Canon 50D vs Fujifilm GFX 50S II
The Canon EOS 50D and the Fujifilm GFX 50S II are two digital cameras that were announced, respectively, in August 2008 and September 2021. The 50D is a DSLR, while the GFX 50S II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (50D) and a medium format (GFX 50S II) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 50D and the Fujifilm GFX 50S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon 50D and the Fujifilm GFX 50S II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S II is somewhat smaller (1 percent) than the Canon 50D. However, the GFX 50S II is markedly heavier (9 percent) than the 50D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 50D gets 800 shots out of its Canon BP-511A battery, while the GFX 50S II can take 440 images on a single charge of its Fujifilm NP-W235 power pack. The power pack in the GFX 50S II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 50D | 146 mm | 108 mm | 74 mm | 822 g | 800 | Y | Aug 2008 | 1,299 | ebay.com | |
2. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
3. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
4. | Canon 90D | 141 mm | 105 mm | 77 mm | 701 g | 1300 | Y | Aug 2019 | 1,199 | amazon.com | |
5. | Canon 80D | 139 mm | 105 mm | 79 mm | 730 g | 960 | Y | Feb 2016 | 1,199 | ebay.com | |
6. | Canon 7D II | 149 mm | 112 mm | 78 mm | 910 g | 670 | Y | Sep 2014 | 1,799 | ebay.com | |
7. | Canon 70D | 139 mm | 104 mm | 79 mm | 755 g | 920 | Y | Jul 2013 | 1,199 | ebay.com | |
8. | Canon 60D | 145 mm | 106 mm | 79 mm | 755 g | 1100 | Y | Aug 2010 | 1,399 | ebay.com | |
9. | Canon 7D | 148 mm | 111 mm | 74 mm | 860 g | 800 | Y | Sep 2009 | 1,699 | ebay.com | |
10. | Canon T1i | 129 mm | 98 mm | 62 mm | 520 g | 400 | n | Mar 2009 | 799 | ebay.com | |
11. | Canon 40D | 146 mm | 108 mm | 74 mm | 822 g | 750 | n | Aug 2007 | 1,299 | ebay.com | |
12. | Canon 30D | 144 mm | 106 mm | 74 mm | 785 g | 750 | n | Feb 2006 | 1,399 | ebay.com | |
13. | Canon 20D | 144 mm | 106 mm | 72 mm | 770 g | 700 | n | Aug 2004 | 1,499 | ebay.com | |
14. | Fujifilm GFX 100 II | 152 mm | 117 mm | 99 mm | 1030 g | 540 | Y | Sep 2023 | 7,499 | amazon.com | |
15. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | 5,999 | amazon.com | |
16. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
17. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 50D was launched at a markedly lower price (by 68 percent) than the GFX 50S II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 50D features an APS-C sensor and the Fujifilm GFX 50S II a medium format sensor. The sensor area in the GFX 50S II is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 50D has a native 3:2 aspect ratio, while the one in the GFX 50S II offers a 4:3 aspect.
With 51.1MP, the GFX 50S II offers a higher resolution than the 50D (15.1MP), but the GFX 50S II nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.69μm for the 50D) due to its larger sensor. Moreover, the GFX 50S II is a much more recent model (by 13 years) than the 50D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 50D are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.
