Fujifilm GFX 50S II vs Leica S-E Typ 006
The Fujifilm GFX 50S II and the Leica S-E (Typ 006) are two professional cameras that were officially introduced, respectively, in September 2021 and September 2014. The GFX 50S II is a mirrorless interchangeable lens camera, while the S-E Typ 006 is a DSLR. Both cameras are equipped with a medium format sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Leica provides 37.5 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S II and the Leica S-E (Typ 006)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S II and the Leica S-E Typ 006. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica S-E Typ 006 is notably larger (23 percent) than the Fujifilm GFX 50S II. Moreover, the S-E Typ 006 is substantially heavier (40 percent) than the GFX 50S II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 50S II gets 440 shots out of its Fujifilm NP-W235 battery, while the S-E Typ 006 can take .. images on a single charge of its Leica BP-PRO1 power pack. The power pack in the GFX 50S II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
2. | Leica S-E Typ 006 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2014 | 16,900 | ebay.com | |
3. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | 4,499 | amazon.com | |
4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
5. | Fujifilm GFX 100 II | 152 mm | 117 mm | 99 mm | 1030 g | 540 | Y | Sep 2023 | 7,499 | amazon.com | |
6. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | 5,999 | amazon.com | |
7. | Fujifilm GFX 100 | 156 mm | 144 mm | 75 mm | 1320 g | 800 | Y | May 2019 | 9,999 | ebay.com | |
8. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
9. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
10. | Hasselblad X2D 100C | 149 mm | 106 mm | 75 mm | 895 g | 420 | Y | Sep 2022 | 8,199 | amazon.com | |
11. | Leica S3 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2018 | 18,995 | ebay.com | |
12. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
13. | Leica S Typ 007 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2014 | 24,490 | ebay.com | |
14. | Leica S Typ 006 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2012 | 21,950 | ebay.com | |
15. | Leica S2 | 160 mm | 120 mm | 80 mm | 1410 g | .. | Y | Sep 2008 | 22,995 | ebay.com | |
16. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | 3,699 | amazon.com | |
17. | Sony A1 | 129 mm | 97 mm | 81 mm | 737 g | 530 | Y | Jan 2021 | 6,499 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GFX 50S II was launched at a markedly lower price (by 76 percent) than the S-E Typ 006, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a medium format sensor, but their sensors differ slightly in size. The sensor area in the S-E Typ 006 is 7 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 0.79 (GFX 50S II) and 0.8. The sensor in the GFX 50S II has a native 4:3 aspect ratio, while the one in the S-E Typ 006 offers a 3:2 aspect.
With 51.1MP, the GFX 50S II offers a higher resolution than the S-E Typ 006 (37.5MP), but the GFX 50S II has smaller individual pixels (pixel pitch of 5.33μm versus 6.00μm for the S-E Typ 006). However, the GFX 50S II is a much more recent model (by 6 years and 11 months) than the S-E Typ 006, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Leica S-E Typ 006 are 37.5 x 25 inches or 95.3 x 63.5 cm for good quality, 30 x 20 inches or 76.2 x 50.8 cm for very good quality, and 25 x 16.7 inches or 63.5 x 42.3 cm for excellent quality prints.
Unlike the S-E Typ 006, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm GFX 50S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica S-E (Typ 006) are ISO 100 to ISO 1600 (no boost).
