013.4182188
13.
 
Nikon D780 Full Frame 24.3 6048 40244K/30p........
14.
 
Nikon Z5 Full Frame 24.2 6016 40164K/30p........
15.
 
Nikon Z6 Full Frame 24.3 6048 40244K/30p25.314.3329995
16.
 
Nikon D7500 APS-C 20.7 5568 37124K/30p24.314.0148386
17.
 
Olympus E-M1 III Four Thirds 20.2 5184 38884K/30p........

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z6 II provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 1080/30p.

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Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the Z6 II has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Fujifilm GFX 50S and Nikon Z6 II along with similar information for a selection of comparators.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n
2.
 
Nikon Z6 II3690 Y 3.2 2100 tilting Y 1/8000s 14.0 n Y
3.
 
Canon 6D Mark IIoptical Y 3.0 1040 swivel Y 1/4000s 6.5 n n
4.
 
Canon 5D Mark IVoptical Y 3.2 1620 fixed Y 1/8000s 7.0 n n
5.
 
Canon 80Doptical Y 3.0 1040 swivel Y 1/8000s 7.0 Y n
6.
 
Fujifilm GFX 100S3690 Y 3.2 2360 full-flex Y 1/4000s 5.0 n Y
7.
 
Fujifilm X-T43690 n 3.0 1620 swivel Y 1/8000s 15.0 n Y
8.
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n
9.
 
Hasselblad X1D II3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n
10.
 
Hasselblad X1D2360 n 3.0 920 fixed Y 1/2000s 2.3 n n
11.
 
Leica M10optical n 3.0 1037 fixed n 1/4000s 5.0 n n
12.
 
Leica SL4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n
13.
 
Nikon D780optical Y 3.2 2359 tilting Y 1/8000s 12.0 n n
14.
 
Nikon Z53690 n 3.2 1040 tilting Y 1/8000s 4.5 n Y
15.
 
Nikon Z63690 Y 3.2 2100 tilting Y 1/8000s 12.0 n Y
16.
 
Nikon D7500optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n
17.
 
Olympus E-M1 III2360 n 3.0 1037 swivel Y 1/8000s 18.0 n Y

One feature that differentiates the Z6 II and the GFX 50S is in-body image stabilization (IBIS). The Z6 II reduces the risk of handshake-induced blur with all attached lenses, while the GFX 50S offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S and the Nikon Z6 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S writes its imaging data to SDXC cards, while the Z6 II uses CFexpress or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Nikon Z6 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--
2.
 
Nikon Z6 IIYstereomonoYYmicro3.2Y-Y
3.
 
Canon 6D Mark IIYstereomonoY-mini2.0YYY
4.
 
Canon 5D Mark IVYmonomonoYYmini3.0YY-
5.
 
Canon 80DYstereomonoYYmini2.0YY-
6.
 
Fujifilm GFX 100SYstereomonoYYmicro3.2Y-Y
7.
 
Fujifilm X-T4YstereomonoY-micro3.1Y-Y
8.
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-Y
9.
 
Hasselblad X1D IIYstereomonoYY-3.0Y--
10.
 
Hasselblad X1DYstereomonoYYmini3.0Y--
11.
 
Leica M10Y------Y--
12.
 
Leica SLYstereomonoYYfull3.0Y--
13.
 
Nikon D780YstereomonoYYmini3.1Y-Y
14.
 
Nikon Z5YstereomonoYYmicro3.2Y-Y
15.
 
Nikon Z6YstereomonoYYmicro3.1Y-Y
16.
 
Nikon D7500YstereomonoYYmini2.0Y-Y
17.
 
Olympus E-M1 IIIYstereomonoYYmicro3.1Y-Y

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the Z6 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 50S and the Z6 II are recent models that are part of the current product line-up. The Z6 II replaced the earlier Nikon Z6, while the GFX 50S does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.

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Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 50S and the Nikon Z6 II? Which camera is better? The listing below highlights the relative strengths of the two models.

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Advantages of the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 24.3MP) with a 42% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 2100k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • More heavily discounted: Has been available for much longer (launched in September 2016).

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Arguments in favor of the Nikon Z6 II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
  • More modern: Reflects 4 years of technical progress since the GFX 50S launch.