Unlike the 50D, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 50D has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Fujifilm GFX 50S II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 50D | APS-C | 15.1 | 4752 | 3168 | none | 21.8 | 11.4 | 696 | 63 | |
2. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
3. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
4. | Canon 90D | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
5. | Canon 80D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.2 | 1135 | 79 | |
6. | Canon 7D II | APS-C | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 11.8 | 1082 | 70 | |
7. | Canon 70D | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 22.5 | 11.6 | 926 | 68 | |
8. | Canon 60D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.2 | 11.5 | 813 | 66 | |
9. | Canon 7D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.0 | 11.7 | 854 | 66 | |
10. | Canon T1i | APS-C | 15.1 | 4752 | 3168 | 1080/20p | 21.7 | 11.5 | 663 | 63 | |
11. | Canon 40D | APS-C | 10.1 | 3888 | 2592 | none | 22.1 | 11.3 | 703 | 64 | |
12. | Canon 30D | APS-C | 8.2 | 3504 | 2336 | none | 21.5 | 10.8 | 736 | 59 | |
13. | Canon 20D | APS-C | 8.2 | 3504 | 2336 | none | 21.9 | 11.0 | 721 | 62 | |
14. | Fujifilm GFX 100 II | Medium Format | 101.8 | 11648 | 8736 | 8K/30p | 25.9 | 15.0 | 3651 | 101 | |
15. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
16. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
17. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GFX 50S II indeed provides for movie recording, while the 50D does not. The highest resolution format that the GFX 50S II can use is 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50S II has an electronic viewfinder (3690k dots), while the 50D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 50S II offers a wider field of view (100%) than the one in the 50D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 50S II has a higher magnification (0.77x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 50D and Fujifilm GFX 50S II along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 50D | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 6.3/s | Y | n | |
2. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
3. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
4. | Canon 90D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 11.0/s | Y | n | |
5. | Canon 80D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
6. | Canon 7D II | optical | Y | 3.0 / 1040 | fixed | n | 1/8000s | 10.0/s | Y | n | |
7. | Canon 70D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
8. | Canon 60D | optical | Y | 3.0 / 1040 | swivel | n | 1/8000s | 5.3/s | Y | n | |
9. | Canon 7D | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 8.0/s | Y | n | |
10. | Canon T1i | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.4/s | Y | n | |
11. | Canon 40D | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 6.5/s | Y | n | |
12. | Canon 30D | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | Y | n | |
13. | Canon 20D | optical | Y | 1.8 / 118 | fixed | n | 1/8000s | 5.0/s | Y | n | |
14. | Fujifilm GFX 100 II | 9440 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 8.0/s | n | Y | |
15. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
16. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
17. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The 50D has one, while the GFX 50S II does not. While the built-in flash of the 50D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 50D writes its imaging data to Compact Flash cards, while the GFX 50S II uses SDXC cards. The GFX 50S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 50D only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 50D and Fujifilm GFX 50S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 50D | Y | - / - | - | - | mini | 2.0 | - | - | - | |
2. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
3. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Canon 90D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | Y | |
5. | Canon 80D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
6. | Canon 7D II | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
7. | Canon 70D | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
8. | Canon 60D | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Canon 7D | Y | mono / - | Y | - | mini | 2.0 | - | - | - | |
10. | Canon T1i | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
11. | Canon 40D | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Canon 30D | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Canon 20D | Y | - / - | - | - | - | 1.1 | - | - | - | |
14. | Fujifilm GFX 100 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
15. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
16. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
17. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - |
It is notable that the GFX 50S II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 50D does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The GFX 50S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the 50D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 50D was succeeded by the Canon 60D. Further information on the features and operation of the 50D and GFX 50S II can be found, respectively, in the Canon 50D Manual (free pdf) or the online Fujifilm GFX 50S II Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Canon 50D or the Fujifilm GFX 50S II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 50D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6.3 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (800 versus 440) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2008).