In terms of underlying technology, the GFX 50S II is build around a CMOS sensor, while the S-E Typ 006 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
2. | Leica S-E Typ 006 | Medium Format | 37.5 | 7500 | 5000 | none | 25.1 | 13.7 | 2763 | 93 | |
3. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
5. | Fujifilm GFX 100 II | Medium Format | 101.8 | 11648 | 8736 | 8K/30p | 25.9 | 15.0 | 3651 | 101 | |
6. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
7. | Fujifilm GFX 100 | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.7 | 14.5 | 3227 | 99 | |
8. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
9. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
10. | Hasselblad X2D 100C | Medium Format | 102.1 | 11656 | 8762 | none | 25.9 | 14.9 | 3550 | 101 | |
11. | Leica S3 | Medium Format | 64.0 | 9800 | 6533 | 4K/24p | 25.6 | 14.4 | 3143 | 98 | |
12. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
13. | Leica S Typ 007 | Medium Format | 37.5 | 7500 | 5000 | 4K/24p | 25.1 | 13.7 | 2763 | 93 | |
14. | Leica S Typ 006 | Medium Format | 37.5 | 7500 | 5000 | none | 23.9 | 12.2 | 824 | 76 | |
15. | Leica S2 | Medium Format | 37.5 | 7500 | 5000 | none | 23.9 | 12.5 | 2224 | 82 | |
16. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
17. | Sony A1 | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.9 | 14.5 | 3163 | 98 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The GFX 50S II indeed provides movie recording capabilities, while the S-E Typ 006 does not. The highest resolution format that the GFX 50S II can use is 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50S II has an electronic viewfinder (3690k dots), while the S-E Typ 006 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 50S II offers a wider field of view (100%) than the one in the S-E Typ 006 (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S-E Typ 006 has a higher magnification (0.87x vs 0.77x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S II, the Leica S-E Typ 006, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
2. | Leica S-E Typ 006 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 1.5/s | n | n | |
3. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
5. | Fujifilm GFX 100 II | 9440 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 8.0/s | n | Y | |
6. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
7. | Fujifilm GFX 100 | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
8. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
9. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
10. | Hasselblad X2D 100C | 5760 | Y | 3.6 / 2360 | tilting | Y | 1/4000s | 3.3/s | n | Y | |
11. | Leica S3 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 3.0/s | n | n | |
12. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
13. | Leica S Typ 007 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 3.5/s | n | n | |
14. | Leica S Typ 006 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 1.5/s | n | n | |
15. | Leica S2 | optical | Y | 3.0 / 460 | fixed | n | 1/4000s | 1.5/s | n | n | |
16. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
17. | Sony A1 | 9437 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the GFX 50S II and the S-E Typ 006 is in-body image stabilization (IBIS). The GFX 50S II reduces the risk of handshake-induced blur with all attached lenses, while the S-E Typ 006 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50S II writes its imaging data to SDXC cards, while the S-E Typ 006 uses Compact Flash or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50S II supports UHS-II cards (on both slots), while the S-E Typ 006 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S II and Leica S-E (Typ 006) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
2. | Leica S-E Typ 006 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
3. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Fujifilm GFX 100 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
6. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
7. | Fujifilm GFX 100 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
8. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
9. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
10. | Hasselblad X2D 100C | Y | stereo / mono | - | - | - | 3.2 | Y | - | - | |
11. | Leica S3 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
12. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
13. | Leica S Typ 007 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
14. | Leica S Typ 006 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
15. | Leica S2 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
17. | Sony A1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the GFX 50S II offers wifi support, while the S-E Typ 006 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The GFX 50S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the S-E Typ 006 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the S-E Typ 006 was succeeded by the Leica S Typ 007. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 50S II and the Leica S-E Typ 006? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm GFX 50S II:
- More detail: Offers more megapixels (51.1 vs 37.5MP) with a 14% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (3 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (150x104mm vs 160x120mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 360g or 29 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (76 percent cheaper at launch).
- More modern: Reflects 6 years and 11 months of technical progress since the S-E Typ 006 launch.