If the number of relative strengths (bullet points above) is taken as a guide, the Z6 II is the clear winner of the contest (11 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S 06:11 Z6 II

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Nikon Z6 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50S or the Z6 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50S....85/1005/54.5/5 Sep 2016 6,499 i
2.
 
Nikon Z6 II4.5/5..89/1004.5/54.5/5 Oct 2020 1,999 i
3.
 
Canon 6D Mark II4/5+80/1004.5/54/5 Jun 2017 1,999 i
4.
 
Canon 5D Mark IV4.5/5+ +87/1004.5/54.5/5 Aug 2016 3,499 i
5.
 
Canon 80D4/5+ +84/1004.5/54.5/5 Feb 2016 1,199i
6.
 
Fujifilm GFX 100S........5/5 Jan 2021 5,999 i
7.
 
Fujifilm X-T45/5+ +..5/55/5 Feb 2020 1,699 i
8.
 
Fujifilm GFX 50R5/5..84/1004.5/54.5/5 Sep 2018 4,499 i
9.
 
Hasselblad X1D II......4/54/5 Jun 2019 5,750 i
10.
 
Hasselblad X1D..o81/100..4/5 Jun 2016 8,995i
11.
 
Leica M104.5/5....4/54.5/5 Jan 2017 6,595 i
12.
 
Leica SL4/5..84/1004.5/54/5 Oct 2015 7,450i
13.
 
Nikon D7805/5..87/1004.5/54.5/5 Jan 2020 2,299 i
14.
 
Nikon Z54/5..89/1004.5/54/5 Jul 2020 1,399 i
15.
 
Nikon Z65/5....4.5/55/5 Aug 2018 1,999i
16.
 
Nikon D75004.5/5+ +86/1005/54.5/5 Apr 2017 1,299 i
17.
 
Olympus E-M1 III5/5..83/1004.5/54/5 Feb 2020 1,799 i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Fujifilm GFX 50S:
Check Amazon price
Nikon Z6 II:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Fujifilm GFX 50S vs Nikon Z6 II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S Nikon Z6 II
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Nikon Z mount lenses
    Launch Date September 2016 October 2020
    Launch Price USD 6,499 USD 1,999
    Sensor Specs Fujifilm GFX 50S Nikon Z6 II
    Sensor Technology CMOS BSI-CMOS
    Sensor Format Medium Format Sensor Full Frame Sensor
    Sensor Size 44.0 x 33.0 mm 35.9 x 23.9 mm
    Sensor Area 1452 mm2 858.01 mm2
    Sensor Diagonal 55 mm 43.1 mm
    Crop Factor 0.79x 1.0x
    Sensor Resolution 51.1 Megapixels 24.3 Megapixels
    Image Resolution 8256 x 6192 pixels 6048 x 4024 pixels
    Pixel Pitch 5.33 μm 5.94 μm
    Pixel Density 3.52 MP/cm2 2.84 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/30p Video 4K/60p Video
    ISO Setting 100 - 12,800 ISO 100 - 51,200 ISO
    ISO Boost 50 - 102,400 ISO 50 - 204,800 ISO
    Image Processor X Processor Pro DUAL EXPEED 6
    Screen Specs Fujifilm GFX 50S Nikon Z6 II
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.80x
    Viewfinder Resolution 3690k dots
    Top-Level Screen Control Panel Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.2inch
    LCD Resolution 2360k dots 2100k dots
    LCD Attachment Fully flexible screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 50S Nikon Z6 II
    Focus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/8000s
    Continuous Shooting 3 shutter flaps/s 14 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/8000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards CFexpress or SDXC cards
    Second Storage Option Dual card slots Dual card slots
    UHS card support Dual UHS-II UHS-II
    Connectivity Specs Fujifilm GFX 50S Nikon Z6 II
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.0 USB 3.2
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support no Bluetooth Bluetooth built-in
    Body Specs Fujifilm GFX 50S Nikon Z6 II
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-T125 EN-EL15c
    Battery Life (CIPA)400 shots per charge410 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    134 x 101 x 70 mm
    (5.3 x 4.0 x 2.8 in)
    Camera Weight 740 g (26.1 oz) 705 g (24.9 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

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