Advantages of the Fujifilm GFX 50S II:
- More detail: Has more megapixels (51.1 vs 15.1MP), which boosts linear resolution by 81%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.59x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 13 years of technical progress since the 50D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S II is the clear winner of the contest (24 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 50D and the Fujifilm GFX 50S II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 50D and the GFX 50S II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 50D | .. | + + | .. | + + | 4.5/5 | 4.5/5 | Aug 2008 | 1,299 | ebay.com | |
2. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
3. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
4. | Canon 90D | 4/5 | + | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Aug 2019 | 1,199 | amazon.com | |
5. | Canon 80D | 4/5 | + + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2016 | 1,199 | ebay.com | |
6. | Canon 7D II | 4.5/5 | + | 3.5/5 | 84/100 | 4/5 | 4.5/5 | Sep 2014 | 1,799 | ebay.com | |
7. | Canon 70D | 5/5 | + + | .. | 83/100 | 4.5/5 | 5/5 | Jul 2013 | 1,199 | ebay.com | |
8. | Canon 60D | 5/5 | + | .. | 79/100 | 4/5 | 4.5/5 | Aug 2010 | 1,399 | ebay.com | |
9. | Canon 7D | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2009 | 1,699 | ebay.com | |
10. | Canon T1i | .. | + + | .. | 74/100 | 4.5/5 | 4.5/5 | Mar 2009 | 799 | ebay.com | |
11. | Canon 40D | .. | + + | .. | + + | 4.5/5 | 4.5/5 | Aug 2007 | 1,299 | ebay.com | |
12. | Canon 30D | .. | + + | .. | + + | o | .. | Feb 2006 | 1,399 | ebay.com | |
13. | Canon 20D | .. | .. | .. | + + | .. | .. | Aug 2004 | 1,499 | ebay.com | |
14. | Fujifilm GFX 100 II | 5/5 | + | 5/5 | .. | .. | 4.5/5 | Sep 2023 | 7,499 | amazon.com | |
15. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | 5,999 | amazon.com | |
16. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
17. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1300D vs Canon 50D
- Canon 50D vs Canon SX740
- Canon 50D vs Fujifilm X100V
- Canon 50D vs Leica D-LUX 6
- Canon 50D vs Nikon 1 J5
- Canon 50D vs Nikon B600
- Canon T7 vs Fujifilm GFX 50S II
- Fujifilm GFX 50S II vs Leica M10-P
- Fujifilm GFX 50S II vs Panasonic G100
- Fujifilm GFX 50S II vs Panasonic G110
- Fujifilm GFX 50S II vs Panasonic LX100 II
- Fujifilm GFX 50S II vs Sony A1
Specifications: Canon 50D vs Fujifilm GFX 50S II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 50D | Fujifilm GFX 50S II |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Fujifilm G mount lenses |
Launch Date | August 2008 | September 2021 |
Launch Price | USD 1,299 | USD 3,999 |
Sensor Specs | Canon 50D | Fujifilm GFX 50S II |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Medium Format Sensor |
Sensor Size | 22.3 x 14.9 mm | 44.0 x 33.0 mm |
Sensor Area | 332.27 mm2 | 1452 mm2 |
Sensor Diagonal | 26.8 mm | 55 mm |
Crop Factor | 1.6x | 0.79x |
Sensor Resolution | 15.1 Megapixels | 51.1 Megapixels |
Image Resolution | 4752 x 3168 pixels | 8256 x 6192 pixels |
Pixel Pitch | 4.69 μm | 5.33 μm |
Pixel Density | 4.53 MP/cm2 | 3.52 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | no Video | 1080/30p Video |
ISO Setting | 100 - 3,200 ISO | 100 - 12,800 ISO |
ISO Boost | 100 - 12,800 ISO | 50 - 102,400 ISO |
Image Processor | DIGIC 4 | X Processor 4 |
DXO Sensor Quality (score) | 63 | .. |
DXO Color Depth (bits) | 21.8 | .. |
DXO Dynamic Range (EV) | 11.4 | .. |
DXO Low Light (ISO) | 696 | .. |
Screen Specs | Canon 50D | Fujifilm GFX 50S II |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.59x | 0.77x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | Control Panel | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 920k dots | 2360k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Canon 50D | Fujifilm GFX 50S II |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
Continuous Shooting | 6.3 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | CF cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
Connectivity Specs | Canon 50D | Fujifilm GFX 50S II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Canon 50D | Fujifilm GFX 50S II |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Canon BP-511A | Fujifilm NP-W235 |
Battery Life (CIPA) | 800 shots per charge | 440 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
146 x 108 x 74 mm (5.7 x 4.3 x 2.9 in) |
150 x 104 x 87 mm (5.9 x 4.1 x 3.4 in) |
Camera Weight | 822 g (29.0 oz) | 900 g (31.7 oz) |
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