Reasons to prefer the Leica S-E (Typ 006):
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.87x vs 0.77x).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S II is the clear winner of the match-up (22 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S II and the Leica S-E Typ 006 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50S II and the S-E Typ 006 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
2. | Leica S-E Typ 006 | .. | .. | .. | .. | .. | .. | Sep 2014 | 16,900 | ebay.com | |
3. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | 4,499 | amazon.com | |
4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
5. | Fujifilm GFX 100 II | 5/5 | + | 5/5 | .. | .. | 4.5/5 | Sep 2023 | 7,499 | amazon.com | |
6. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | 5,999 | amazon.com | |
7. | Fujifilm GFX 100 | 4.5/5 | + + | 4.8/5 | 90/100 | 5/5 | 4.5/5 | May 2019 | 9,999 | ebay.com | |
8. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
9. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
10. | Hasselblad X2D 100C | 4/5 | .. | 5/5 | .. | .. | .. | Sep 2022 | 8,199 | amazon.com | |
11. | Leica S3 | .. | .. | .. | .. | .. | .. | Sep 2018 | 18,995 | ebay.com | |
12. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
13. | Leica S Typ 007 | 4/5 | .. | .. | .. | .. | .. | Sep 2014 | 24,490 | ebay.com | |
14. | Leica S Typ 006 | .. | .. | .. | .. | .. | .. | Sep 2012 | 21,950 | ebay.com | |
15. | Leica S2 | .. | .. | .. | .. | .. | .. | Sep 2008 | 22,995 | ebay.com | |
16. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | 3,699 | amazon.com | |
17. | Sony A1 | 5/5 | o | 4.5/5 | 93/100 | 4.5/5 | 5/5 | Jan 2021 | 6,499 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Leica S-E Typ 006
- Fujifilm GFX 50S II vs Fujifilm X-T30 II
- Fujifilm GFX 50S II vs Nikon 1 V1
- Fujifilm GFX 50S II vs Nikon A1000
- Fujifilm GFX 50S II vs Panasonic TS7
- Fujifilm GFX 50S II vs Sony A7S
- Fujifilm GFX 50S II vs Zeiss ZX1
- Fujifilm X-E2S vs Leica S-E Typ 006
- Leica S-E Typ 006 vs Leica X1
- Leica S-E Typ 006 vs Nikon Z7
- Leica S-E Typ 006 vs Panasonic GF1
- Leica S-E Typ 006 vs Sony RX0 II
Specifications: Fujifilm GFX 50S II vs Leica S-E Typ 006
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm GFX 50S II | Leica S-E Typ 006 |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Fujifilm G mount lenses | Leica S mount lenses |
Launch Date | September 2021 | September 2014 |
Launch Price | USD 3,999 | USD 16,900 |
Sensor Specs | Fujifilm GFX 50S II | Leica S-E Typ 006 |
Sensor Technology | CMOS | CCD |
Sensor Format | Medium Format Sensor | Medium Format Sensor |
Sensor Size | 44.0 x 33.0 mm | 45.0 x 30.0 mm |
Sensor Area | 1452 mm2 | 1350 mm2 |
Sensor Diagonal | 55 mm | 54.1 mm |
Crop Factor | 0.79x | 0.8x |
Sensor Resolution | 51.1 Megapixels | 37.5 Megapixels |
Image Resolution | 8256 x 6192 pixels | 7500 x 5000 pixels |
Pixel Pitch | 5.33 μm | 6.00 μm |
Pixel Density | 3.52 MP/cm2 | 2.78 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 1080/30p Video | no Video |
ISO Setting | 100 - 12,800 ISO | 100 - 1,600 ISO |
ISO Boost | 50 - 102,400 ISO | no Enhancement |
Screen Specs | Fujifilm GFX 50S II | Leica S-E Typ 006 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 98% |
Viewfinder Magnification | 0.77x | 0.87x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | Control Panel | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2360k dots | 922k dots |
LCD Attachment | Fully flexible screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Fujifilm GFX 50S II | Leica S-E Typ 006 |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 3 shutter flaps/s | 1.5 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | no handshake reduction |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | CF or SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | Dual UHS-II | UHS-I |
Connectivity Specs | Fujifilm GFX 50S II | Leica S-E Typ 006 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 3.2 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Body Specs | Fujifilm GFX 50S II | Leica S-E Typ 006 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Fujifilm NP-W235 | Leica BP-PRO1 |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
150 x 104 x 87 mm (5.9 x 4.1 x 3.4 in) |
160 x 120 x 80 mm (6.3 x 4.7 x 3.1 in) |
Camera Weight | 900 g (31.7 oz) | 1260 g (44.4 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.