Fujifilm GFX 50S vs Nikon D5
The Fujifilm GFX 50S and the Nikon D5 are two professional cameras that were officially introduced, respectively, in September 2016 and January 2016. The GFX 50S is a mirrorless interchangeable lens camera, while the D5 is a DSLR. The cameras are based on a medium format (GFX 50S) and a full frame (D5) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Nikon D5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S and the Nikon D5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5 is considerably larger (83 percent) than the Fujifilm GFX 50S. Moreover, the D5 is substantially heavier (91 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the D5 can take 3780 images on a single charge of its EN-EL18a power pack. As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the GFX 50S, Fujifilm provides the VG-GFX1 vertical grip as an optional accessory (see here on eBay).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|2.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|3.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|4.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|6.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|7.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999|
|8.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|9.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|10.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995|
|11.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|12.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|13.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|14.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|15.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|16.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|17.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Nikon D5 a full frame sensor. The sensor area in the D5 is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the D5 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 51.1MP, the GFX 50S offers a higher resolution than the D5 (20.7MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 6.44μm for the D5). However, the GFX 50S is a somewhat more recent model (by 8 months) than the D5, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Nikon D5 are 27.9 x 18.6 inches or 71 x 47.1 cm for good quality, 22.4 x 14.8 inches or 56.8 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.3 x 31.4 cm for excellent quality prints.
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D5 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-3280000.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|2.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|3.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|4.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|6.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|7.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|8.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|9.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|10.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|11.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|12.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|13.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||..||..||..||..|
|15.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|16.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|17.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D5 provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D5 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Nikon D5, and comparable cameras.
|1.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||n|
|2.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0||n||n|
|3.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|4.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|6.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|7.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||Y|
|8.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0||n||n|
|9.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7||n||n|
|10.||Hasselblad X1D||2360||n||3.0 / 920||fixed||Y||1/2000s||2.3||n||n|
|11.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|12.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0||n||n|
|13.||Nikon D6||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0||n||n|
|14.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|15.||Nikon D4S||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0||n||n|
|16.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0||Y||n|
|17.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S and the Nikon D5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50S writes its imaging data to SDXC cards, while the D5 uses Compact Flash or XQD cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Nikon D5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|2.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|3.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|8.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|9.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|10.||Hasselblad X1D||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|11.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|12.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|13.||Nikon D6||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|14.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|15.||Nikon D4S||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|16.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|17.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
It is notable that the GFX 50S offers wifi support, while the D5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the GFX 50S and the D5 have been discontinued, but can regularly be found used on eBay. The D5 was replaced by the Nikon D6, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 50S and the Nikon D5? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 20.7MP) with a 54% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (148x94mm vs 160x159mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 675g or 48 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Is somewhat more recent (announced 8 months after the D5).
Reasons to prefer the Nikon D5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (3780 versus 400) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the match-up (13 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Nikon D5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50S and the D5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|2.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|3.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|4.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|6.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|7.||Fujifilm GFX 50S II||..||..||..||87/100||..||..||Sep 2021||3,999|
|8.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|9.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750|
|10.||Hasselblad X1D||..||o||..||81/100||..||4/5||Jun 2016||8,995|
|11.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|12.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|13.||Nikon D6||..||..||4/5||..||4.5/5||4.5/5||Feb 2020||6,499|
|14.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|15.||Nikon D4S||5/5||..||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|16.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|17.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 40D vs Fujifilm GFX 50S
- Canon 5D Mark IV vs Fujifilm GFX 50S
- Canon R5 vs Fujifilm GFX 50S
- Fujifilm GFX 50S vs Fujifilm X-S10
- Fujifilm GFX 50S vs Fujifilm X-T20
- Fujifilm GFX 50S vs Nikon Df
- Fujifilm X-A3 vs Nikon D5
- Nikon D5 vs Nikon D6
- Nikon D5 vs Olympus XZ-2
- Nikon D5 vs Panasonic FZ2000
- Nikon D5 vs Panasonic G80
- Nikon D5 vs Panasonic GH4
Specifications: Fujifilm GFX 50S vs Nikon D5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50S||Nikon D5|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm G mount lenses||Nikon F mount lenses|
|Launch Date||September 2016||January 2016|
|Launch Price||USD 6,499||USD 6,499|
|Sensor Specs||Fujifilm GFX 50S||Nikon D5|
|Sensor Format||Medium Format Sensor||Full Frame Sensor|
|Sensor Size||44.0 x 33.0 mm||35.9 x 23.9 mm|
|Sensor Area||1452 mm2||858.01 mm2|
|Sensor Diagonal||55 mm||43.1 mm|
|Sensor Resolution||51.1 Megapixels||20.7 Megapixels|
|Image Resolution||8256 x 6192 pixels||5588 x 3712 pixels|
|Pixel Pitch||5.33 μm||6.44 μm|
|Pixel Density||3.52 MP/cm2||2.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 102,400 ISO|
|ISO Boost||50 - 102,400 ISO||50 - 3,280,000 ISO|
|Image Processor||X Processor Pro||EXPEED 5|
|DXO Sensor Quality (score)||..||88|
|DXO Color Depth (bits)||..||25.1|
|DXO Dynamic Range (EV)||..||12.3|
|DXO Low Light (ISO)||..||2343|
|Screen Specs||Fujifilm GFX 50S||Nikon D5|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||2360k dots||2359k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Shooting Specs||Fujifilm GFX 50S||Nikon D5|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||3 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or XQD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Fujifilm GFX 50S||Nikon D5|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm GFX 50S||Nikon D5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||3780 shots per charge|
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
160 x 159 x 92 mm
(6.3 x 6.3 x 3.6 in)
|Camera Weight||740 g (26.1 oz)||1415 g (49.9 oz)|
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